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Immagini di 'Ellipsen' trovate, 25

Geometry of an ellipse.

Geometry of an ellipse.

XLF3788661

Atomists: Making Strides, 1996 (computer generated print on paper mounted on aluminium) (see also 362396)

Atomists: Making Strides, 1996 (computer generated print on paper mounted on aluminium) (see also 362396)

Orozco, Gabriel (b.1962)

CH362397

Atomists: Making Strides, 1996 (computer generated print on paper mounted on aluminium) (see also 362397)

Atomists: Making Strides, 1996 (computer generated print on paper mounted on aluminium) (see also 362397)

Orozco, Gabriel (b.1962)

CH362396

Barbane, 1944 (oil on canvas)

Barbane, 1944 (oil on canvas)

Stael, Nicolas de (1914-55)

CH1202303

Ellipse, c.1948 (oil on hardboard)

Ellipse, c.1948 (oil on hardboard)

Caziel, (1906-88)

WH3657684

White Circle and Ellipse, 1937 (gouache on paper)

White Circle and Ellipse, 1937 (gouache on paper)

Nicholson, Winifred (1893-1981)

TLH496409

1950s: Animated electrons swirl and spin around the nucleus of an atom

1950s: Animated electrons swirl and spin around the nucleus of an atom

AVE6329332

View of La Scala Theater after restoration in 2004, 2004

View of La Scala Theater after restoration in 2004, 2004

Botta, Mario (b.1943)

MEP855964

View of La Scala Theater after restoration in 2004, 2004

View of La Scala Theater after restoration in 2004, 2004

Botta, Mario (b.1943)

MEP855962

View of La Scala Theater after restoration in 2004, 2004

View of La Scala Theater after restoration in 2004, 2004

Botta, Mario (b.1943)

MEP855965

Three Ellipses, 2014 (acrylic (Liquitex and Golden) on linen)

premium — Three Ellipses, 2014 (acrylic (Liquitex and Golden) on linen)

Three Ellipses, 2014 (acrylic (Liquitex and Golden) on linen)

Huxley, Paul (b.1938)

PHX3471486

View of La Scala Theater after restoration in 2004, 2004

View of La Scala Theater after restoration in 2004, 2004

Botta, Mario (b.1943)

MEP855959

View of La Scala Theater after restoration in 2004, 2004

View of La Scala Theater after restoration in 2004, 2004

Botta, Mario (b.1943)

MEP855961

Views of the La Scala Theater, after its restoration in 2004, Milan, 2004

Views of the La Scala Theater, after its restoration in 2004, Milan, 2004

Botta, Mario (b.1943)

MEP855957

Tomb of Bishop Benozzo Federighi, 1455 (majolica)

Tomb of Bishop Benozzo Federighi, 1455 (majolica)

Della Robbia, Luca (1400-82)

ELC857091

Tomb of Bishop Benozzo Federighi, 1455 (majolica)

Tomb of Bishop Benozzo Federighi, 1455 (majolica)

Della Robbia, Luca (1400-82)

ELC857089

Piazza Navona in Rome, 1644 - 1644

Piazza Navona in Rome, 1644 - 1644

ELC855090

Church of Sant'Andrea al Quirinale in Rome, 1658 - 1670

Church of Sant'Andrea al Quirinale in Rome, 1658 - 1670

Bernini, Gian Lorenzo (1598-1680)

ELC856067

The looting of a city (Painting, 1570-1572)

The looting of a city (Painting, 1570-1572)

Betti, Niccolo (fl.1576-1617)

Luisa Ricciarini

LRI4576330

Universe model is based on the five polyedres of Johannes Kepler (or Keppler, 1571-1630) German astronomer who confirmed Copernicus's heliocentric hypotheses (the Earth revolves around the Sun) and discovered that planets do not rotate in perfect circle around the Sun but following ellipses. Colour engraving.

Universe model is based on the five polyedres of Johannes Kepler (or Keppler, 1571-1630) German astronomer who confirmed Copernicus's heliocentric hypotheses (the Earth revolves around the Sun) and discovered that planets do not rotate in perfect circle around the Sun but following ellipses. Colour engraving.

NWI4947758

Drawing instruments including John Farey (1766-1826)'s elliptograph for drawing ellipses and Sir Howard Douglas (1776-1861) reflecting protractor in the form of a sextant. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

Drawing instruments including John Farey (1766-1826)'s elliptograph for drawing ellipses and Sir Howard Douglas (1776-1861) reflecting protractor in the form of a sextant. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

FLO4591904

Drawing Instruments, 19th Century Elliptograph by Sir Charles Vernon Boys, 1880-1920

Drawing Instruments, 19th Century Elliptograph by Sir Charles Vernon Boys, 1880-1920

UIS5076347

Drawing Instruments, 19th Century Farey's ellipsograph (ellipsographe), 1817

Drawing Instruments, 19th Century Farey's ellipsograph (ellipsographe), 1817

UIS5066977

Annual Variations in the Apparent Movement of the Spots', c 1875

Annual Variations in the Apparent Movement of the Spots', c 1875

UIS5092000

Circumpolar in Ecuador - Star Trail from the Equator (Ecuador) - Star line taken from Ecuador, Ecuador. 10 hours of cumulative poses show us more than 90% of all the visible sky (the remaining 10% are drowned in solar light). A shooting star indicates the South Pole to the horizon to the left of the image. The north pole is on the right horizon. This image is an unprecedented star trail image taken from the Equator (this imaginary line that splits the Earth into the two hemispheres) in Ecuador (the country). If you stand on the Equator line you can see the Southern Pole at the horizon to the South (left of the image) and the Northern pole at the horizon on the opposite direction. The Earth rotation will make all the sky and stars look like they rotate around these two points, making them appear as concentric circles (which look like ellipses on this distorsioning fish eye image). Note that on this image, that cumulates 10 hours of exposure starting 1 hour after sunset and finishing 1 hour before sunrise (nights and days always last 12 hours on the Equator, it is a permanent equinox), more than 90% of the sky is 'visible', this is another particularity of being on the ecuator line: you can observe the largest part of the sky during any night. An extremely bright meteor appeared during that night and seems to be pointing at the Southern Pole (extreme left of the image) — Circumpolar in Ecuador - Star Trail from the Equator (Ecuador) - Star line taken from Ecuador, Ecuador. 10 hours of cumulative poses show us more than 90% of all the visible sky (the remaining 10% are drowned in solar light). A shooting star indicates the South Pole to the horizon to the left of the image. The north pole is on the right horizon. This image is an unprecedented star trail image taken from the Equator (this imaginary line that splits the Earth into the two hemispheres) in Ecuador (the country). If you stand on the Equator line you can see the Southern Pole at the horizon to the South (left of the image) and the Northern pole at the horizon on the opposite direction. The Earth rotation will make all the sky and stars look like they rotate around these two points, making them appear as concentric circles (which look like ellipses on this distorsioning fish eye image). Note that on this image, that cumulates 10 hours of exposure starting 1 hour after sunset and finishing 1 h

Circumpolar in Ecuador - Star Trail from the Equator (Ecuador) - Star line taken from Ecuador, Ecuador. 10 hours of cumulative poses show us more than 90% of all the visible sky (the remaining 10% are drowned in solar light). A shooting star indicates the South Pole to the horizon to the left of the image. The north pole is on the right horizon. This image is an unprecedented star trail image taken from the Equator (this imaginary line that splits the Earth into the two hemispheres) in Ecuador (the country). If you stand on the Equator line you can see the Southern Pole at the horizon to the South (left of the image) and the Northern pole at the horizon on the opposite direction. The Earth rotation will make all the sky and stars look like they rotate around these two points, making them appear as concentric circles (which look like ellipses on this distorsioning fish eye image). Note that on this image, that cumulates 10 hours of exposure starting 1 hour after sunset and finishing 1 h

Stephane Guisard

PIX4581325

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