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Immagini di 'Over Stretched' trovate, 198

The parting of the Red Sea - Bible
 
The parting of the Red Sea - Bible

XLF3785369

The parting of the Red Sea - Bible

XLF3785369

Aerostatic reconnaissance at Mainz, 1795
 
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Aerostatic reconnaissance at Mainz, 1795

UIS5094075

Aerostatic reconnaissance at Mainz, 1795

UIS5094075

Witch Riding Backwards on a Goat, c.1596-98 (oil on copper)
 
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Witch Riding Backwards on a Goat, c.1596-98 (oil on copper)

Elsheimer, Adam (1578-1610)

ROC3706874

Witch Riding Backwards on a Goat, c.1596-98 (oil on copper)

Elsheimer, Adam (1578-1610)

ROC3706874

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
 
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729524

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729524

Linen stretched over a tent
 
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Linen stretched over a tent

Heinrich Hoffmann

MEP2341925

Linen stretched over a tent

Heinrich Hoffmann

MEP2341925

Venus and Cupid (Venus en Cupido), by Hendrik van der Broeck, c. 1550-1570, 16th Century, Oil on panel, 120 x 195 cm.
 
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Venus and Cupid (Venus en Cupido), by Hendrik van der Broeck, c. 1550-1570, 16th Century, Oil on panel, 120 x 195 cm.

Sergio Anelli

MEB1191688

Venus and Cupid (Venus en Cupido), by Hendrik van der Broeck, c. 1550-1570, 16th Century, Oil on panel, 120 x 195 cm.

Sergio Anelli

MEB1191688

North American Indian playing a traditional handor frame drum, made of stretched hide over a wooden frame.
 
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North American Indian playing a traditional handor frame drum, made of stretched hide over a wooden frame.

Chris Stock

SKC3870003

North American Indian playing a traditional handor frame drum, made of stretched hide over a wooden frame.

Chris Stock

SKC3870003

Single headed goblet shaped African drum, with natural animal skin or hide stretched over pegs driven into the side of the drum.
 
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Single headed goblet shaped African drum, with natural animal skin or hide stretched over pegs driven into the side of the drum.

Chris Stock

SKC3868665

Single headed goblet shaped African drum, with natural animal skin or hide stretched over pegs driven into the side of the drum.

Chris Stock

SKC3868665

Single headed goblet shaped African drum, with natural animal skin or hide stretched over pegs driven into the side of the drum.
 
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Single headed goblet shaped African drum, with natural animal skin or hide stretched over pegs driven into the side of the drum.

Chris Stock

SKC3868678

Single headed goblet shaped African drum, with natural animal skin or hide stretched over pegs driven into the side of the drum.

Chris Stock

SKC3868678

A goat stands on the top of a pile of garbagge in Nairobi's Kibera district stretched over six hundr.., 2003-11-30 (photo)
 
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A goat stands on the top of a pile of garbagge in Nairobi's Kibera district stretched over six hundr.., 2003-11-30 (photo)

Radu Sigheti

REU7720649

A goat stands on the top of a pile of garbagge in Nairobi's Kibera district stretched over six hundr.., 2003-11-30 (photo)

Radu Sigheti

REU7720649

Single headed goblet shaped African drum, with natural animal skin or hide stretched over pegs driven into the side of the drum.
 
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Single headed goblet shaped African drum, with natural animal skin or hide stretched over pegs driven into the side of the drum.

Chris Stock

SKC3868681

Single headed goblet shaped African drum, with natural animal skin or hide stretched over pegs driven into the side of the drum.

Chris Stock

SKC3868681

A child plays inside a school yard in Nairobi's Kibera district stretched over six hundred acres of .., 2003-11-30 (photo)
 
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A child plays inside a school yard in Nairobi's Kibera district stretched over six hundred acres of .., 2003-11-30 (photo)

Radu Sigheti

REU7495720

A child plays inside a school yard in Nairobi's Kibera district stretched over six hundred acres of .., 2003-11-30 (photo)

Radu Sigheti

REU7495720

A man walks in front of shops in Nairobi's Kibera district stretched over six hundred acres of mud a.., 2003-11-30 (photo)
 
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A man walks in front of shops in Nairobi's Kibera district stretched over six hundred acres of mud a.., 2003-11-30 (photo)

Radu Sigheti

REU7713785

A man walks in front of shops in Nairobi's Kibera district stretched over six hundred acres of mud a.., 2003-11-30 (photo)

Radu Sigheti

REU7713785

Children play inside a school yard in Nairobi's Kibera district stretched over six hundred acres of .., 2003-11-30 (photo)
 
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Children play inside a school yard in Nairobi's Kibera district stretched over six hundred acres of .., 2003-11-30 (photo)

Radu Sigheti

REU7720657

Children play inside a school yard in Nairobi's Kibera district stretched over six hundred acres of .., 2003-11-30 (photo)

Radu Sigheti

REU7720657

A girl carries her little brother on a narrow street in Nairobi's Kibera district stretched over six.., 2003-11-30 (photo)
 
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A girl carries her little brother on a narrow street in Nairobi's Kibera district stretched over six.., 2003-11-30 (photo)

Radu Sigheti

REU7713776

A girl carries her little brother on a narrow street in Nairobi's Kibera district stretched over six.., 2003-11-30 (photo)

Radu Sigheti

REU7713776

A boy plays in front of a shop in Nairobi's Kibera district stretched over six hundred acres of mud .., 2003-11-30 (photo)
 
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A boy plays in front of a shop in Nairobi's Kibera district stretched over six hundred acres of mud .., 2003-11-30 (photo)

Radu Sigheti

REU7720638

A boy plays in front of a shop in Nairobi's Kibera district stretched over six hundred acres of mud .., 2003-11-30 (photo)

Radu Sigheti

REU7720638

A pile of garbage lies on a muddy street in Nairobi's Kibera district, stretched over six hundred ac.., 2003-11-30 (photo)
 
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A pile of garbage lies on a muddy street in Nairobi's Kibera district, stretched over six hundred ac.., 2003-11-30 (photo)

Radu Sigheti

REU7587290

A pile of garbage lies on a muddy street in Nairobi's Kibera district, stretched over six hundred ac.., 2003-11-30 (photo)

Radu Sigheti

REU7587290

A man builds a new mud hut in Nairobi's Kibera district stretched over six hundred acres of mud and .., 2003-11-30 (photo)
 
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A man builds a new mud hut in Nairobi's Kibera district stretched over six hundred acres of mud and .., 2003-11-30 (photo)

Radu Sigheti

REU7495730

A man builds a new mud hut in Nairobi's Kibera district stretched over six hundred acres of mud and .., 2003-11-30 (photo)

Radu Sigheti

REU7495730

A new mud hut is built in Nairobi's Kibera district stretched over six hundred acres of mud and filt.., 2003-11-30 (photo)
 
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A new mud hut is built in Nairobi's Kibera district stretched over six hundred acres of mud and filt.., 2003-11-30 (photo)

Radu Sigheti

REU7706922

A new mud hut is built in Nairobi's Kibera district stretched over six hundred acres of mud and filt.., 2003-11-30 (photo)

Radu Sigheti

REU7706922

Space 19540630 Total solar eclipse in Norway. The eclipse was total in a band that stretched …, 1954 (photo)
 
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Space 19540630 Total solar eclipse in Norway. The eclipse was total in a band that stretched …, 1954 (photo)

NTB

NTB8913505

Space 19540630 Total solar eclipse in Norway. The eclipse was total in a band that stretched …, 1954 (photo)

NTB

NTB8913505

Oslo 19540630 Total solar eclipse in Norway. The eclipse was total in a band that stretched southeast …, 1954 (photo)
 
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Oslo 19540630 Total solar eclipse in Norway. The eclipse was total in a band that stretched southeast …, 1954 (photo)

NTB8731667

Oslo 19540630 Total solar eclipse in Norway. The eclipse was total in a band that stretched southeast …, 1954 (photo)

NTB8731667

GERMAN SWIM STAR FRANZISKA VAN ALMSICK IS STRETCHED BY AN TEAMS PHYSIOTHERAPIST IN SYDNEY, 2000-09-12 (photo)
 
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GERMAN SWIM STAR FRANZISKA VAN ALMSICK IS STRETCHED BY AN TEAMS PHYSIOTHERAPIST IN SYDNEY, 2000-09-12 (photo)

Kai Pfaffenbach

REU7937292

GERMAN SWIM STAR FRANZISKA VAN ALMSICK IS STRETCHED BY AN TEAMS PHYSIOTHERAPIST IN SYDNEY, 2000-09-12 (photo)

Kai Pfaffenbach

REU7937292

Winged sphinx in profile with front legs stretched over head of goat, Relief from Roman sarcophagus, Monumental Cemetery of Pisa, Tuscany, Italy, Roman civilization, Ca 250
 
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Winged sphinx in profile with front legs stretched over head of goat, Relief from Roman sarcophagus, Monumental Cemetery of Pisa, Tuscany, Italy, Roman civilization, Ca 250

Sandro Vannini

DGA917969

Winged sphinx in profile with front legs stretched over head of goat, Relief from Roman sarcophagus, Monumental Cemetery of Pisa, Tuscany, Italy, Roman civilization, Ca 250

Sandro Vannini

DGA917969

Shops are open on a busy street where people also use to cook in Nairobi's Kibera district stretched.., 2003-11-30 (photo)
 
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Shops are open on a busy street where people also use to cook in Nairobi's Kibera district stretched.., 2003-11-30 (photo)

Radu Sigheti

REU7713766

Shops are open on a busy street where people also use to cook in Nairobi's Kibera district stretched.., 2003-11-30 (photo)

Radu Sigheti

REU7713766

A Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic
 
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A Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863509

A Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863509

A Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic
 
Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
A Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863535

A Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863535

A Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic
 
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  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
A Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863521

A Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863521

Voice sounds were transmitted for the first time on June 3, 1875 over this instrument invented by Alexander Graham Bell and Thomas Watson. The diaphragm was made of tightly stretched animal membrane, and powered with batteries it transmitted sounds over a telegraph wire. It is called the Gallows Phone because of its resemblance to a gallows
 
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  • Not available to clients invoiced in Japan
Voice sounds were transmitted for the first time on June 3, 1875 over this instrument invented by Alexander Graham Bell and Thomas Watson. The diaphragm was made of tightly stretched animal membrane, and powered with batteries it transmitted sounds over a telegraph wire. It is called the Gallows Phone because of its resemblance to a gallows

EVB2937764

Voice sounds were transmitted for the first time on June 3, 1875 over this instrument invented by Alexander Graham Bell and Thomas Watson. The diaphragm was made of tightly stretched animal membrane, and powered with batteries it transmitted sounds over a telegraph wire. It is called the Gallows Phone because of its resemblance to a gallows

EVB2937764

A Valiha, Bamboo Zither or tube harp from Africa. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen
 
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  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
A Valiha, Bamboo Zither or tube harp from Africa. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863532

A Valiha, Bamboo Zither or tube harp from Africa. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863532

Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic
 
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  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863536

Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863536

A Valiha, Bamboo Zither or tube harp from Africa. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen
 
Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
A Valiha, Bamboo Zither or tube harp from Africa. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863531

A Valiha, Bamboo Zither or tube harp from Africa. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863531

Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic
 
Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863512

Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863512

Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic
 
Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863534

Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863534

A Valiha, Bamboo Zither or tube harp from Africa. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen
 
Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
A Valiha, Bamboo Zither or tube harp from Africa. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863558

A Valiha, Bamboo Zither or tube harp from Africa. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863558

Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic
 
Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863497

Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863497

Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic
 
Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863541

Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863541

Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic
 
Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863543

Young African woman playing a Doum Doum drum. A large African drum or percussion instrument made from a hollowed out wooden log and a natural hide or skin stretched over both ends and held in place with rope or twine - generic

Chris Stock

SKC3863543

Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen
 
Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863525

Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863525

Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen
 
Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863514

Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863514

Close up detail of the strings and bridges of a Valiha. A Bamboo Zither or tube harp from Africa. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madaga
 
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Close up detail of the strings and bridges of a Valiha. A Bamboo Zither or tube harp from Africa. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madaga

Chris Stock

SKC3863496

Close up detail of the strings and bridges of a Valiha. A Bamboo Zither or tube harp from Africa. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madaga

Chris Stock

SKC3863496

Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen
 
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Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863533

Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863533

Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen
 
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Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863552

Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863552

Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen
 
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Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863518

Young African woman playing a Valiha, Bamboo Zither or tube harp. Made from a short section of bamboo with metal strings running top to bottom around the whole of the tube, stretched over small moveable bridges. From Madagascar, Mauritius and Africa - gen

Chris Stock

SKC3863518

1939 (composition)
 
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1939 (composition)

Nicholson, Ben (1894-1982)

CH826248

1939 (composition)

Nicholson, Ben (1894-1982)

CH826248

Coptic book cover. This leather binding is stretched over papyrus boards and is ornamented on each side with an eight-pointed star formed of broad interlacing bands. The centre of each star contains a gilded cross cut out from the leather, and allows a backing of gilded vellum to show through
 
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Coptic book cover. This leather binding is stretched over papyrus boards and is ornamented on each side with an eight-pointed star formed of broad interlacing bands. The centre of each star contains a gilded cross cut out from the leather, and allows a backing of gilded vellum to show through

BL3289150

Coptic book cover. This leather binding is stretched over papyrus boards and is ornamented on each side with an eight-pointed star formed of broad interlacing bands. The centre of each star contains a gilded cross cut out from the leather, and allows a backing of gilded vellum to show through

BL3289150

1933 (bugatti 5 litres)
 
Copyright/Diritti d'Autore
  • In Copyright
1933 (bugatti 5 litres)

Nicholson, Ben (1894-1982)

CH989185

1933 (bugatti 5 litres)

Nicholson, Ben (1894-1982)

CH989185

MOTORCADE FOR GIBSON FILES OVER MEMORIAL BRIDGE, 1998-07-30 (photo)
 
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MOTORCADE FOR GIBSON FILES OVER MEMORIAL BRIDGE, 1998-07-30 (photo)

Larry Downing

REU8105583

MOTORCADE FOR GIBSON FILES OVER MEMORIAL BRIDGE, 1998-07-30 (photo)

Larry Downing

REU8105583

Lamentation over the Dead Christ with Saints Sebastian and Lazarus , 1522 (oil on panel)
 
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Lamentation over the Dead Christ with Saints Sebastian and Lazarus , 1522 (oil on panel)

Bramantino, Bartolomeo Suardi (1450/55-c.1536)

Mauro Magliani & Barbara Piovan

MEP1267115

Lamentation over the Dead Christ with Saints Sebastian and Lazarus , 1522 (oil on panel)

Bramantino, Bartolomeo Suardi (1450/55-c.1536)

Mauro Magliani & Barbara Piovan

MEP1267115

MOTORCADE FOR SLAIN OFFICER GIBSON FILES OVER MEMORIAL BRIDGE, 1998-07-30 (photo)
 
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MOTORCADE FOR SLAIN OFFICER GIBSON FILES OVER MEMORIAL BRIDGE, 1998-07-30 (photo)

Larry Downing

REU8162131

MOTORCADE FOR SLAIN OFFICER GIBSON FILES OVER MEMORIAL BRIDGE, 1998-07-30 (photo)

Larry Downing

REU8162131

Female Figure, 1910 (tempera on canvas)
 
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Female Figure, 1910 (tempera on canvas)

Michetti, Francesco Paolo (1851-1929)

Alessandro Vasari

MEP2646690

Female Figure, 1910 (tempera on canvas)

Michetti, Francesco Paolo (1851-1929)

Alessandro Vasari

MEP2646690

FOREIGN EXCHANGE QUOTATION BOARD FLASHES 134.91 OVER MONEY DEALERS AT FOREIGN EXCHANGE BROKERAGE INI TOKYO, 2002-01-25 (photo)
 
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FOREIGN EXCHANGE QUOTATION BOARD FLASHES 134.91 OVER MONEY DEALERS AT FOREIGN EXCHANGE BROKERAGE INI TOKYO, 2002-01-25 (photo)

Toshiyuki Aizawa

REU7821242

FOREIGN EXCHANGE QUOTATION BOARD FLASHES 134.91 OVER MONEY DEALERS AT FOREIGN EXCHANGE BROKERAGE INI TOKYO, 2002-01-25 (photo)

Toshiyuki Aizawa

REU7821242

Seminole Tanning A Hide (b/w photo)
 
Seminole Tanning A Hide (b/w photo)

UIG1143452

Seminole Tanning A Hide (b/w photo)

UIG1143452

LOEB OF FRANCE FLIES HIS CITROEN OVER CATTLE GRID DURING THE RALLY OF AUSTRALIA IN PERTH, 2002-11-02 (photo)
 
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LOEB OF FRANCE FLIES HIS CITROEN OVER CATTLE GRID DURING THE RALLY OF AUSTRALIA IN PERTH, 2002-11-02 (photo)

Mal Fairclough

REU8023997

LOEB OF FRANCE FLIES HIS CITROEN OVER CATTLE GRID DURING THE RALLY OF AUSTRALIA IN PERTH, 2002-11-02 (photo)

Mal Fairclough

REU8023997

LOEB OF FRANCE FLIES HIS CITROEN OVER CATTLE GRID DURING THE RALLY OF AUSTRALIA IN PERTH, 2002-11-02 (photo)
 
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LOEB OF FRANCE FLIES HIS CITROEN OVER CATTLE GRID DURING THE RALLY OF AUSTRALIA IN PERTH, 2002-11-02 (photo)

Mal Fairclough

REU8025627

LOEB OF FRANCE FLIES HIS CITROEN OVER CATTLE GRID DURING THE RALLY OF AUSTRALIA IN PERTH, 2002-11-02 (photo)

Mal Fairclough

REU8025627

PEOPLE TALK ON A BRIDGE OVER A DIRTY STREAM IN THE WORLD LARGEST SLUM KIBERA IN NAIROBI, 2003-11-28 (photo)
 
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PEOPLE TALK ON A BRIDGE OVER A DIRTY STREAM IN THE WORLD LARGEST SLUM KIBERA IN NAIROBI, 2003-11-28 (photo)

Radu Sigheti

REU7756979

PEOPLE TALK ON A BRIDGE OVER A DIRTY STREAM IN THE WORLD LARGEST SLUM KIBERA IN NAIROBI, 2003-11-28 (photo)

Radu Sigheti

REU7756979

A man laughs as he walks past a line of over 500 hanging bras called 'Bras Across the Bridge' in fro.., 2002-10-28 (photo)
 
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A man laughs as he walks past a line of over 500 hanging bras called 'Bras Across the Bridge' in fro.., 2002-10-28 (photo)

David Gray

REU7760776

A man laughs as he walks past a line of over 500 hanging bras called 'Bras Across the Bridge' in fro.., 2002-10-28 (photo)

David Gray

REU7760776

Camping, 1953 (b/w photo)
 
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Camping, 1953 (b/w photo)

Hannes Betzler

SZT6313844

Camping, 1953 (b/w photo)

Hannes Betzler

SZT6313844

People talk on a bridge over a brown dirty stream dribbling through the middle of Nairobi's Kibera .., 2003-11-30 (photo)
 
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People talk on a bridge over a brown dirty stream dribbling through the middle of Nairobi's Kibera .., 2003-11-30 (photo)

Radu Sigheti

REU7706930

People talk on a bridge over a brown dirty stream dribbling through the middle of Nairobi's Kibera .., 2003-11-30 (photo)

Radu Sigheti

REU7706930

Switzerland Pest Vineyard, 1979 (b/w photo)
 
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Switzerland Pest Vineyard, 1979 (b/w photo)

Stringer (STR)

KES6208082

Switzerland Pest Vineyard, 1979 (b/w photo)

Stringer (STR)

KES6208082

Space 19540630 Total solar eclipse in Norway. The eclipse was total in a band that …, 1954 (photo)
 
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Space 19540630 Total solar eclipse in Norway. The eclipse was total in a band that …, 1954 (photo)

NTB

NTB8966587

Space 19540630 Total solar eclipse in Norway. The eclipse was total in a band that …, 1954 (photo)

NTB

NTB8966587

Opening of the Reich highway Frankfurt a.M. - Darmstadt, 1935 (b/w photo)
 
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Opening of the Reich highway Frankfurt a.M. - Darmstadt, 1935 (b/w photo)

SZT3022494

Opening of the Reich highway Frankfurt a.M. - Darmstadt, 1935 (b/w photo)

SZT3022494

Oslo 19540630 Total solar eclipse in Norway. The eclipse was total in a band that …, 1954 (photo)
 
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Oslo 19540630 Total solar eclipse in Norway. The eclipse was total in a band that …, 1954 (photo)

NTB

NTB8933057

Oslo 19540630 Total solar eclipse in Norway. The eclipse was total in a band that …, 1954 (photo)

NTB

NTB8933057

Drum (wood, vellum, leather)
 
Drum (wood, vellum, leather)

Michael Pollard

MHM9202904

Drum (wood, vellum, leather)

Michael Pollard

MHM9202904

Oslo 19540630 Total solar eclipse in Norway …, 1954 (photo)
 
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Oslo 19540630 Total solar eclipse in Norway …, 1954 (photo)

NTB8618572

Oslo 19540630 Total solar eclipse in Norway …, 1954 (photo)

NTB8618572

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
 
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729573

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729573

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
 
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729589

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729589

Switzerland Circus Knee Performance (b/w photo)
 
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Switzerland Circus Knee Performance (b/w photo)

Alain Gassmann

KES6212200

Switzerland Circus Knee Performance (b/w photo)

Alain Gassmann

KES6212200

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
 
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729616

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729616

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
 
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729652

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729652

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
 
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729677

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729677

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.
 
Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729536

Parc d'Ermenonville “” Jean-Jacques Rousseau”, Oise, Picardie, France. From 1765 onwards, the Marquis Rene de Girardin created a park adorned with factories. Inspired by Jean-Jacques Rousseau in his vision of nature and with a moral intention, the Marquis surround himself with the advice of landscape architect Jean-Marie Morel, painter Hubert Robert, who later drew Mereville, Abbe Delille and Scottish gardeners. The park is treated in an English garden and the factories use both romantic style and maconic symbols. The ensemble stretched to the north and south of the castle over a hundred hectares and had about fifty factories of varying importance.

Pascal Lemaitre

ITR4729536

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