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Images of 'Decadimento' found, 473

Bolton Mills, 1938 (collage)
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Horse Grazing in an Urban Landscape
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Oak leaf, 2009 (photographic c-print)
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Bull Skull, Fruit, Pitcher, 1939 (oil on canvas)
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Desintegration of a Higgs boson - LHC ATLAS: Simulated Higgs decaying into four muons - Simulated disintegration of a Higgs boson into four muons (yellow traces) by the LHC ATLAS experience (Large Hadron Collider). This track is an example of simulated data modelled for the ATLAS detector on the Large Hadron Collider (LHC) at CERN. The Higgs boson is produced in the collision of two protons at 14 TeV and quickly decays into four muons, a type of heavy electron that is not absorbed by the detector. The tracks of the muons are shown in yellow
Immortality 2
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Picture of Dorian Gray, 1943-44 (oil on canvas)
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The Taste of Sorrow, 1948 (oil on canvas)
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The Battle of Suburbia, c.1940 (oil on canvas)
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Streets of Harlem, New York City, 1978 (photo)
Stavisky affair, the French political and economic crisis succeeds in the deces of Alexandre Staviski in January 1934 (the beautiful sacha) which contributed to the fall of the Camille Chautemps government and the decay of the anti-parliamentary rifts of February 6, 1934: a man looking at the bottom of the Staviskian well if he sees the truth, justice lying inert on the ground (Stavisky Affair, a 1934 financial scandal generated by the actions of embezzler Alexandre Stavisky which will cause Political crisis of 6 February 1934: a man looking into the stavinsky well if he sees the truth, the Justice lying on the ground) Illustration from “” Le Pelerin”” 1st december 1935 Private collection
Mold (Muffa), 1952 (oil, synthetic polymer, pumice & metallic paint on canvas)
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Waterloo Teeth (photo)
Green and yellow leaf, 2009 (photographic c-print)
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Yellow and red leaf, 2009 (photographic c-print)
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Spear point
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Iron hatchet with part of handle, from Pompei
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Blitzed city with self-portrait, 1941 (oil on board)
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South Bronx teenagers in front of Abandoned tenement burnt-out buildings, South Bronx, New York City, USA,1977 (photo)
Abandoned car with burnt out tenement buildings, South Bronx New York City, USA, 1977 (photo)
The Gospel According to John, 1987 (porcelain)
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Switzerland Cern, 1972 (b/w photo)
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1970s Americ. Three young boys pose in front of a graffitied wall in a park in Brooklyn, New York City, c. 1973
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1970s Americ. Young boys pose in front of a graffitied wall in a park in the Bronx, New York City, c. 1973
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1970s America. Two young men on the South Side of Chicago, c. 1973
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Street in Harlem, New York City, 1978 (photo)
Abandoned burnt-out shops, South Bronx, New York City, USA,1977 (photo)
Vacant Detroit Gray Iron Foundry, Detroit, Michigan, USA. Oct. 22, 2014.
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Roman Ruins with Figures (Diogenes Throwing Away his Cup), c.1710-65 (oil on canvas)
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Creation of a Higgs boson - LHC ATLAS: Simulated Higgs decaying into four muons - Simulated Higgs boson in 4 muons by the LHC experience (Large Hadron Collider). This track is an example of simulated data modelled for the ATLAS detector on the Large Hadron Collider (LHC) at CERN. The Higgs boson is produced in the collision of two protons at 14 TeV and quickly decays into four muons, a type of heavy electron that is not absorbed by the detector. The tracks of the muons are shown in yellow
Observation of an exoplanete by interferometry - Observation of an exoplanet with interferometry - Illustration of the principle of direct observation of an exoplanete by interferometry with space telescopes. Places in different places, each telescope observes the light of the star with a slight decay relative to each other. Together these observations would reduce the apparent luminosite of the star and amplify the luminosite of the planet. Optical interferometry combines the light of multiple telescopes to perform the work of a single, much larger telescope. This is possible due to the interaction of light waves, also called interference. Their interaction can be used to cancel out the blinding glare of bright stars or to measure distances and angles precisely
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Irene Joliot-Curie and Frederic Joliot, French physicists, c 1935
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Rex, 1995 (oil on canvas)
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Decaying sycamore leaf, Bishops Wood Nature Reserve, Gower, South Wales (photo)
Bricked up houses in the 1970s, Notting Hill, London, UK, 1972 (photo)
Detail of an open cupboard on the ground-floor of the farm's hall, with tinned foods inside (photo)
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Decaying sycamore leaf, Bishops Wood Nature Reserve, Gower, South Wales (photo)
Anatomy of Decay (oil on board)
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This is a pile of cream, 1967 (mixed media)
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Numbers 73-77 Lord Street (later 335-339 Etruria Road) with the gable wall of number 73 in the foreground clearly showing evidence of the demolition of adjoining houses, 77 Lord Street, Etruria, Hanley, Stoke-on-Trent, City of Stoke-on-Trent, UK, 1965-68 (b/w photo)
The demolition of houses on the east side of Lichfield Street with buildings on Birch Terrace visible in the background, 53 Lichfield Street, Hanley, Stoke-on-Trent, City of Stoke-on-Trent, UK, 1965-68 (b/w photo)
Exterior view of the farmhouse, looking towards the west end of the south elevation and showing a rebuilt window jamb and its associated walling (photo)
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Detail of wallpaper exposed on a formerly internal wall of a row of partially demolished houses, City Of Stoke-On-Trent, UK, City Of Stoke-On-Trent, UK, 1965-68 (b/w photo)
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Abandoned, derelict houses
, City Of Stoke-On-Trent, UK, 1965-68 (b/w photo)
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The Decay of Picture-Writing
This site is unidentified but is likely to be around Middleport, Burslem or Hanley, A derelict house with industrial complex in the background, City Of Stoke-On-Trent, UK, 1965-68 (b/w photo)
The Stable of a Dilapidated House, c.1640 (oil on panel)
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Classical ruins (oil on canvas)
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A dead oryx (photo)
Brown Leaves in Jam Jar, 2002 (oil on canvas)
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Abandoned houses in a terraced street, City Of Stoke-On-Trent, UK, 1965-68 (b/w photo)
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The derelict entrance block of Hill Pottery viewed from the south, Hill Pottery, Westport Road, Hill Top, Burslem, Stoke-On-Trent, City Of Stoke-On-Trent, UK, 1965-68 (b/w photo)
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The courtyard at the rear of the Anchor Works showing the buildings in a dilapidated condition, Anchor Works, Anchor Road, Longton, Stoke-on-Trent, City of Stoke-on-Trent, UK, 1965-68 (b/w photo)
The exterior of numbers 21 and 23 Short Street showing windows boarded, Short Street, Longton, Stoke-on-Trent, City of Stoke-on-Trent, UK, 1965-68 (b/w photo)
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Lamb, 2016 (oil on canvas over panel)
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A view looking east along the derelict terraced houses of Bedford Street with the boundary wall of the Bedford Works to the extreme left and the tower of St Mark's Church in the distance, Bedford Street, Shelton, Stoke-On-Trent, City Of Stoke-On-Trent, UK, 1965-68 (b/w photo)
Chinese newspaper cuttings pasted to a wall
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The courtyard at the rear of the Anchor Works showing the buildings in a dilapidated condition, Anchor Works, Anchor Road, Longton, Stoke-on-Trent, City of Stoke-on-Trent, UK, 1965-68 (b/w photo)
Caldon Canal, Joiner'S Square, Hanley, Stoke-On-Trent, City Of Stoke-On-Trent, UK, 1965-68 (b/w photo)
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This site is unidentified but is likely to be around Middleport, Burslem or Hanley, Bottle kilns at a derelict pottery works, City Of Stoke-On-Trent, UK, 1965-68 (b/w photo)
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A view looking north east from the west end of Bedford Street showing the partially demolished houses of Bedford Street in the left foreground and the Dresden Pottery Works in the left distance, Bedford Street, Shelton, Stoke-On-Trent, City Of Stoke-On-Trent, UK, 1965-68 (b/w photo)