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Immagini di 'Descent From The Cross' trovate, 586

Deposition, 1602-04 (oil on canvas)
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The Deposition, 1507 (oil on panel)
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Jesus is Taken from the Cross and Laid in His Mother's Arms, no. 13 in '14 Stations of the Cross' series, 2002 (acrylic on canvas) (see also 192720-731, 192733)
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The Descent from the Cross, 1521 (oil on panel) (for detail see 85136)
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The Holy Virgin Receives the Body of Jesus, c.1884-96 (w/c & gouache on paperboard)
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Deposition of Christ, 1432-1434 (tempera on panel)
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The Descent from the Cross, 1611-13 (oil on panel)
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Ms 9/1695 fol.27 The Descent from the Cross, from the 'Psautier d'Ingeburg de Danemark', c.1210 (vellum)
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Mary Magdalene, detail from The Deposition, 1602 (oil on canvas) (see 230572)
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The Descent from the Cross, c.1884-96 (w/c & gouache on paperboard)
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The Deposition, 1602 (oil on canvas)
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The Deposition (detail), 1507 (oil on panel)
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Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438) (detail of 235966)
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Descent from the Cross (oil on canvas)
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Santa Trinita, detail of Joseph of Arimathaea, c.1434 (tempera & gold on panel)
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Ms Fr.71 fol.24 Pentecost, from the Hours of the Cross and the Holy Spirit, from the Hours of Etienne Chevalier, c.1445 (vellum)
Deposition from the Cross (oil on canvas)
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Santa Trinita Altarpiece, detail of the head of the dead Christ, c.1434 (tempera & gold on panel)
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Santa Trinita Altarpiece, detail of the grieving angels, c.1434 (tempera & gold on panel)
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Santa Trinita Altarpiece, detail of the dead Christ being lowered from the cross, c.1434 (tempera & gold on panel)
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Descent from the Cross, 2002 (Pastel on paper)
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Deposition, c.1510-13 (oil on panel)
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The Deploration of Christ (Lamentation of the Dead Christ). Among the characters represented: Joseph of Arimathea and Nicodemus hold the shroud, Saint John supports the Virgin Mary who faints, Saint Mary Magdalene heals the wounds of Jesus with ointment and Saint Francis of Assisi recognizable by his stigmata. Most of them have tears on their cheeks and are crying. In the background, the city of Avignon and in the foreground the nails and the crown of thorns. The inscription I.N.R.I. (INRI) can be seen on the cross. Anonymous painting from the Avignon school, undated. altarpiece. Oil on wood. Collegiate Church of Pignans, Var.
The Deploration of Christ (Lamentation of the Dead Christ), detail. Among the characters represented: Joseph of Arimathea and Nicodemus hold the shroud, Saint John supports the Virgin Mary who faints, Saint Mary Magdalene heals the wounds of Jesus with ointment and Saint Francis of Assisi recognizable by his stigmata. Most of them have tears on their cheeks and cry. In the background, the city of Avignon. Anonymous painting from the Avignon school, undated. altarpiece. Oil on wood. Collegiate Church of Pignans, Var.
The Green Christ, 1889 (oil on canvas)
Santa Trinita Altarpiece, detail of the city of Jerusalem and the Temple of Solomon, c.1434 (tempera & gold on panel)
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Santa Trinita Altarpiece, detail showing a group of men, possibly including Nicodemus and Joseph of Arimathaea, c.1434 (tempera & gold on panel)
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The deposition, 1521, Giovan Battista Benvenuti, known as l'Ortolano (oil on panel)
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Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel) (detail of 43967)
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Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel) (detail of 43967)
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Crucifixion with Mary Magdalen, 1502-05 circa, (oil on canvas)
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Detail of Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel)
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Detail of Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel)
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Detail of Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel)
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Detail of Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel)
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Detail of Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (Piero di Giovanni) (c.1370-1425) completed c.1434 (tempera & gold on panel)
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