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'Play On Words' images and/or videos results page 1 of 4

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Images of 'Play On Words' found, 314

Crossed Lines, 2005 (oil on canvas)
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Henry Moore Bound to Fail (back view) 1967 (plaster)
Just one Word, 2006 (oil on wood)
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Bah Humbug! 2003 (photo)
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God doesn't play dice, 2014 (digital)
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Objet Dard (Dart Object) (bronze)
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Dogey, 2016 (oil on poplar panel)
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Objet Dard (Dart Object) (bronze)
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Portrait of Walther von der Vogelweide, from the Tannhauser Saga (oil on canvas)
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In the Ruined Palace at Sôma, Masakado's Daughter Takiyasha Uses Sorcery to Gather Allies; Ôya no Tarô Mitsukuni Comes Here to Investigate the Monsters and Finally Destroys Them (Sôma no furudairi ni Masakado himegimi Takiyasha yôjutsu o motte mikata o atsumuru, Ôya no Tarô Mitsukuni yôkai o tamesan to koko ni kitari tsui ni kore o horobosu), Edo period, c.1844 (woodblock print nishiki-e; ink & colour on paper)
Fish at Play, 1621 or 1681 (ink on paper)
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Actors Onoe Kikugorô III as the Ghost of Kasane (Kasane Shiryô) (R) and Ichimura Uzaemon XII as Shiozawa Tanzaburô (L), Edo period, 1836 (woodblock print nishiki-e; ink & colour on paper)
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Actors Seki Sanjûrô II as Kamiya Niemon (R) and Onoe Kikugorô III from Kamigata (Kudari) as the Lantern Ghost, Applauded throughout the Three Cities (Sanganotsu gohyôban no chôchin no yûrei) (L), Edo period, 1831 (woodblock print nishiki-e; ink & colour on paper)
Actors Seki Sanjûrô II as Kamiya Niemon (R) and Onoe Kikugorô III from Kamigata (Kudari) as the Lantern Ghost, Applauded throughout the Three Cities (Sanganotsu gohyôban no chôchin no yûrei) (L), Edo period, 1831 (woodblock print nishiki-e; ink & colour on paper)
Man in Ruins, 1937 (oil on canvas)
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Actors Bandô Hikosaburô IV as Orikoshi Masatomo (R) and Ichikawa Kodanji IV as the Ghost (Bôrei) of Asakura Tôgo (R and L), Edo period, 1851 (woodblock print nishiki-e; ink & colour on paper)
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Actors Ichikawa Kodanji IV as the Tea Server (Chadô) Inma, actually the Ghost (Rei) of Tôgo, Iwai Kumesaburô III as the Shirabyôshi Dancer Katsuragi, Ichikawa Kodanji IV as the Ghost of Asakura Tôgo (R), Bandô Hikosaburô IV as Orikoshi Tairyô, and Ichikawa Kodanji IV as Koshimoto Kozakura, actually the Ghost of Tôgo (R), Edo period, 1851 (woodblock print nishiki-e; ink & colour on paper)
Actors Bandô Shûka I as Koheiji's Wife (Nyôbô) Otsuka and Bandô Hikosaburô IV as Adachi Sakurô (L); Ichikawa Kodanji IV as Kohada Koheiji (C); Ichikawa Kodanji IV as Koheiji's Ghost (Yûrei) and Asao Okuyama III as Gensai Bôzu Tôroku (L), Edo period, 1853 (woodblock print nishiki-e; ink & colour on paper)
Actors Bandô Hikosaburô IV as the Hunter (Ryôshi) Amizô (R), Onoe Tamizô II, from Kamigata (Kudari), as Koshimoto Otsuru in the Hit Scene of the Long-necked Ghost (Rokorokubi Ôatari) (C), and Onoe Tamizô II in a Double Role (Futayaku) as Nitta Umejirô (L), Edo period, 1841 (woodblock print nishiki-e; ink & colour on paper)
MS 35290, fol. 236r 'The Wefferes', from 'York Mystery Plays' (ink & colour on vellum)
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Othello by William Shakespeare
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Wedge of Chastity (bronze & dental plastic)
Helmsboro Country, 1990 (mixed media)
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The Gradual Abolition Off the Slave Trade or Leaving of Sugar by Degrees, Engraving 1792, George III Sitting at a Table with the Queen and Two of His Daughters, and the Queen's Keeper of the Robes, Juliana Elizabeth Schwellenbergen Holding a Bottle of Brandy, Discussing the Use of Sugar in Moderation. Princess Elizabeth States that of Late I Have Been Very Moderate. But I Must Have a Bit Now & Then; While Her Sister Would Rather Want Alltogether [Sic] Than Have a Small Piece. The Title is a Play on the Words of and Off; the Abolition of the Slave Trade or Leaving Off Sugar by Degrees.
Processus Satanae, c.1570-80 (manuscript)
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The Book of Sir Thomas Moore, Harley MS 7368 f.9r, 1590-1604 (ink on paper)
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The Book of Sir Thomas Moore, Harley MS 7368 f.3r, 1590-1604 (ink on paper)
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In the Play Honchô Furisode no Hajime, Susanoo no mikoto Subdues the Monsters (Honchô furisode no hajime, Susanoo no mikoto yôkai kôfuku no zu), 1851 (woodblock print (nishiki-e); ink and colour on paper)
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Actors Bandô Shûka I as Shiranui Daijin, actually Wakana-hime (R), and Arashi Rikaku II as Hananomura no Chigusa, actually Toriyama Shûsaku (L), 1853 (woodblock print (nishiki-e); ink and colour on paper)
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Actor Arashi Rikan III as the Ghost of Shirasago (Shirasago no rei), Edo period, 1856 (woodblock print nishiki-e; ink & colour on paper)
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The Story of Nippondaemon and the Cat (Nippondaemon neko no koji): Actors Onoe Kikugorô III as Kotoura (?) (R), Onoe Kikugorô III as the Spirit of the Cat Stone (C), and Sawamura Sôjûrô V as Nippondaemon (L), 1847 (woodblock print (nishiki-e); ink and colour on paper)
Actors Ichikawa Kodanji IV as Marino Kanemitsu (R), Ichikawa Kodanji IV as both Ghost of Kamada Matahachi (Kamada Matahachi bôrei) and Ghost of Kikuno (Kikuno ga bôrei) (C), and Iwai Kumesaburô III as the Nun Kyôdai (Kyôdai-ni) (L), Edo period, 1855 (woodblock print nishiki-e; ink & colour on paper)
'Mad Dogs and Englishmen'
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Ivor Novello - portrait
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City of Laughter, City of Tears - Postcard featuring the song
Cat a Pillar (red crayon on paper)
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Play Without Words Sadler's Wells (photo)
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Play Without Words Sadler's Wells (photo)
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Play Without Words Sadler's Wells (photo)
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Play Without Words Sadler's Wells (photo)
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Play Without Words Sadler's Wells (photo)
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Play Without Words Sadler's Wells (photo)
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1960s: View of river and boat from on top of a boat
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L.H.O.O.Q, 1955 (litho)
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A Scene from the Play 'Kuzunoha', 1865 (colour woodblock print)
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'Words and Music'
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'Words and Music'
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'Play Without Words - The Housewarming' by Matthew Bourne (photo)
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'Play Without Words - The Housewarming' by Matthew Bourne (photo)
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'Play Without Words - The Housewarming' by Matthew Bourne (photo)
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'Play Without Words - The Housewarming' by Matthew Bourne (photo)
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'Play Without Words - The Housewarming' by Matthew Bourne (photo)
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The Private View, 2006 (acrylic on canvas)
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Knight Waltzes, Composed at Night by J. S. Knight, 1868 (colour litho)
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Treasury Of Loyal Retainers (Chushingura), 12 Acts: Prologue [Examination Of The Helmets] (colour woodblock print)
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