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'Brillo' images and/or videos results page 1 of 22

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Images of 'Brillo' found, 1,925

The Conversion of the Magdalene, c.1598 (oil & tempera on canvas)
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Brillo, 1964 (silkscreen on wood)
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Brillo Box, 1964 (synthetic polymer paint & screenprint ink on wood)
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Brillo Boxes, 1964 (enamel on plywood)
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Ten Brillo Boxes, 1968 (synthetic polymer paint & silkscreen ink on wood)
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Andy Warhol surrounded by stacks of Brillo boxes, 1964 (photo)
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Opened Window toward Senna River at Vernonnet, 1912 (oil on canvas)
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Three Brillo Boxes, 1968 (synthetic polymer paint & silkscreen ink on wood)
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Tanesse (oil on board)
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The American artist Andy Warhol posing among Brillo detergent boxes. New York, 1964
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Brillo, 1964 (oil & stencil on wood)
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The Old Red Mill in Winter, 1944 (tempera and glitter on masonite)
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Constellation
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The Sun, 1904 (oil on canvas)
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Lighting Interior or Interior with Woman in a Wicker Chair (Intèrieur clair ou Intèrieur avec une femme dans un fauteuil d'osier), by Pierre Bonnard, 1920, 20th Century, oil on canvas, 72 x 51 cm
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Cotton Vespasian A  I f.30v King David playing the harp, surrounded by his scribes and musicians, illustration from the 'Vespasian Psalter', 725-50 (vellum)
Brillo Box, 1964 (oil and stencil on wood)
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A set of boxes, 1964 (silkscreen, ink & house paint on plywood)
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Portrait of artist Andy Warhol holding a box of laundry Brillo 1966 Photo name
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Latin Psalter
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Still life of peaches, white and black grapes, vine leaves on a metal dish, 1620 (oil on board)
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Arundel 484 f.245 A devil or demon on the bed of a dead person, illustration from Digestum Vetus with gloss ordinaria, by Justinian, c.1300-10 (vellum)
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December (Dicembre), by Benedetto da Milano upon drawing by Bramantino, c. 1503-1508, 16th century (tapestry)
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Tribute Money, 1425-1427 (fresco)
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Plate Prop Roll, 1969 (lead)
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Quia per Incarnati, c.1953 (w/c & graphite on paper)
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Andy Warhol and his "Brillo box" in his workshop The Factory in New York, 1966 (0104696)
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Carnage, Abstract, bold, pink and black, 2016 (acrylic, ink and gloss on canvas)
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The Palace and Garden of the Tuileries (Le Palais des Tuileries, vu du quai d'Orsay), by Nicolas-Jean-Baptiste Raguenet, 18th Century
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The Passion of Jesus, 1365-1368 (fresco)
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Fulton John Sheen, was a prominent Catholic priest by the age of 35. He hosted the radio program 'The Catholic Hour' from 1930–1950 and later, a 'Life Is Worth Living ' on television from 1951–1957. His TV show was scheduled against the very popular Milton Berle, but still drew an audience. When he accepted his 1952, Emmy Award, he acknowledged his writers, 'Matthew, Mark, Luke and John'
Poachers in the Snow, 1867 (oil on canvas)
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Alexander Graham Bell and US President James Garfield
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Glow of Gold, Gleam of Pearl, 1906 (oil on canvas)
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Vase and plate by Von Spaun for Loetz, c.1899
Blue Bristled Toothbrush (photo)
Pink lustre cup and saucer, 1995 (acrylic on board)
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Headquarters of the United Nations in New York City, New York, United States
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Re-Generation (Re-Generation), by Cracking Art Group (Nucara, Veronese, Angi, Rizzetti, Kicco), 2012 (photo)
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Mosaic decoration of the counter-façade - Last Judgment (mosaic)
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Mosaic decoration of the counter-façade - Last Judgment (mosaic)
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Bishop Fulton Sheen with Irish children in Choghan County, Roscommon, Ireland. April 22, 1952. Bishop Sheen's hand is on the shoulder of Mary Feely, a distant relative and long time 'pen-pal' who presented him with a Blackthorne walking stick on behalf of the people of the parish
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Mosaic decoration of the counter-façade - Last Judgment (mosaic)
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In the days of harmony (Au temps d'harmonie), by Paul Signac, 1893 - 1895, 19th Century
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Royal MS 10 E IV, f. 30v Decretals of Gregory IX with gloss of Bernard of Parma (the 'Smithfield Decretals') from the story of Samson, c.1300-40 (Parchment codex)
The Ropemakers of Torre del Greco (I funari di Torre del Greco), by Antonino Leto, 1883, 19th century (oil on canvas) 100 x 180 cm
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Royal Ms. 10 E IV, f. 99v Detail of sawyers, or carpenters, cutting timber, Decretals of Gregory IX with gloss of Bernard of Parma (the 'Smithfield Decretals') c.1340 (vellum)
Study of a Virile Nude (oil on canvas)
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Study of clouds (Studio di nubi), by Giuseppe De Nittis, 1868-1869, 19th Century, oil on board, 8 x 16 cm
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Friday Mosque (Masijd-i Jami), 1349, 14th century, Yazd, Iran (ceramic mosaic)
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Cuccagna in Largo di Palazzo (Cuccagna a Largo di Palazzo), by Antonio Joli, 18th century (oil on canvas) 49 x 76 cm
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Four Altars (Quattro altari), by Nicola Maria Rossi, 1732, 18th century (oil on canvas)
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Love at Life's Source, 1894-1896 (oil on canvas)
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Ancient Horses, 1928 (oil on canvas)
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The Birth of John the Baptist (Imposizione del nome al Battista), by Fra Angelico (Beato Angelico), 1428-1430, 15th Century, tempera on board, 26 x 24 cm (photo)
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Tribute Money, 1425-1427 (fresco)
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Moses brings out the Water from the Rock and The Falling of the Manna, 1543-1545 (fresco)
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Flight Into Fear by Peter Saxton
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Saul on the road to Damascus, Acts of the Apostles
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Cotton Vespasian A. I, f.31 Beginning of Psalm 26 Friendship of David and Jonathan 725-750 (vellum)
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Supernova 1987A before and after explosion - Supernova 1987A with precursor image overlaid - Image of the Supernova 1987A, obtained on March 8, 1987. The photo of the star Sanduleak - 69* 202, photographed two years ago. Images obtained with Siding Spring's 3.9m telescope. Supernova 1987A appeared in the constellation Doradus on February 23, 1987. The brightest star in the colour photograph is supernova 1987A, photographed with the AAT two months before it reached its maximum brightness. Superimposed in register on this image is a negative photograph of the region around the supernova copied from an AAT plate that was exposed in 1985, two years before the supernova was seen to explode. The precursor star appears to be a peculiar shape only because its image is blended with those of two other stars that happen to lie in the same line of sight. Many similar blended images can be seen in the colour photograph. However, it was soon found that the brighter of the three had exploded, and that was a star which had been previously observed and catalogued, as Sanduleak - 69* 202
Bowl (tin-glazed earthenware with luster)
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Leo 1 dwarf galaxy in the Lion - Leo 1 dwarf galaxy - Leo 1 is located about 900,000 light years from Earth. It belongs to the local group, just like our galaxy or Andromede galaxy. It has only been known since the 1950s; it is difficult to observe due to the proximity of the Regulus star, thousands of times brighter. Image obtained from the 3.9m telescope of Siding Spring. The 'Local Group' of galaxies, to which the Milky Way belongs, contains more dwarf galaxies than any other type. The low surface brightness and lack of bright stars makes them difficult to study, even with a large telescope. Leo I presents particular problems because the galaxy appears only 20 arc minutes (less than the apparent diameter of the Moon) from the brilliant star Regulus and special precautions had to be taken to prevent scattered light from the star obliterating its feeble image. The plates from which this picture was made (the first in colour of a dwarf elliptical galaxy) will be used to learn more about the origins of star formation in these light - weight objects
islamic art-bowl-luster overglaze decoration red on the exterior olive on the interior-found at Bahnasa Upper Egypt-Fatimid 11th century-IMG_5970
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The Dawn probe near Ceres - Artist's view - Dawn approaches Ceres - Artist view of the Dawn probe near the dwarf planet Ceres. In February 2015 the unmanned Dawn spacecraft is scheduled to arrive at the dwarf planet Ceres. The 65 foot long, 2.5 ton probe was launched from the Earth in 2007, passed March in 2009, and went into orbit around the protoplanet Vesta in July 2011 where it stayed until September 2012. Once in orbit around Ceres, Dawn is expected to operate for about a year making observations of this largest object in the asteroid belt. In this image Dawn's three xenon electrostatic ion thrusters can be seen emitting ionized xenon's characteristic blue/magenta glow, gently propelling the probe toward Ceres. While the ion engines have relatively low specific thrust (about equal to the weight of a few sheets of paper), they can operate continuously for long periods making efficient use of the approximately 1,000 pounds of xenon propellant onboard. The wing - like solar arrays produce about 1,300 watts for probe's propulsion and other electrical systems. While no close - up observations of yet been made of Ceres itself, here it is rendered as appearing similar to a much smaller version of the Earth's Moon, heavily cratered with the addition of surface water ice and hypothesized plumes of ice crystals from water geysers on its surface
Brillo, 1967 (oil and stencil on wood)
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Brillo Loaf, 2003 (painted concrete)
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Brillo Boxes (b/w photo)
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The twin sisters and artistic duo Alice and Ellen Kessler posing nearby the Eiffel Tower, France, 1956 (b/w photo)
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