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Images of 'Raschiatura' found, 103

Dawn after the Wreck, c.1841 (pencil, w/c, bodycolour, red chalk & scraping on paper)
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Morning in the Highlands: the Royal Family ascending Lochnagar, 1853 (w/c, bodycolour & scraping out on paper)
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Heidelberg, c.1846 (w/c, pen and ink on paper)
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Mer de Glace, Chamonix, with Blair's Hut, 1806 (pencil, watercolour, scraping on wove paper)
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Workmen at Carrara (w/c and touches of opaque w/c, with scraping over graphite, on white, thick, moderately texture wove paper)
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Singing and dancing (Cantar y Bailar), 1819-20 (point of brush & black ink on paper, with scraping (in the mouth of the upper figure).)
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Dutch Fishing Vessels near the French Coast, 1825 (w/c over graphite with scraping out on wove paper)
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Variation on the Theme of Las Meninas: Visitors to the Studio, February 18, 1955 (aquatint)
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Resignation, 1816-20 (brush & carbon black ink with wash & scraping on discolored blued white laid paper)
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Jestick. Mixture of a clave, guiro effect and jingle stick. Made by Calato. (photo)
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Jestick. Mixture of a clave, guiro effect and jingle stick. Made by Calato. (photo)
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Jestick. Mixture of a clave, guiro effect and jingle stick. Made by Calato. (photo)
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  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Jestick. Mixture of a clave, guiro effect and jingle stick. Made by Calato. (photo)
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  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Jestick. Mixture of a clave, guiro effect and jingle stick. Made by Calato. (photo)
Image Restrictions
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Jestick. Mixture of a clave, guiro effect and jingle stick. Made by Calato. (photo)
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  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Daniel, 1983-85 (etching, aquatint & drypoint with scraping & burnishing)
Madame Curie, 1987 (colour etching, drypoint, & softground with scraping & burnishing)
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Movement: Fifth Avenue, 1912 (w/c with blotting & traces of scraping & graphite on paper)
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Miners at Work, 1941-42 (pen and ink, chalk, wax crayon, pencil and scraping)
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Portrait of Marie-Thérèse, Full-face, 1934 (etching, aquatint and drypoint with scraping and burnishing)
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Method of scraping hide for softening in an Indian fishing village. Oregon, 1939 (b/w photo)
Three Parts, 1988 (mezzotint with aquatint, scraping, burnishing, and roulette with chine-collé on Gampi on laid paper)
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Colchester, Essex, c.1825-26 (pencil, w/c, bodycolour & scraping on wove paper, now laid down on Japanese tissue)
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St Goarshausen and Katz Castle, 1817 (pencil, w/c applied in washes and with the point of a brush & bodycolour, with scraping on grey-prepared wove paper)
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Crook of Lune, looking towards Hornby Castle, c.1816-18 (pencil, w/c & bodycolour with scraping on wove paper, laid down on Japanese tissue)
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Mont Blanc, from above Courmayeur, c.1810 (pencil, w/c applied in washes and with the point of the brush & bodycolour, with scraping on white wove drawing cartridge paper)
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Construction of a 23-meter racing boat, the Brynhild bridge scraping. Drawing and wash (35x47.9 cm) by Charles M. Padday (?) , early 20th century.
At the Coal Face, 1941-42 (pen and ink, chalk, wax crayon, pencil and scraping on grey-brown paper laid on paper)
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Soaking A Bear Hide, California, c.1930  (b/w photo)
Scraping A Bear Hide, California, c.1941 (b/w photo)
Oboe with box of
Oboe with box of
The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Traditional Moroccan tannery: Men scraping tissues, grease & fats from animal skins, Taroudant, Souss-Massa-Draa Region, Morocco (photo)
Traditional Moroccan tannery: Men scraping tissues, grease & fats from animal skins, Taroudant, Souss-Massa-Draa Region, Morocco (photo)
Study for embrace, 1903 (drawing)
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Traditional Moroccan tannery: Men scraping tissues, grease & fats from animal skins, Taroudant, Souss-Massa-Draa Region, Morocco (photo)
Islam, 1973 (etching & scrim wipe)
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