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'Quattrocento' images and/or videos results page 1 of 68

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Images of 'Quattrocento' found, 6,115

The Birth of Venus, c.1485 (tempera on canvas)
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Vitruvian Man, c.1492 (pen & ink on paper)
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The Last Supper, 1495-97 (fresco) (post restoration)
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The Last Supper, 1495-97 (fresco) (post restoration)
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The Creation of Adam, 1511-12 (fresco)
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Annunciation, 1472-75 (oil on panel) (post restoration)
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Pieta, 1498-1500 (marble)
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View of an Ideal City, or The City of God, c. 1480-1490 (oil on panel)
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Fight between a Dragon and a Lion (brown ink with wash on paper)
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Sistine Chapel Ceiling: Creation of Adam, 1510 (fresco) (post restoration)
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The Adoration of the Magi, 1481-2 (oil on panel)
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Adam and Eve banished from Paradise, c.1427 (fresco)
The Journey of the Magi to Bethlehem, the right hand wall of the chapel, c.1460 (fresco)
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Dante and his poem the 'Divine Comedy', 1465 (tempera on panel)
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Primavera, (Spring) c.1478 (tempera on panel)
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Portrait of Luca Pacioli (c.1445-c.1514) 1495 (oil on panel)
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Adoration of the Magi, c.1475 (tempera on panel)
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Annunciation, 1489 (tempera on panel)
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The Creation of Adam, 1510 (fresco)
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The Miracle of the relic of the true cross on the rialto bridge, 1494 (oil on canvas)
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Pallas and the Centaur, c.1480-85 (tempera on canvas)
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The Birth of Venus (detail), c.1485 (tempera on canvas)
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The Last Supper, 1495-97 (fresco) (post restoration)
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Flora, c.1478 (tempera on panel)
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Calumny of Apelles, 1494-95 (tempera on panel)
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The Last Supper, 1495-97 (fresco) (post restoration)
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Ms Lat 209 fol.6v Jupiter, detail of fruit and grain merchants, from 'De Sphaera', c.1470 (vellum) (detail of 308309)
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Detail of the Three Graces and Mercury, from the Primavera, c.1478 (tempera on panel)
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Creation of Adam, Sistine Chapel, 1510 (fresco) (post restoration)
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The Annunciation, c.1475 (oil and tempera on wood)
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Portrait of the Italian physicist and mathematician Fra Luca Pacioli, 1945 (oil on canvas)
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Christ Child adored by Angels, c.1479 (oil on panel)
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The Three Archangels and Tobias, 15th century (tempera on panel)
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Adoration of the Magi detail, 1423 (tempera on panel)
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Seated Scribe, 1479-81 (pen & brown ink with w/c & gold on paper)
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The Last Supper, 1495-97 (fresco) (post restoration)
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Dante Alighieri holding his poem the Divine Comedy. Near by him, hell, and the city of Florence, in the background the Purgatory and Paradise, 1465 (fresco)
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The Battle of San Romano in 1432, c.1455 (tempera on panel) (see also 162335)
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The Last Supper, 1480 (fresco)
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The Journey of the Magi, East wall of the chapel, c.1460 (fresco
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The baptism of Christ -  oil and tempera on panel, 1472-1475
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Marchese Ludovico Gonzaga III of Mantua (reg. 1444-78), his wife Barbara of Brandenburg, children, courtiers and their dog Rubino, from the Camera degli Sposi or Camera Picta, 1465-74 (fresco) (detail of 78449)
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The Birth of Venus, c.1485 (tempera on canvas)
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Landscape of Santa Maria della Neve: the landscape of the Arno Valley (pencil drawing, 1473)
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Detail of the Adoration of the Magi (tempera on panel) (see also 395)
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The Story of St. Ursula, the Repatriation of the English Ambassadors, 1490-96 (oil on canvas)
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Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper)
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The spring. Detail of the Three Graces (Painting, 1477-1478)
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The Journey of the Magi to Bethlehem, the left hand wall of the chapel, c.1460 (fresco)
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St. Jerome Removing a Thorn from the Lion's Paw, c.1445 (oil on panel) (see 178986 for detail)
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Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy)
The spring. Detail (tempera on panel, 1477-1478)
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David - Bronze statue by Donatello (Donato di Niccolo di Betto Bardi, 1386-1466), 1440, Quattrocento - “” David””” He has the foot pose on the head of the Giant Goliath - Bronze sculpture by Donatello (Donato di Niccolo di Betto Bardi, 1386-1466), 1440 - Firenze, Museo Nazionale del Bargello (Florence, Musee du Bargello)
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The Calling of SS. Peter and Andrew, 1481 (fresco)
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