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Images of 'Trompe L' Oeil' found, 1,958

The trompe l'oeil oculus of the Camera degli Sposi, 1465-74 (fresco)
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Garden Paintings from the so-called 'Villa of Livia', Primaporta, Rome, c.20 BC (fresco)
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The Holy Trinity, with the Virgin and Saint John and donors, 1427-28 (fresco)
The Gods of Olympus, trompe l'oeil ceiling from the Sala dei Giganti, 1528 (fresco)
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Seascape, 1984 (acrylic on canvas)
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Marchese Ludovico Gonzaga III of Mantua (reg. 1444-78), his wife Barbara of Brandenburg, children, courtiers and their dog Rubino, from the Camera degli Sposi or Camera Picta, 1465-74 (fresco) (detail of 78449)
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Detail from 'The Trinity', 1427-28 (fresco)
Exterior of Left and Right panels of The Ghent Altarpiece, 1432 (oil on panel)
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Entry of St Ignatius into Paradise, 1685-94 (fresco)
Lorenzo de' Medici (1449-92) surrounded by artists, admiring Michelangelo's 'Faun' (fresco)
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Trompe l'oeil garden from the Villa of Livia, 40-20 BC (fresco)
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Sistine Chapel Ceiling, 1508-12 (fresco) (detail of 177197)
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Room of the Castellana di Vergi showing the frescoed walls and frieze depicting a medieval French romance (photo)
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Mae West's Face which May be Used as a Surrealist Apartment, 1934-35 (gouache with graphite, on commercially printed magazine page)
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The Camera degli Sposi or Camera Picta with scenes from the court of Mantua, showing the Marchese Ludovico Gonzaga III and his wife Barbara of Brandenburg, their children, courtiers and animals, 1465-74 (photo) (for details see 78450-64 & 78597)
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Central vault of the Church of Saint Ignatius of Loyola (Chiesa di Sant'Ignazio di Loyola) in Rome, a mural representing the apotheosis of Saint Ignatius of Loyola, founder of the company of Jesus, canonized in 1622 and the allegory of Jesuit missionary work, The dome en trompe l'oeil, carried out in 1685 Andrea Pozzo (1642-1709), Art of the Contre reforme, Italian religious architecture in Baroque style dating from the 17th century. Photography, KIM Youngtae, Rome, Lazio, Italy.
Trompe l'Oeil of a Bookcase, 1710-20 (oil on canvas)
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Pentecost (oil on canvas)
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Through the Window, 1981 (oil on board)
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View down a corridor, 1662 (oil on panel)
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Dome of the Church of St Ignatius, 1685 (fresco)
Trompe l'oeil garden from the Villa of Livia, 40-20 BC (fresco)
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Lorenzo amongst the artists (fresco)
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Arrival of Cardinal Francesco Gonzaga, greeted by his father Marchese Ludovico Gonzaga III (reigned 1444-78) and his brothers, from the Camera degli Sposi or Camera Picta, 1465-74 (fresco) (detail of 78449)
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Girl in a Picture Frame, 1641 (oil on panel)
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The Triumph of Christianity, in the Room of Constantine, Raphael Rooms, c.1585 (fresco)
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Untitled, c.1970s (colour screenprint)
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Charlotte Philippine de Chatre de Cange, Marquise de Lamure (pastel on blue paper)
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Triumph of Divine Providence (fresco)
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Vega-WA-3, 1968 (tempera on board)
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Putti with butterfly wings supporting the dedicatory plaque with hunting dogs and their handlers below, from the Camera degli Sposi or Camera Picta, 1465-74 (fresco) (detail of 78449)
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Marchese Ludovico Gonzaga III, his wife Barbara of Brandenburg, their children, courtiers and their dog Rubino, from the Camera degli Sposi or Camera Picta, 1465-74 (fresco)
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Wrigley Gum Girl I (acrylic on canvas)
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The Last Judgement, detail from the cupola of the Duomo, 1572-79 (fresco)
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Assumption of the Virgin (oil on canvas)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a cupboard with latticework doors open to reveal shelves of books, designed by Baccio Pontelli (d.1492), 15th century (wood)
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Interior of Sala di Giove (Jupiter Room) with paintings by Pietro da Cortona, Palazzo Pitti, Florence, Italy (photo)
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The chapel of Eleonora of Toledo, designed by Bartolomeo Ammannati (1511-92) and decorated by Agnolo Bronzino (1503-72) c.1543 (photo) (for details see 82440-44)
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Mosaic from the House of Neptune and Amphitrite (mosaic) (for room see 113527)
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Universal Harmont, or Divine Love, Vault of the Hall of the Olympus, 1555 (fresco)
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Summer (oil on canvas)
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Frescos in the Tablinium, House of Livia, 1st century AD (photo)
Equestrian Monument of Sir John Hawkwood (1320-94), 1436 (fresco transferred to canvas)
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Les Signes du Soir, 1926 (oil on canvas)
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The 'Sala delle Prospettive' (Hall of Perspective) designed by Baldassarre Peruzzi (1481-1536) c.1510 (photo)