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{"event":"custom_event","event_name":"view_search_result","event_category":"browse_catalog","keyword":"red tunic","search_type":"standard","search_bridgeman_artists":"false","search_mode":"automatic","search_zero_result":"false","search_results":342,"search_results_page_number":1}

'Red Tunic' Bilder und Clips Suchergebnisse page 1 of 4

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Bilder zu 'Red Tunic' gefunden, 342

The Red Tunic, 1927 (oil on canvas)
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Studies of drapery for a Salvator Mundi, c.1504-8 (red chalk with pen and ink and white heightening on pale red prepared paper)
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Christ Mocked, 1438 - 1446 (fresco)
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The garden of love; Le jardin d'amour, c.1951-1952 (oil on panel)
Madonna with the Child (Madonna con il Bambino), by Giuseppe Nuvolone, 1657 - 1658, 17th Century, oil on board, 37 x 28 cm
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The Annunciation, 1633 (oil on canvas)
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Air and Youth: Hunter with Musket and Slain Birds, 1623-25 (oil on panel)
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Stories from the Life of St Justin, (fresco)
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Unknown man, possibly a banker (gouache on paper)
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Parabole or Proverbs. In the Gutenberg Bible
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Girl in front of Magistrates, by unknown artist, 62-79, 1st Century A.D., ripped fresco, 44 x 60 cm
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Un chevalier de Rhodes (Order of Saint John of Jerusalem a Rhodes or Order Hospitalier), kneeling in prayer, 15th century - Military garb as a Knight of Rhodes, or Hospitaler, 15th century - He wears a crimson tunic with gold cross over chainmail and plate armour, with gold buckles, steel gauntlets, red shoes and a steel helmet with yellow plume From a painting by Pinturicchio in Siena Cathedral - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
English musicians during reign of Edward III
William Ponsonby, 2nd Earl of Bessborough, c.1743-50 (oil on canvas)
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The Last Judgement, 1303 - 1305 (fresco)
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The Lover, in the garden, tends the Rose.
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Woman in short hairstyle known as the Victim, 1798 (handcoloured copperplate engraving)
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A sculptor with his pupils (oil on canvas)
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Maria Maddalena, Grand-Duchess of Tuscany (1589-1631), with her Eldest Son Grand-Duke Ferdinand II (1610-1670), and Youngest Daughter Anna de' Medici, later Archduchess of the Tyrol (1616-1676)
Christ Resurrected or The Message of the Angel, 1438 - 1446 (fresco)
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St Margaret of Hungary with Fra' Marino of the Cavalieri Gaudenti Order, (fresco)
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Lari and Snakes, by unknown artist, 55-79, 1st Century A.D., ripped fresco, 128 x 183 cm
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Tribute Money, 1425-1427 (fresco)
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Allegory of Envy (Allegoria dell'Invidia), by Giotto, 1303-1305, 14th century (fresco)
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Pierre de Courtenay (ca. 1165-1219) or Peter II of Courtenay, Emperor of Constantinople. He wears a helm, suit of chainmail, sleeveless tunic, and is mounted on a white horse. He holds the oriflame and escutcheon with his blazon (coat of arms): three red roundels on a gold field with blue label. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Knight of the Order of the Broom-Pod, 13th century. He wears the necklace of broom-pods, fleurs de lilies and a cross, a violet chaperon or hood, white damask coat of arms tunic, gold belt, sword and scabbard, red stockings and long cracows or foals. The order was created by King Louis IX on his wedding to Margeret of Provence in 1234. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Guillaume de Lorris, (or Loris, circa 1200-1238, author of the Roman de la Rose) French scholar and poet, 13th century. He wears a green especially (tunic) embroidered with gold, furlined hanging sleeves, red stockings and cracows or poulaines (long pointed shoes). From a English manuscript in the Angelica Library, Rome. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Philip III the Bold, (Philippe Le Hardi, Philipe III de France, 1245-1285) King of France, 13th century. He wears the ceremonial robes of the Count of Toulouse, crown and sceptre. Over a red tunic, he wears a full ermine-lined simar or cape in blue decorated with gold fleurs de liys. From a 13th-century manuscript in Toulouse library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Fol.115r The Mocking of Christ (vellum)
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Metropolitan Platon, 18th century (oil on canvas)
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Tribute Money, 1425-1427 (fresco)
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Portrait of Bartolomeo Cepolla, c.1470s (tempera on wood)
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An Unknown Naval Commander
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Sir John Cope (1690-1760)
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Henry Ashe (b. 1584)
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View of the entrance to Mainz Cathedral, Germany (photo)
Welsh Guards tunic, c.1900-50 (red wool with gold thread embroidery & gilt buttons)
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Welsh Guards tunic, c.1900-50 (red wool with gold thread embroidery & gilt buttons)
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Welsh Guards tunic, c.1900-50 (red wool with gold thread embroidery & gilt buttons)
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United Stateside Jacket With Sleeve Insignia Of The Red Ball Express
Portrait of a Youth in a Red Tunic, 17th century (on panel)
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United States Militia, American Red heavily laced Militia Hussar Uniform circa 1820
Welsh Guards tunic, c.1900-50 (red wool with gold thread embroidery & gilt buttons)
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Welsh Guards tunic, c.1900-50 (red wool with gold thread embroidery & gilt buttons)
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Welsh Guards tunic, c.1900-50 (red wool with gold thread embroidery & gilt buttons)
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Collector's Servant (gouache on paper)
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