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Immagini di 'C 1480' trovate, 4,077

View of an Ideal City, or The City of God, c. 1480-1490 (oil on panel)
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The Isenheim Altarpiece, c.1512-15 (oil on panel)
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Primavera, (Spring) c.1478 (tempera on panel)
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The Crucifixion, from the Isenheim Altarpiece, c.1512-15 (oil on panel)
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Pallas and the Centaur, c.1480-85 (tempera on canvas)
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Suffering Man, detail from the reverse of the Isenheim Altarpiece, c.1510-15 (oil on panel)
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The crew of Ferdinand de Magellan swearing their allegiance to him
Madonna of the Book, c. 1480-81 (tempera on panel)
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The Resurrection of Christ, c.1512-16 (oil on panel)
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Flora, c.1478 (tempera on panel)
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Portrait of Ferdinand Magellan (c.1480-1521) (oil on canvas)
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Saint Jerome, c.1480 (oil on wood)
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Temptation of St. Anthony, c.1512-16 (oil on panel)
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Detail of the Three Graces and Mercury, from the Primavera, c.1478 (tempera on panel)
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Royal 18 E.1, f.175 The death of Wat Tyler at Smithfield, London, in 1381 during the Peasants' Revolt, illustration from 'Chroniques de France et d'Angleterre', by Jean Froissart, c.1460-80 (vellum)
The Resurrection of Christ, c.1512-16 (oil on panel)
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Portrait of Simonetta Vespucci, 1480 (tempera on panel)
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Primavera, c.1478,(tempera on panel) (detail of 558)
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Christ on the Cross, detail from the central Crucifixion panel of the Isenheim Altarpiece, c.1512-15 (oil on panel)
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St. Jerome, c.1480-82 (oil & tempera on walnut)
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Restrizioni immagine
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Ferdinand Magellan (c.1480-1521) from the 'Sala del Mappamondo' (Hall of the World Maps) (fresco)
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Andrea Odoni, 1527 (oil on canvas)
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Istruzioni particolari
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Ms 722/1196 f.392r Frederic II Crowned by Pope Honorius III, from 'Le Miroir Historial', 1479-80 (vellum)
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The Last Supper, 1480 (fresco)
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Ms. Royal 15 E.IV fol.187 Deaths from famine, from 'Chroniques d'Angleterre' by Jean de Wavrin, c.1470-80 (vellum)
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Nativity and concert of angels from the Isenheim Altarpiece, central panel (oil on panel)
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The Nativity, after 1525 (oil on canvas)
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Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy)
Portrait of Giuliano de' Medici, c.1480 (tempera on panel)
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The Face of Christ, detail from the Crucifixion from the Isenheim Altarpiece, c.1512-16 (oil on panel)
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Magellan's Voyage, from the 'Nancy' Manuscript by Antonio Pigafetta, 1525 (w/c with pen & ink on paper)
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The Annunciation from the Isenheim Altarpiece, left hand wing, c.1512-16 (oil on panel)
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Portrait of Fernand de Magellan (V. 1480 - 1521)
Portrait of Lucretia Borgia (oil on canvas)
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possible portrait of Lucrezia Borgia, c.1518 (oil on wood panel)
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Ms 680/1389 fol.2r Historiated initial 'C' depicting the author writing his book, from the German translation of 'The Fables of Bidpai', c.1480 (vellum)
Portrait of Ferdinand Magellan
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Christ on the Cross, detail from the central Crucifixion panel of the Isenheim Altarpiece, c.1512-15 (oil on panel)
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Portrait of a Gentleman in his Study, 1528-30 (oil on canvas) (post restoration)
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St. John the Baptist from the Isenheim Altarpiece, c.1512-16 (oil on panel)
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UV image of studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3899938)
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Istruzioni particolari
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