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Immagini di 'Antient' trovate, 543

Two suits of armour in the possession of Llewelyn Meyrick, 1550. Black and gold suit of armour of Helionorous, Eighth Duke of Longueville, helmet with hinged oreillets, horse barding with pllumes, flanchards and croupiere. Half throw in suit of armour with thick breastplate, shoulder pieces, elbow pieces, thighs. He holds a wheel-lock pistol and wears a gunpowder primer spanner on a cord. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Part of the formal procession for the coronation of James II: Masters in Chancery; The Kings sergeants at law; The Kings Attorney; The Kings solicitor; The Kings antient sergeant; Esquires of the Body
Longitudinal section of the Great Hall roof [Hampton Court] with details of badges, hammerbeam termination and corbels, from ‘Specimens of Gothic Architecture', 1821-23 (engraving)
Long bellied armour, 1545. Suit of engraved armour with large long belly, large pass guards, plumed and visored helmet and pike. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
English gentleman, 1590. Sword-and-buckler man of Shakespeare's time. He wears a doublet, breeches and hose, and carries a sword and buckler with central spike. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A crossbowman and his paviser, 1433. Arbalest in jacket and multicoloured clothes from the Chronique d'Engleterre, and his guard with a pavise in monstrous jacque over chainmail sleeves and gorget from a copy of the Roman de la Rose. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
An officer of pikemen in corselet holding a wide-brimmed hat and sword, 1616. From Bingham's Tactics. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Soldier in black corselet armour with epaulettes holding a rondell or rondache shield with slits for vision and sword thrusts, 1625. In the possession of Llewelyn Meyrick. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
John de Eltham, First Earl of Cornwall, 1316-1336, second son of King Edward II of England. He wears a conical cervelliere helmet with coronet, vandyked drapery and gorget, sleeveless hauberk, platterarmour, greaves and gauntlets. He wears a hauketon and pourpoint under the armorial cyclas, ornamented girdle and studded sword sheath. Shield with coat of arms of three lions within a border France. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
At knight, 1320. He wears a suit of plate armour on a cloth tunic with bassinet helmet, hauketon, gauntlets, ornamented kneecaps, short surcoat laced on the right side. From an effigy in Ash Church, Kent. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A knight performing homage to a king, 1100. The kind sits on a throne and holds orb and sceptre, while the knight kneels before him in mascled chainmail armour with sword. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
David, Earl of Huntingdon, Scottish nobleman, 1120. He wears a an embroidered broigne hauberk and carried a lance with pennant and targe shield. Handcoloured lithograph by R. Bridgens after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A knight armed with a martel, 1220. He wears a chainmail hauberk, hood, chausses, and carries a buckler and martel de fer (war hammer). Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Archers and cross-bow-man, 1312. Mounted archer shooting, longbowman stringing his bow and crossbowman firing, all in uniform of hauberk and chausses of gamboised chainmail, surcoats, conical helmet with visor. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A king and his mac-bearer, 1310. The king in plate armour with ailettes, surcoat, crown, sword and shield. His mac-bearer in chainmail armour, with studded cloth gauntlet, buckler and mace. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Harquebussier and pikeman, 1640. Pikeman in helmet and cuirass', doublet, breeches, boots, holding a pike. Officer of pistoliers in cuirasset, doublet, breeches, boots with large linen guards. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A knight of the Birmingham family, 1420. He wears a bassinet, suit of plate armour with flexible cuirasset, knee pads, shoulder and elbow plates, and carries a battle axe. Helmet of Sir John de Wydevill at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir John Harsich, 1384. He wears his tilting helmet with turkey-feather crest and cointisse over his bassinet. The wreath below the crest is two pieces of silk in his armorial colours twisted together by a lady. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Man at arms with a standard, 1483. The armour on the left arm has a pauldron with raised pass-guard, while the right arm has a plain pauldron and a large pointed elbow guard. The tiles are shaped differently, plate gauntlets and pointed sollerets. The inside of the shield shows the straps and the word Anime. The standard is embroidered with St. George and the Dragon with the motto of the Knights of the Garter. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Richard I, King of England, Richard the Lionheart, 1194. He wears a cylindrical helm, hauberk and chausses, holding a battle axe and shield with three lions. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir George Felbridge, 1400. In suit of plate armour with bassinet helmet and camail, armorial surcoat with crimson lion rampant, decorated girdle and armour. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A suit of jousting armour, 1480. With grand guard to protect the breast and left shoulder, volving piece and right shoulder protector, and elbow guards or armguard, cups and pointed tuilette, pointed sollerets and plate gauntlets. In the possession of Llewelyn Meyrick bought from the Caraffa family, Naples, Italy. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A spearman, man at arms and slinger, 1250. English infantry, 13th century. Spearman and soldier wear bowl helmets and chainmail armour and carry lance, shield and sword, and the slinger carries a rock and slingshot. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
'A sparring match at the Fives court'. A boxing match, from 'Boxiana; or, Sketches of Antient and Modern Pugilism', 1818-24 (engraving)
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Peter II, Count of Savoy, Earl of Richmond, and a soldier. 1248. The Earl wears a chainmail hauberk and chausses, tunic, and carries a lance and shield with coat of arms. The footsoldier wears a cargan hood, carries an oucin and round shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.