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'Calls' images and/or videos results page 1 of 50

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Images of 'Calls' found, 4,442

Et Satan conduit le bal (And Satan Calls the Turn), directed by Grisha Dabat, 1962 (b/w photo)
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Et Satan conduit le bal (And Satan Calls the Turn), directed by Grisha Dabat, 1962 (b/w photo)
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Et Satan conduit le bal (And Satan Calls the Turn), by Grisha Dabat, 1962 (b/w photo)
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Jean Jaures, 1912 (b/w photo)
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Jesus calls the children to him, Gospel of Mark
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Orpheus in the Underworld Painting by Jan Breugel Le Vieux calls Bruegel de Velours (Brueghel or Breughel, 1568-1625) (Jan Brueghel the Elder) 1594 Dim 27* 36 cm Palazzo Pitti, Galleria Palatina
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The Voyage of the Magi Cortege des rois mages de Jerusalem a Bethleem calls in Italian “Viaggio dei Magi” or “” Cavalcata dei Magi” Detail of the young mage in the face of Laurent the Magnificent (Laurent de Medici) (The procession of the Magi, detail of the youngest magi represented as Lorenzo il Magi) Fresco of Benozzo di Lese di Sandro dit Benozzo Gozzoli (1421-1497), 1459-1460 Florence, Palazzo Medici Riccardi, Capella dei Magi
The Great Trek
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Russia / Soviet Union: Josef Stalin with Nikolai Bukharin, Moscow, 21 November 1930
Jesus calls the children to him, Gospel of Mark
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Office staff of a news agency, 1932 (b/w photo)
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Coconut Man Calls, Sri Lanka, 2015 (acrylic on canvas)
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Romo Bird Calls, 2007 (oil and gold leaf on linen)
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U.S. actor calls for the boycott of Nazi Germany, 1938 (b/w photo)
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Emperor Augustus
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Roll Call at the Concentration Camp in Oranienburg, 1933 (b/w photo)
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Women's Liberation Gathering (b/w photo)
The Great Trek
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The Erection of the Bronze Serpent, c.1570 (oil on canvas)
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The Savoy Ballroom (photo)
L'actrice française Catherine Deneuve sur le tournage du film de RogerVadim « And Satan calls the Turn » en 1962
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The Puss in the boots “The Tales” by Charles Perrault, 19th century (engraving)
A girl with a wireless telephone, 1940 (b/w photo)
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Luis Trenker in 'The Mountain Calls', 1938 (b/w photo)
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Office workers in Germany, 1928 (b/w photo)
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Portrait of Robert Grosseteste, illustration taken from 'The Workd of Robert Grosseteste, Bishop of Lincoln' (ink & colour on paper)
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Et Satan conduit le bal (And Satan Calls the Turn), directed by Grisha Dabat, 1962 (b/w photo)
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Charles Dickens 's 'Little Dorrit'
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War of 14-18 (1914-1918) - Propaganda - Photographic stereoscopic glass plate LSU (L.S.U. La Stereoscopie Universelle) edited in 1914: removal of the great spur of Notre-Dame de Lorette (commune of Ablain-Saint-Nazaire - Ablain Saint Nazaire, Pas-de-Calais - Pas de-Calais) - This scene is thought to be taken on by the Commander Dupont is a reconstruction, as evidenced by the light equipment of the French soldiers, inompatible with the fighting at the front. In addition, you can see some soldiers smiling at the photographer, an attitude that cannot be imagined under the fire of the machine gun, while his comrades fall to the ground fatally wounded! Legend suggests that the Germans machine-gun the extras of this reconstruction, actually carrying out a carnage. The photo was published in the largest French and foreign newspapers, placing the scene in various places on the battlefield and sometimes even in Belgium (in the Belgian press!) - Publishers during the First World War regularly published in the newspapers calls to hairy people to transmit their photos. These produced in large quantities were sold by the publishing companies. LSU is one of the most important (if not the most) for the sale of these series of positive glass clicks -
Et Satan conduit le bal (And Satan Calls the Turn), directed by Grisha Dabat, 1962 (film still)
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President Barack Obama talks with American service men and women during phone calls from the Oval Office on Thanksgiving Day Nov. 26 2009.,
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Monsignor Cesare Orsenigo, the Vatican envoy to Germany, who cautioned Adolf Hitler that mankind calls for peace. Hitler pledged himself and his government 'honorably and confidently' to cooperate with other governments to that end. Berlin, January 11, 1938
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Дружно за общее дело! Hand in hand for the common cause! (Depicts a peasant, a worker and a White Guardsman clasping hands. The Guardsman is pointing to the text. [Colour]. The text quotes sections from General Denikin's speech, discussing the Land Question (he calls for private ownership of land, etc.); the Workers' Question (he calls for an 8 hour working day, insurance, an end to unemployment) and quoting him as stating: "We go to the north to save Russia. We go there not to return to the old order or to defend class and class interests, but to create a new, bright life for all: for Left and Right, for Cossacks, peasants and workers..."] (From a speech of General Denikin to the Military, 3rd February 1919)
The Sleeper, 1947 (litho)
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War of 14-18 (1914-1918) - Plate of photographic stereoscopic glass LSU (L.S.U. La Stereoscopie Universelle) published in 1914: observer in a trench in Les Eparges, opposite the valley of the Woevre (Meuse), near Verdun - The editors during the First World War, published in newspapers calls for hairy people to be they transmit their photos. These produced in large quantities were sold by the publishing companies. LSU is one of the most important (if not the most) for the sale of these series of positive glass clicks -
War of 14-18 (1914-1918) - Stereoscopic photographic glass plate LSU (L.S.U. La Stereoscopie Universelle): the horrors of war - after the attack on the hollow path: corpses of French soldiers killed in combat - The editors during the First World War, had published in newspapers calls to the hairy people that they transmit their photos. These produced in large quantities were sold by the publishing companies. LSU is one of the most important (if not the most) for the sale of these series of positive glass clicks -
Allegory of sight and smell Detail. Young women near a table covered with flowers and jewels, an angel presents a mirror to one of the women who admire herself. Works of art accumulate in the background. A ferret is lying on the left. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640) and Jan Breugel the Elder calls Bruegel de Velours (Brueghel or Breughel, 1568-1625) 1618 Sun. 175x263 cm Madrid, Musee del Prado