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'Rustling' Bilder und Clips Suchergebnisse page 1 of 1

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Bilder zu 'Rustling' gefunden, 53

Rustling Palm, 2004 (oil on canvas)
 
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Rustling Palm, 2004 (oil on canvas)

Willis, Tilly

TWI244004

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premium
Rustling Palm, 2004 (oil on canvas)

Willis, Tilly

TWI244004

Breeze Rustling Through Fall Flowers, 1968 (acrylic on canvas)
 
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Breeze Rustling Through Fall Flowers, 1968 (acrylic on canvas)

Thomas, Alma Woodsey (1891-1978)

PCW5322958

Breeze Rustling Through Fall Flowers, 1968 (acrylic on canvas)

Thomas, Alma Woodsey (1891-1978)

PCW5322958

Rustling Palms, Zanzibar, 2002 (oil on canvas)
 
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Rustling Palms, Zanzibar, 2002 (oil on canvas)

Willis, Tilly

TWI188683

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Rustling Palms, Zanzibar, 2002 (oil on canvas)

Willis, Tilly

TWI188683

The Great Train Robbers
 
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The Great Train Robbers

English School, (20th century)

LAL319355

The Great Train Robbers

English School, (20th century)

LAL319355

Cowboys
 
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Cowboys

English School, (20th century)

LAL319354

Cowboys

English School, (20th century)

LAL319354

Rustling leaves, 2015 (oil and gold leaf on panel)
 
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Rustling leaves, 2015 (oil and gold leaf on panel)

Hampel, Angus

AKW3707796

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Rustling leaves, 2015 (oil and gold leaf on panel)

Hampel, Angus

AKW3707796

Hunting with Lasso in South America, 1877 (engraving)
 
Hunting with Lasso in South America, 1877 (engraving)

Chris Hellier

HLR5891644

Hunting with Lasso in South America, 1877 (engraving)

Chris Hellier

HLR5891644

Waterfall falls over the cafeteria on Briksdalsbreen in Olden - Norway..., 1996 (photo)
 
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Waterfall falls over the cafeteria on Briksdalsbreen in Olden - Norway..., 1996 (photo)

Gueffroy

IMO8771289

Waterfall falls over the cafeteria on Briksdalsbreen in Olden - Norway..., 1996 (photo)

Gueffroy

IMO8771289

Briksdalsbreen glacier waterfall in - Norway..., 1996 (photo)
 
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Briksdalsbreen glacier waterfall in - Norway..., 1996 (photo)

Gueffroy

IMO8771294

Briksdalsbreen glacier waterfall in - Norway..., 1996 (photo)

Gueffroy

IMO8771294

Couple walking through a wooded area (print)
 
Couple walking through a wooded area (print)

XLF3781047

Couple walking through a wooded area (print)

XLF3781047

Sistrum, the rattle used in the Hathor-cult …
 
Sistrum, the rattle used in the Hathor-cult …

Erich Lessing

ELS9142395

Sistrum, the rattle used in the Hathor-cult …

Erich Lessing

ELS9142395

EXODUS IN KENYA RIFT VALLEY PROVINCE, 1998-01-24 (photo)
 
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EXODUS IN KENYA RIFT VALLEY PROVINCE, 1998-01-24 (photo)

REU8359688

EXODUS IN KENYA RIFT VALLEY PROVINCE, 1998-01-24 (photo)

REU8359688

Samburu warriors walk part of the 10 kilometres between three villages in Samburu National Reserve .., 2002-05-27 (photo)
 
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  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
Samburu warriors walk part of the 10 kilometres between three villages in Samburu National Reserve .., 2002-05-27 (photo)

George Mulala

REU7500507

Samburu warriors walk part of the 10 kilometres between three villages in Samburu National Reserve .., 2002-05-27 (photo)

George Mulala

REU7500507

SAMBURU WARRIORS PARTICPATE IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)
 
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SAMBURU WARRIORS PARTICPATE IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU7905401

SAMBURU WARRIORS PARTICPATE IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU7905401

Samburu worriors rest after participating in a 10-kilometre peace match between three villages in Sa.., 2002-06-04 (photo)
 
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Samburu worriors rest after participating in a 10-kilometre peace match between three villages in Sa.., 2002-06-04 (photo)

George Mulala

REU7492572

Samburu worriors rest after participating in a 10-kilometre peace match between three villages in Sa.., 2002-06-04 (photo)

George Mulala

REU7492572

SAMBURU WARRIORS PARTICPATE IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)
 
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SAMBURU WARRIORS PARTICPATE IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU7905513

SAMBURU WARRIORS PARTICPATE IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU7905513

SAMBURU WORRIOR RESTS AFTER PARTICPATING IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)
 
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SAMBURU WORRIOR RESTS AFTER PARTICPATING IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU7926962

SAMBURU WORRIOR RESTS AFTER PARTICPATING IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU7926962

SAMBURU WARRIORS PARTICPATE IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)
 
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SAMBURU WARRIORS PARTICPATE IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU7909332

SAMBURU WARRIORS PARTICPATE IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU7909332

TURKANA WOMAN WATCHES WARRIORS ON PEACE WALK IN SMBURU NATIONAL RESERVE, 2002-04-11 (photo)
 
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TURKANA WOMAN WATCHES WARRIORS ON PEACE WALK IN SMBURU NATIONAL RESERVE, 2002-04-11 (photo)

George Mulala

REU7925456

TURKANA WOMAN WATCHES WARRIORS ON PEACE WALK IN SMBURU NATIONAL RESERVE, 2002-04-11 (photo)

George Mulala

REU7925456

SAMBURU WARRIORS, 2002-04-10 (photo)
 
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SAMBURU WARRIORS, 2002-04-10 (photo)

George Mulala

REU7913084

SAMBURU WARRIORS, 2002-04-10 (photo)

George Mulala

REU7913084

TURKAN WOMEN WATCHES PEACE CEREMONY CELEBRATIONS, 2002-04-11 (photo)
 
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TURKAN WOMEN WATCHES PEACE CEREMONY CELEBRATIONS, 2002-04-11 (photo)

George Mulala

REU7906960

TURKAN WOMEN WATCHES PEACE CEREMONY CELEBRATIONS, 2002-04-11 (photo)

George Mulala

REU7906960

SAMBURU WORRIORS REST AFTER PARTICPATING IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)
 
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SAMBURU WORRIORS REST AFTER PARTICPATING IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU7910963

SAMBURU WORRIORS REST AFTER PARTICPATING IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU7910963

SAMBURU WARRIORS REST AFTER PARTICPATING IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)
 
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SAMBURU WARRIORS REST AFTER PARTICPATING IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU8020062

SAMBURU WARRIORS REST AFTER PARTICPATING IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU8020062

SAMBURU WARRIORS REST AFTER PARTICPATING IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)
 
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SAMBURU WARRIORS REST AFTER PARTICPATING IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU7926950

SAMBURU WARRIORS REST AFTER PARTICPATING IN A PEACE WALK BETWEEN VILLAGES OF THE SAMBURU, 2002-04-10 (photo)

George Mulala

REU7926950

Turkana mother sits with her children as she makes bead necklaces within the Samburu National Reserv.., 2002 (photo)
 
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Turkana mother sits with her children as she makes bead necklaces within the Samburu National Reserv.., 2002 (photo)

George Mulala

REU7458847

Turkana mother sits with her children as she makes bead necklaces within the Samburu National Reserv.., 2002 (photo)

George Mulala

REU7458847

TURKANA WOMAN SITS WITH HER CHILDREN AS SHE MAKES BEAD NECKLACES, 2002-04-10 (photo)
 
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TURKANA WOMAN SITS WITH HER CHILDREN AS SHE MAKES BEAD NECKLACES, 2002-04-10 (photo)

George Mulala

REU7905413

TURKANA WOMAN SITS WITH HER CHILDREN AS SHE MAKES BEAD NECKLACES, 2002-04-10 (photo)

George Mulala

REU7905413

TURKANA GIRLS WAIT FOR THEIR TURN TO DRAW WATER FROM A DEEP WELL WITHIN THE SAMBURU NATIONAL RESERVE, 2002-04-11 (photo)
 
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TURKANA GIRLS WAIT FOR THEIR TURN TO DRAW WATER FROM A DEEP WELL WITHIN THE SAMBURU NATIONAL RESERVE, 2002-04-11 (photo)

George Mulala

REU7905448

TURKANA GIRLS WAIT FOR THEIR TURN TO DRAW WATER FROM A DEEP WELL WITHIN THE SAMBURU NATIONAL RESERVE, 2002-04-11 (photo)

George Mulala

REU7905448

Pan and Syrinx (oil on panel)
 
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Pan and Syrinx (oil on panel)

Lisse, Dirck van der (fl.c.1635-d.1669) (attr.to)

USB1162114

Pan and Syrinx (oil on panel)

Lisse, Dirck van der (fl.c.1635-d.1669) (attr.to)

USB1162114

At Runnymede, at Runnymede / What moves the reeds at Runnymede?' So begins this poem by Rudyard Kipling (d. 1936), first published in 1911. 'The Reeds of Runnymede' was commissioned to accompany a children's history of England, written by the Oxford academic, C. R. L. Fletcher (d. 1934), to which Kipling contributed twenty-three poems. The book itself received a mixed reaction, on account of Fletcher's racial prejudices. For instance, Fletcher denigrated the native people of Australia as 'a few miserable blacks, who could hardly use even bows and arrows', and he lamented the impact of the abolition of slavery on the prosperity of the West Indies. A History of England was venerated by some, but it was condemned by the Manchester Guardian as a pernicious influence on the minds of children, and the volume was banned in parts of the British Empire. Kipling's poem, seen here in the author's draft, is uncontentious. The author imagines that the reeds in the Runnymede water meadow are witnesses to the meeting between King John and the barons, and he suggests that their rustling provides a warning to monarchs who dare to disregard their subjects. Kipling's handwriting is crabbed, and some of his original words were altered when the poem was being prepared for publication. For example, the opening lines of the manuscript version read, 'What moves the reeds at Runnymede', reproduced in print as 'What say the reeds'. The penultimate stanza of the poem is rewritten extensively in the manuscript, with this being Kipling's final draft: At Runnymede, at Runnymede, Your rights were won at Runnymede! No freeman shall be fined or bound, Or dispossessed of freehold ground, Except by lawful judgement found And passed upon him by his peers! Forget not, after all these years, The charter signed at Runnymede.
 
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At Runnymede, at Runnymede / What moves the reeds at Runnymede?' So begins this poem by Rudyard Kipling (d. 1936), first published in 1911. 'The Reeds of Runnymede' was commissioned to accompany a children's history of England, written by the Oxford academic, C. R. L. Fletcher (d. 1934), to which Kipling contributed twenty-three poems. The book itself received a mixed reaction, on account of Fletcher's racial prejudices. For instance, Fletcher denigrated the native people of Australia as 'a few miserable blacks, who could hardly use even bows and arrows', and he lamented the impact of the abolition of slavery on the prosperity of the West Indies. A History of England was venerated by some, but it was condemned by the Manchester Guardian as a pernicious influence on the minds of children, and the volume was banned in parts of the British Empire. Kipling's poem, seen here in the author's draft, is uncontentious. The author imagines that the reeds in the Runnymede water meadow are w

BL3305448

At Runnymede, at Runnymede / What moves the reeds at Runnymede?' So begins this poem by Rudyard Kipling (d. 1936), first published in 1911. 'The Reeds of Runnymede' was commissioned to accompany a children's history of England, written by the Oxford academic, C. R. L. Fletcher (d. 1934), to which Kipling contributed twenty-three poems. The book itself received a mixed reaction, on account of Fletcher's racial prejudices. For instance, Fletcher denigrated the native people of Australia as 'a few miserable blacks, who could hardly use even bows and arrows', and he lamented the impact of the abolition of slavery on the prosperity of the West Indies. A History of England was venerated by some, but it was condemned by the Manchester Guardian as a pernicious influence on the minds of children, and the volume was banned in parts of the British Empire. Kipling's poem, seen here in the author's draft, is uncontentious. The author imagines that the reeds in the Runnymede water meadow are w

BL3305448

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