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'Nicodemo' images and/or videos results page 1 of 4

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Images of 'Nicodemo' found, 335

Jesus is Taken from the Cross and Laid in His Mother's Arms, no. 13 in '14 Stations of the Cross' series, 2002 (acrylic on canvas) (see also 192720-731, 192733)
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The Holy Shroud (oil on canvas)
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Deposition of Christ, 1432-1434 (tempera on panel)
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Lamentation over the Dead Christ, 1436-41 (tempera on panel)
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Drottningholm Palace (photo)
Jesus and Nicodemus, from 'The life of Our Lord', c.1880 (print)
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The Volto Santo, possibly begun by Nicodemus (fl.1150-66) (wood)
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Christ Talks with Nicodemus, illustration for 'The Life of Christ', c.1886-94 (w/c & gouache on paperboard)
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Head of a Man in a Hat (Joseph of Arimathaea or Nicodemus) by Guido Mazzoni (fl.1477-1518) (terracotta)
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Christ with Nicodemus (oil on copper)
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Jesus and Nicodemus, Gospel of John
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Library of Drottningholm Castle, begun in 1662, by architects Nicodemus Tessin Elder and Nicodemus Tessin Younger , Sweden
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Nicodemus, detail of the Deposition (polychrome terracotta)
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The Entombment and the swoon of the Virgin (stone)
Santa Trinita Altarpiece, detail of the dead Christ being lowered from the cross, c.1434 (tempera & gold on panel)
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W.107 fol.24r Christ and Nicodemus from the Evangelarium of Santa Giustina written by Laurentius Gazius Cremonensis, 1523-25 (vellum)
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Pieta Bandini by Michelangelo (1475-1564), marble sculpture, 1547-1555
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Pietà, 1539 - 1555 (marble)
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Set of biblical educational Postcards in the 50's (print)
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Lamentation of Christ (Compianto sul Cristo morto), by Giotto, 1303-1305, 14th century (fresco)
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Entombment of Christ (Deposizione nel Sepolcro), by Pietro Damini, 1625, 17th Century, canvas
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Pieta, c.1490 (oil on panel)
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Lament over the Dead Christ, c.1473-76 (oil on panel)
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Nicodemus, late 15th-early 16th century (oil on panel)
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Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel) (detail of 43967)
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Nicodemus, illustration for 'The Life of Christ', c.1886-94 (w/c & gouache on paperboard)
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Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel) (detail of 43967)
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Detail of Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel)
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Detail of Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel)
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Detail of Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel)
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Detail of Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel)
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Detail of Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel)
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Detail of Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel)
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Detail of Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel)
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Dead Christ supported by the Virgin Mary, Nicodemus, Saint John the Evangelist, and the Two Marys (painting)
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Royal MS 1 E IX f.163v Page from the 'Bible' (the 'Big Bible' or the 'Great Bible') with the Gospel of Nicodemus and the Interpretation of Hebrew names (vellum)
Santa Trinita Altarpiece, detail showing a group of men, possibly including Nicodemus and Joseph of Arimathaea, c.1434 (tempera & gold on panel)
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The Deploration of Christ (Lamentation of the Dead Christ), detail. Among the characters represented: Joseph of Arimathea and Nicodemus hold the shroud, Saint John supports the Virgin Mary who faints, Saint Mary Magdalene heals the wounds of Jesus with ointment and Saint Francis of Assisi recognizable by his stigmata. Most of them have tears on their cheeks and cry. In the background, the city of Avignon. Anonymous painting from the Avignon school, undated. altarpiece. Oil on wood. Collegiate Church of Pignans, Var.
The Deploration of Christ (Lamentation of the Dead Christ). Among the characters represented: Joseph of Arimathea and Nicodemus hold the shroud, Saint John supports the Virgin Mary who faints, Saint Mary Magdalene heals the wounds of Jesus with ointment and Saint Francis of Assisi recognizable by his stigmata. Most of them have tears on their cheeks and are crying. In the background, the city of Avignon and in the foreground the nails and the crown of thorns. The inscription I.N.R.I. (INRI) can be seen on the cross. Anonymous painting from the Avignon school, undated. altarpiece. Oil on wood. Collegiate Church of Pignans, Var.
Historiated initial 'A'(nno) of Nebuchadnezzar's siege of Jerusalem, at the beginning of Daniel
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Lamentation over the Dead Christ, 1500 (tempera on board)
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Gospel: Among the Pharisees, there was one called Nicodemo, 1476 (miniature)
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Detail from ambo (raised stand) by sculptor Nicodemo da Guardiagrele, Abbey of Santa Maria del Lago, Moscufo, Abruzzo, Italy, 12th century
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Lamentation of Christ (Compianto sul Cristo morto), by Giotto, 1303-1305, 14th century (fresco)
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Detail from bas-relief by sculptor Nicodemo da Guardiagrele, pulpit in Abbey of Santa Maria del Lago, Moscufo, Abruzzo, Italy, 12th century
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Detail from bas-relief by sculptor Nicodemo da Guardiagrele, pulpit in Abbey of Santa Maria del Lago, Moscufo, Abruzzo, Italy, 12th century
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Pulpit, Abbey of Santa Maria del Lago, Moscufo, Abruzzo, Italy, 12th century
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