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'Notation' Bilder und Clips Suchergebnisse page 1 of 22

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Bilder zu 'Notation' gefunden, 1,898

Garden, Notting Hill Gate, 1997 (oil on canvas)
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William Shakespeare - signature
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La Marseillaise.
The Third Mode, from a tonary in Aquitanian notation (vellum)
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Beethoven 's 'Fur Elise', 1912 (print)
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Gustav Mahler's  8th  Symphony manuscript score (engraving)
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Original score of the Last Folio from the Opera 'Susanna', 1748
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Glenn Gould, during recording with Leonard Bernstein and the New York Philharmonic Orchestra, New York, March 1961 (b/w photo)
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Beethoven 5th Symphony (engraving)
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Franz Lehár 's
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Motet in honour of St. Anne
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Score of John Cage's
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Mendelssohn's Scottish drawing, 1929
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Add 57950 f.12v The Old Hall Manuscript: polyphonic mass settings and  motets, compiled and written possibly for the Chapel Royal in the Reign of Henry IV, c.1420
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First version of 'Clair
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Musical score of Richard Wagner 's Tristan und Isolde (Print)
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Manuscript sheet music of the Little Solemn Messe of Gioachino (Gioacchino, Giovacchino) Rossini (1792-1868): beginning of the Agnus Dei
Leonhard Euler
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Neume notation of Guido
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Summertime, 2012 (collage mixed media on paper)
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Title page of the score for 'Le Quatuor pour la fin du temps', 1941 (pen & ink on paper)
'Sumer is icumen in', a vocal composition for several voices; it is probably the most celebrated piece of English medieval music. The melody is one of the earliest known examples of what is now the major mode, and the earliest example of ground-bass. Besides the English secular text 'Sumer is icumen in', the melody is provided with a Latin sacred one 'Perspice Christicola', and it is the earliest known manuscript in which both secular and sacred words are written to the same piece of music
'La Jazzbandette' - Score Cover for Fox-Trot, 1921 (print)
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Page 66 from 'Conceptual Notation' by Gottlob Frege, 1879 (litho)
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Title Page to 'Orfeo' by Claudio Monteverdi, 1609 (print)
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Title page of GUISEPPE
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Wolfgang Amadeus Mozart 's
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Prélude à l'après-midi d'un faune by Claude Debussy
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R.M.20.h.5 f1 Original score for the Coronation Anthem for George II and Queen Caroline, 1727 (see also 65431)
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Music Score for ‘Don Giovanni’ by Wolfgang Amadeus Mozart (print)
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Man playing bells
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Heinrich Isaac 's autograph
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Saturday afternoon, Notting Hill, c.1960-61 (b/w photo)
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Johann Jacob Froberger 's
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'Belle, Bonne' BY Baude Cordier, Music Score (print)
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Ludwig van Beethoven sketch
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[Detail] A man juggling, illustrating the Third Mode, from a tonary in Aquitanian notation
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Music Score for ‘Le Streghe’ by Niccolo Paganini (print)
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Ms 558 f.55v Page of choral notation with an historiated initial 'O' depicting St. John the Baptist, from a Missal, early 1430s (vellum) (for detail see 78834)
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Gustav Mahler - The Resurrection
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Gustav Mahler The Resurrection
Anton Bruckner 's Symphony
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William Morris' Manifesto for
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'The Cries of Paris' - woman selling mackerel
'The Cries of Paris' - glazier
The Roman Comic by Paul Scarron
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Song of the Foolish Virgins
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'Salome' by Richard Strauss
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Guidonian hand -
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BACH Johann Sebastian -
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Guidonian hand -
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Johann Sebastian Bach 's
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Andante for Pianoforte by Clara Wieck
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Wolfgang Amadeus Mozart 's
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Miniature shows the beginning of Psalm 97, initial 'C', three clerics chanting
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The Blackboards, Dublin, 1974 (chalk on painted wood)
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Harmonice Musices Odhecaton - score
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Original Score for Handel's Last Oratorio, Jephtha
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Verdi Traviata score in
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Untitled, 1926 (pencil, coloured pencil and w/c on paper with collage)
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Victorian ballroom dance score
GERSHWIN George  -
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