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Immagini di 'Flayed' trovate, 184

'The Last Judgement', detail of Christ, 1536-1541 (fresco)
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The Last Judgement, detail of St. Bartholomew holding his flayed skin, 1538-41 (fresco)
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Apollo and Marsyas, 1637 (oil on canvas)
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Polychrome ceramic depicting god of earth and spring, known as Xipe Totec, our lord the flayed one
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Flayed, or The Skeleton (stone)
Or Ms 161 fol.91r The Death of Mani, from 'The Chronology of Ancient Nations' by Al-Biruni, 1307 (gouache on paper)
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The Last Judgement, detail of St. Bartholomew holding his flayed skin, 1538-41 (fresco)
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The Martyrdom of St. Bartholomew
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The Flayed Angels, diptych, left compartment, 1961 (oil on canvas)
The Flayed Angels, diptych, right compartment, 1961 (oil on canvas)
Apollo and Marsia, c.1678 (oil on canvas)
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Yates Thompson 36, f.129 Ascent from Earthly Paradise, page from 'The Divine Comedy', by Dante Alghieri, c.1442-50 (vellum)
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The Muscles of the face, from Charles Bell's (1774-1842) 'Essays on the Anatomy of Expression in Painting', 1806 (lithograph)
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Mask of Xipe Totec (stone)
The Martyrdom of St. Bartholomew
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Flayed, or The Skeleton, detail (stone)
Le Bon Samaritain (The Good Samaritan) 1861 (pen litho)
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Anatomia del corpo humano
'The Last Judgement', detail of Christ, 1536-1541 (fresco)
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Dante and Apollo, first half of the 15th century. On the left, Dante, dressed in blue, kneels in a meadow before Apollo who holds towards him a laurel crown in each hand. Apollo is dressed in classic military costume, crowned with a golden laurel, and stands on a black raven or crow. To his side is a laurel tree, behind him the two peaks of Parnassus, above which are the nine Muses emerging from a cloud. On the right stands Marsyas playing a flute. In the foreground lies the flayed Marsyas, paler and marked with blood. From a copy of Dante's "The Divine Comedy", Paradise, Canto 1. Made for Alphonso V, King of Aragon, Naples, and Sicily.
Statue of the flayed Saint Bartholomew from 1562 Milan Cathedral in white marble, Milan, Lombardy, Italy, Europe (photo)
Portrait of Christopher D. Fisher, Fourth Reich Skinhead, 1995 (oil on canvas)
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Lips of Thomas, 1994 (gelatin silver print)
Copyright/Diritti d'Autore
  • In Copyright
Christ Flagellated, c.1560 (oil on canvas)
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Martyrdom of Fathers Isaac Jogues, Jean de Brebeuf, Gabriel Lalemand, is depicted in the foreground (engraving)
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Apollo and Marsyas, c.1545 (oil on canvas)
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Flayed, or The Skeleton (stone)
Flayed, or The Skeleton, detail (stone)
Flayed, or The Skeleton, detail (stone)
Flayed, or The Skeleton, detail (stone)
Flayed, or The Skeleton, detail (stone)
Flayed, or The Skeleton, detail (stone)
Musculature plate from 18th century anatomy treatise by Bernhard Albinus, with engravings by Jan Wandelaar (1690-1759). The elaborate background of architectural and botanical elements distinguished the 1747 book