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Immagini di 'Continuous' trovate, 812

Bicycle Wheel, 1913/64 (bicycle wheel & fork mounted on stool)
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The Sermon on the Mount, from the Sistine Chapel, c.1481-83 (fresco)
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Detail from Trajan's Column, AD 113 (marble)
The Construction of a Roman Camp, detail from Trajan's Column, 2nd century (carved stone)
Predella of the Profanation of the Host: The Jewish Pawnbroker Roasting the Consecrated Host in the Fire Which Streams with Blood Arousing the Attention of the Bailiffs who Batter Down the Door, c.1468 (tempera on panel) (detail)
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Green Coca-Cola Bottles, 1962 (silkscreen ink on synthetic polymer paint on canvas)
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Male Torso, 1917 (brass)
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Children's Games: Third Month, 1894 (colour woodcut)
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'Cosroe uses the power of the cross to invoke the adoration from his people' and 'Heraclius' Dream and his Victory over Cosroe', c.1380 (fresco)
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The Battle of Karbala in AD 680 (oil on canvas)
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Cantoria, c.1433-39 (marble & bronze)
Perseus and Andromeda, 1876 (oil on canvas)
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Harley 4431 f.290 Christine before the personifications of Reason, Rectitude and Justice and Christine with Reason building the ‘Cité des Dames’, from 'Christine de Pizan, Collected works ('The Book of the Queen') c.1410-14 (ink, colour and gold on vellum)
St. Helena digs to find the True Cross, from the 'Legend of the True Cross' Cycle by Agnolo Gaddi, chapel of the Basilica of Santa Croce, Florence, c.1380 (fresco)
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The Poetess, 1940 (gouache and oil wash on paper)
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Study for 'Woman in Red and Green', 1913 (gouache, charcoal & pencil on paper)
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Head of Mussolini (Continuous profile), 1933
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The Death of Khan Jahan Lodi on the 3rd February 1631, illustration from the 'Padshahnama', 1656-57 (ink, colours & gold on vellum)
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Detail of Trajan's Column, AD 113 (marble)
Advert for Coca-Cola, 1947 (colour litho)
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Creation and Fall of Man, 1513-14 (oil on panel)
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Raising of the Son of Theophilus and St Peter Enthroned (fresco)
Detail of wallpaper depicting a funeral procession, 1780
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Edison Kinetoscope, 1894
Vote for Continuous Flourishing of Our Towns and Villages, 1957 (colour litho)
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"Easy Edges" chair, 1971 (die-cut corrugated cardboard & masonite)
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F.204v, 'Pilgrims arriving' illustration from 'The Sobieski Book of Hours', c.1420 (vellum)
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Madonna of the Clouds, c.1425-35 (marble)
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The Presentation of the Virgin, detail from Stories of Virgin, by Taddeo Gaddi (ca 1300-1366), 1328-1338 (fresco)
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Continuous spectrum caused by white light passing through lens
Villa Aldini, 1811 - 1816
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Necklet and bracelets from Waldalgesheim, mid 4th century (gold)
Narrow Paparadelle Chair, designed 1992, made 1994 (stainless steel & steel)
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A pair of bellows worked alternately to give continuous draught
Illustration from the 'Divine Comedy' by Dante Alighieri, c.1450 (vellum)
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Poster: "The Struggle Continues", France, May 1968 (litho)
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Untitled (S.530, Hanging, Two-Lobed, Continuous Form), 1952-1954 (brass wire)
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Rene Thom
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Earth seen by satellite DSCOVR - Earth seen by satellite DSCOVR: Earth photo obtained by satellite Deep Space Climate Observatory (DSCOVR) on July 6, 2015. This satellite, launched on 11 February 2015, and placed in orbit 1.6 million km, at the point of Lagrange L1 (about 4 times farther than the Moon's orbit), provides views of the Earth as a whole - The journey has been a long one for the Deep Space Climate Observatory (DSCOVR). Once known as Triana, the satellite was conceived in 1998 to provide continuous views of Earth, to monitor the solar wind, and to measure fluctuations in Earth's albedo. The mission was put on hold in 2001, and the part-built satellite ended up in storage for several years with an uncertain future. In 2008, the National Oceanic and Atmospheric Administration (NOAA), NASA, and the U.S. Air Force decided to refurbish and update the spacecraft for launch - On February 11, 2015, DSCOVR was finally lofted into space by a SpaceX Falcon 9 rocket. After journey of about 1.6 million kilometers (1 million miles) to the L1 Lagrange Point, the satellite and its Earth Polychromatic Imaging Camera (EPIC) has returned its first view of the entire sunlit side of Earth. At L1-four times farther than the orbit of the Moon - the gravitational pull of the Sun and Earth cancel out, providing a stable orbit and a continuous view of Earth. The image above was made by combining information from Epic's red, green, and blue bands. (Bands are narrow regions of the electromagnetic spectrum to which a remote sensing instrument responds. When EPIC collects data, it takes a series of 10 images at different bands - from ultraviolet to near infrared.)
Diptych - Virgin and Child and a Donor, c.1490-1500 (oil on panel)
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Ten Plaster Surrogates, c.1982 (enamel on hydrostone)
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Prisoner's inscription, 1581 (low relief)
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Praxinoscope, 1878
Edison's kinetoscope, 1894