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'Indicate' Bilder und Clips Suchergebnisse page 1 of 21

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Bilder zu 'Indicate' gefunden, 1,808

Postcard depicting Soviet workers and engineers in the Space Race (print)
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A plan of a weir and embankment on the Arno east of Florence, 1504 (pen & ink with brown and blue wash, over black chalk on paper)
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Landscape with Fall of Icarus (Paesaggio con caduta di Icaro), by Carlo Saraceni, 1606-1607, 17th Century, oil on copper, 34 x 54 cm
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Zeus with Cupid, 1-37, 1st Century A.D. (fresco)
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Studio, Quai Saint-Michel, 1916 (oil on canvas)
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Sketches of the bust of a woman, c.1490 (metalpoint on pale buff prepared paper)
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Expulsion from the Garden of Eden, 1424-1425 (fresco)
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Saints Peter and Paul (I Santi Pietro e Paolo), by Daniele Crespi, 17th Century, oil on canvas, 44 x 55 cm
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Deauville, 1893 (oil on canvas)
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Tablet sundial, 1592 (gilt brass)
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Portolan chart of western Europe and the Mediterranean, with the principal powers indicated by means of flags.
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Frida Kahlo shown with her painting Me Twice (b/w photo)
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Calling of Saint Matthew, by Michelangelo Merisi also known as Caravaggio, 1599 - 1600, 16th Century, oil on canvas, 322 x 340 cm
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India: Rigveda manuscript in Devanagiri script, 19th century.
Gulf War, operation Desert Storm, Saddam Hussein, President Bush Sr, Conflict in Iraq 1990-91
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December (Dicembre), by Benedetto da Milano upon drawing by Bramantino, c. 1503-1508, 16th century (tapestry)
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Tribute Money, 1425-1427 (fresco)
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Adoration of the Shepherds, 1483-1486 (tempera on board)
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The body of a horse in profile, c.1490 (metalpoint, with white heightening, on blue prepared paper)
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Kiss of Judas (Bacio di Giuda), by Giotto, 1303-1305, 14th century (fresco)
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Representation of the Marshall Islands made with listels of palm tree and shells to indicate the relative positions of the islands, the current and the route.
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Ms 624/1596, fol.17r, Compass Rose, from 'Liber Floridus' by Lambert de Saint-Omer, c.1448 (vellum)
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Portrait of Galeazzo Maria Sforza, 1471 (oil on board)
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Virgin Mary reading to the Infant Christ (recto), late 1480s-early 1490s (pen and dark brown ink over red chalk, on laid paper)
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Survey of the District of Hans Town, Chelsea, 1770 (pencil & ink on paper)
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Egyptian antiquite: Roman mammisi commemorating the birth of Ihy, son of Hathor - Detail of reliefs and hieroglyphs: the goddess Isis - Hathor nursing her son Ihi (Ihy) and behind her another image of Ihi with a finger in her mouth indicating that it is a child - Temple of Hathor, Denderah, Egypt - Egyptian civilization: goddess Isis - Hathor who is suckling her son Ihy and behind Hathor stand another image of Ihy with a finger in his mouth to indicate childhood, detail of a Roman mammisi, commemorating the birth of Ihy, son of Isis, carved on the wall of Hathor Temple (or Temple of Tentyra) in Denderah, built under the reign of Pepi I (ca. 2250 BC) - Temple complex, Egypt
Statuette of King Senusret I, from a private tomb near the Pyramid of Senusret I at Al-Lisht, Middle Kingdom (stuccoed & painted cedarwood)
Conversion of Paul, by Pieter Bruegel the Elder, 1567, 16th Century, oil on wood, 108 x 156 cm
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Aeneas' Apotheosis, Villa Loredan, Vascon di Carbonera, Treviso (fresco)
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Maps of Jerusalem and Acre, from Marino Sanudo Torsello, ‘Liber Secretorum fidelium crucis’, c.1320-1325 (bodycolour on parchment)
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Antonio abandons his men in the battle of Pythian, by Jean Boulanger, half 17th Century, oil on canvas
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The saints Peter and Mark (I Santi Pietro e Marco), by Antonio d'Enrico (Errico), known as Tanzio da Varallo, 17th Century, oil on canvas
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The ship 'Prince Royal' and his escort anchored in an estuary
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The Twelve signs of the Chinese Zodiac
Condemnation and burial of Rhea Silvia (Condanna e seppellimento di Rea Silvia), by a collaborator of Gentile da Fabriano, 1407 - 1410, 15th Century, fresco
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Head, 600 BC-AD 250 (terracotta)
Sabbath Rest, 1894 (oil on canvas)
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Marianne chasing the Nuns out off the church, 1905 (postcard)
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Girl in front of Magistrates, by unknown artist, 62-79, 1st Century A.D., ripped fresco, 44 x 60 cm
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Japan: Scene of destruction in Tokyo after the Great Kanto Earthquake of 1923
Male nude with proportions indicated, c.1515-20 (chalk on paper)
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France, Lascaux Grottoes, Map with indicated cave paintings, Illustration,
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Eli Wallach and Sergio Leone on the film set of The Good, the Bad and the Ugly (b/w photo)
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The Calling of St. Matthew, by Michelangelo Merisi known as Caravaggio, 1599-1600, 16th-17th century, oil on canvas, 322 × 340 cm.
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Tribute Money, 1425-1427 (fresco)
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Frescoes on the Left Wall of the Brancacci Chapel, 1424-1485 (fresco)
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Apparition of St. Francis in a chariot of fire, by Giotto, 1297 - 1299, 13th Century, fresco, 230 x 270 cm
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Pope Francis, Holy See (Vatican City State), 2016 (photo)
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Female figure nursing an infant, Central Highlands, Mexico, c.350-550 (ceramic & pigment)
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The Church Militant and Triumphant, 1365-1367 (fresco)
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Cylinder vessel, Guatemala, c.600-900 (ceramic & paint)
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Venus appears as a a hunter to Aeneas on the shores of Libya, by Gallo Gallina, 19th Century, oil on canvas
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Galileo (and Urban VIII), by Edmond Van Hove, 19th Century
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Meridian of the Church of Saint Martin des Vignes (Troyes) - Noon Mark on Saint Martin des Vignes (Troyes) - It dates from 1778. This is one of the few Meridians in France to indicate the time of the Meridian of the Ile de Fer (now Hierro in the Canary Islands). The Meridian of Iron Island was defined as the Meridian of origin by Ptolemee, in order to count positively the longitude in Europe. At that time, Iron Island was the most western known land. This meridian was considered in France as a meridian of reference, from 1634 to 1792, then abandoned to the profile of the meridian of Paris, then that of Greenwich
Bowl, Mexico, c.600-900 (ceramic & paint)
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Epitaph of Seikulos a
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St. Ambrose refuses entry into the Temple to the Emperor Theodosius, by Francesco Hayez, 19th century, oil on canvas, 85 x 116.2 cm.
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Gino Cervi and Fernandel in 'Le Petit Monde de Don Camillo', 1952 (b/w photo)
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Confederate officer's frock coat
Map of Nationalities, Chicago, in Hull-House Maps and Papers, 1895 (coloured engraving)
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Virgin Mary reading to the Infant Christ (recto), late 1480s - early 1490s (pen & ink over chalk on paper)
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Apollo at Vulcan's Forge (etching)
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Dug-Out (or Stand-to), 1928 (oil on canvas)
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Orazio Farnese, Duke of Castro (1531-1553)
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