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{"event":"custom_event","event_name":"view_search_result","event_category":"browse_catalog","keyword":"objective","search_type":"standard","search_bridgeman_artists":"false","search_mode":"automatic","search_zero_result":"false","search_results":426,"search_results_page_number":1}

'Objective' Bilder und Clips Suchergebnisse page 1 of 5

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Bilder zu 'Objective' gefunden, 426

Japan: A Japanese embassy to the Tang Court in China, painting, 8th-9th century CE
GAIA satellite - Illustration - View of the European satellite GAIA against a milky lane background. The objective of the Gaia mission is to carry out the largest possible census of the stars of our Galaxy and to create a 3D map of a very precise 3D map. The satellite will determine the position, color and proper movement of a billion stars. Gaia was launched since Kourou on December 19, 2013. Artist's print of Gaia. Gaia is an ambitious mission to chart a three - dimensional map of our Galaxy, the Milky Way, in the process revealing the composition, formation and evolution of the Galaxy. Gaia will provide unprecedented positional and radial velocity measurements with the accuracies needed to produce a stereoscopic and kinematic census of about one billion stars in our Galaxy and throughout the Local Group. This amounts to about 1 per cent of the Galactic stellar population. Combined with astrophysical information for each star, provided by on - board multi - colour photometry, these data will have the precision necessary to quantify the early formation, and subsequent dynamical, chemical and star formation evolution of the Milky Way Galaxy. Additional scientific products include detection and orbital classification of tens of thousands of extra - solar planetary systems, a comprehensive survey of objects ranging from huge numbers of minor bodies in our Solar System, through galaxies in the nearby Universe, to some 500,000 remote quasars. It will also provide a number of stringent new tests of general relativity and cosmology. Gaia was launched from Europe's Spaceport in French Guiana on December 19, 2013
Non-objective Composition, by Lyubov Popova (1889-1924), 1918
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Rayonist Composition, 1916 (gouache on paper)
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Hut Point, 1911 (w/c on paper)
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Photos of the young 'disappeared', 1982 (b/w photo)
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Canadian soldiers at a sign for the port city of Caen, their first critical Post D-Day objective. July 9, 1944. Normandy Campaign, France, World War 2
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First fleet operations of the Continental Navy under Commodore Hopkins, 3rd March 1776 (oil on canvas), 1973
Microscopes, 17th Century, Hooke,s Hooke's compound microscope and its illuminating system, 1665-1675
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Stimulation Objective, 1939 (gouache on paper)
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King George VI at Southwold Boys' Camp
Lewis Carroll cleaning a camera lens, United Kingdom, 1909 (b/w photo)
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Microscopes, 18th Century Modified Marshall type compound microscope, 1720
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Solar Orbiter (photo)
U.S. tank near Mortain, France, the objective of the faltering German counter attack in Normandy. U. S. Sherman tank is equipped with the 'Rhinoceros' hedgecutter welded on it front, enabling it to plow through the Norman hedgerows. August 7, 1944, in Battle of the Falaise Pocket. France, World War 2
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John Cotton Dana (b/w photo)
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Observation Hill from Hut Point, 1911 (w/c on paper)
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The notes from Charlie's bugle rang out clear and loud'. Charles Ernest Timmins, Bugler Royal Marine Light Infantry, at age 14 (Born 7th Dec. 1902), served on the C-class light cruiser H.M.S Cardiff.
On the 17th of November 1917 HMS Cardiff was involved in a light cruiser action off Heligioland. 
The mission objective was to surprise the enemy, and try and force him into action. The ships bugler Charles Timmins was killed while he was sounding the alert. A piece of shrapnel from a shell blew a hole in Cardiff's funnel and pierced his bugle.
DART Mission, 2021 (Illustration)
DART Mission, 2021 (Illustration)
Folio No: 32 Map of Europe, North Africa and the Mediterranean, c1842-c1853 (print)
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Microscopes, 19th Century The first achromatic microscope, 1826
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Meuse-Argonne Offensive, WWI
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Autumn Trees
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Larchwood Path, 1946
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Grey Winter, 1948
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Photoreporter Hans Schlaepfer shows a stewardess the handling of a camera with a telephoto lens, taken in 1970 (b/w photo)
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Non-objective composition (colour screenprint)
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Sunflowers and Blue Jar, c.1947
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Stimulation Objective (oil on canvas)
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The Objective, c.1900 (colour litho)
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Photographers at work, 1984 (photo)
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A cutaway view shows how light passes through the lenses and prisms of binoculars.
Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Stimulation Objective No.3, 1939 (oil on canvas)
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Nikon the Objective Eye, 1989 (Camera, polythene)
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Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Objective, Burma! directed by Raoul Walsh 1945
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Objective Burma! directed by Raoul Walsh, 1945
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Experiential, 2001 (acrylic on board)
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United States, 1960s: Rioters run away, confused, as tear gas strikes them
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Objective Stimulation, c.1938-39 (gouache on paper)
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Portrait of a man with an objective lens, ca 1870 (photograph)
Five photographers of Epoca magazine
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The Meeting of the Industrialists in Cernobbio, Cernobbio, Italy, 1965
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Switzerland Photo Hunter (b/w photo)
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Switzerland Photo Hunter (b/w photo)
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Switzerland Photo Hunter (b/w photo)
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Switzerland Photo Hunter (b/w photo)
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Sign "Objective 0 phyto, municipality without pesticides “, village of Salsigne (photo)
ERROL FLYNN relaxes between scenes of OBJECTIVE BURMA by playing chess, 4/26/45
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Bernardo Bertolucci on the movie set of Little Buddha, Kathmandu, Nepal
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