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Images of 'Installationskunst' found, 970

Étant donnés, 1946-66 (mixed media assemblage)
Merde d'Artiste, 1961
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Chromosaturation, Paris, 1965/2017
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Chromosaturation Labyrinth and Chromatic Walk for a Public Place, 1965-1969 (photo)
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The intonarumori, 1913 (sculpture)
Hélio Oiticica (b/w photo)
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The Matter of Time, built between 1994-2005, eight sculptures of steel by artist Richard Serra, Exhibition Selecciones de la Coleccion, Guggenheim Museum, Bilbao, Spain, photo taken in 2013 (photo)
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Aftermath of Obliteration of Eternity, 2009 (wood, metal, glass mirrors, plastic, acrylic paint, led lighting system & water)
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New Stones - Newton's Tones, 1978 (found plastic objects)
Carlos Cruz-Diez in front of a Cromovela in his artist's studio, 2018
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Carlos Cruz-Diez in an orange booth of the Chromosaturation Labyrinth and Chromatic Walk for a public place, 1965-1969 (photo)
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Carlos Cruz-Diez en la Cromosaturación durante la exposición "Carlos Cruz-Diez. De lo participativo a lo interactivo. Otra noción del color", l'Almodí, Valencia, España, 2003 (photo)
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Bullet Hole, 1988 (Fifteen Light Boxes Cibachrome Mounted)
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Chromosaturation, 1965/2017 (chromatic environment)
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George and the Dragon, 1984 (plastic, wood and aluminium)
Anthony Caro, 1967 (b/w photo)
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Couleur Additive 4 C, 1970 (silkscreen on paper)
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Carlos Cruz-Diez in the Chromosaturation SCAD, 1965/2017 (photo)
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Chromosaturation, Paris, 1965/2013
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Transmuro UBS, 1975-2018
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Chromosaturation, Paris, 1965/2008
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Physichromie Trinity (close-up), 2017 (chromography on aluminum)
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Cromovela, 2014
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Chromosaturation, Paris, 1965-2017
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Chromosaturation, 1965/2013 (chromatic environment)
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Cromoestructura Radial - Homenaje al Sol, 1982
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The Mask of Youth, 2017 (Silicone, aluminium, brass, wood, steel, acrylic, paint, glass, squirrel hair, electri circuitry, PIR motion sensor)
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The Mask of Youth, 2017 (Silicone, aluminium, brass, wood, steel, acrylic, paint, glass, squirrel hair, electri circuitry, PIR motion sensor)
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Sixteen Miles of String (art installation), 1942 (b/w photo)
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Monumenta 2012 (photo)
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Through No.3, October 2020 (Photography)
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Where We Come From (Mohannad), 2001-2003 (laser print mounted on board and DVD)
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Xavier Cortada, "Reclamation Project (Miami Science Museum installation), 1,111 mangrove propagules in clear water-filled cups, 2007. (wall version)
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Bonbons (mixed media)
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Carlos Cruz-Diez in front of the Induction du Rose N°206 in his studio, 2018 (photo)
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View of the exhibition Environment. Tafelbild, Licht und Bewegung, Umgebung [Environment. Panel painting, Light and Movement, Surroundings], Museum am Ostwall, Dortmund, Germany, 1968 (photo)
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Chromosaturation, 1965-2004
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Labyrinthe de Transchromie Bruxelles, 1965-2019
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Chromointerférence mécanique, Paris, 1967 (silkscreen on paper and plastic, motor, wood, metal)
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Wind-Installation I, 2015 (b/w photo)
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Induction Chromatique Walkway, 2019
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Horn Blower, 2002 (Glass, water, brass, ram's horn, wood, video projector and player)
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Chromosaturation Labyrinth and Chromatic Walk for a Public Place, 1965 (wood and plastic)
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Insecticide 24, 2008 (C-type photograph)
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Joseph Beuys, 1966 (b/w photo)
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The Sea of Sun, 1992 (Anodized Aluminium, Aluminium)
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Transchromy Labyrinth B, Paris 1969/2017 (plastic & metal)
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Environnement Chromointerférent, 1974/2003 (video projection)
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Natura Morte 2, 1994 (C-type photograph)
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Six Acts, 2018 (mixed media)
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Tchaikovsky (2006) by Claude Leveque, crumpled stainless steel panels placed on the Vanne aqueduct, Paris, 2019 (photograph)
Ten Plaster Surrogates, c.1982 (enamel on hydrostone)
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Anthony Caro, 1967 (b/w photo)
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War Room, 2015 (installation)
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Milano, Hangar Bicocca, 2006 (photo)
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Untitled (S.114, Hanging, Six-Lobed Continuous Form within a Form with One Suspended and Two Tied Spheres), 1953-1963 (iron, copper, and brass wire)
Antony Caro, 1963 (b/w photo)
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New York City Museum Of Modern Art Displays Rare Italian Paintings, 1940
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Special Instructions
  • Content within this clip may require additional clearances (eg: trademark, audio rights and/or property/personality releases) depending on Licensee’s specific use of material.;Screener copy. Hi-resolution master available upon request. Additional fees may apply.
Mural de Inducción Cromática por cambio de frecuencia, 1989-90 (alkyd paint on concrete )
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Monument, 1986 (dye destruction prints, light bulbs, wire, tape, tin, cardboard, and Plexiglas)
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Liliane Lijn, 1968 (b/w photo)
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The tail of the lion at the Venice Biennale, St. Mark's Square, Venice, Italy, 1999 (photo)
Teil aus dem Merzbau, 1933 (b/w photo)
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Magdalena Abakanowicz, 1995 (sculpture)
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News, 1969-2008 (RSS newsfeed, paper, and printer)
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Postcard Flag (Union Jack), 1981 (acrylic and mixed media)
Manubrium, 1994 (painted steel and zinc-coated steel)
Pine Needles, 2015 (cast copper alloy)
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Irruption (Oval), 2005 (vinyl transfers)
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Le Sacre, 1992 (acrylic on 54 mattresses with wood & brass legs )
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