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Immagini di 'Preparatori' trovate, 536

Three dancing figures and a study of a head (sepia & black ink on linen paper)
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Sketches for the Trivulzio monument, c.1508-10 (pen & ink on paper)
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A study for an equestrian monument, c.1485-90 (metalpoint on blue paper)
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Self-portrait on stepladder, working on the cartoon of the poster 'Imprimerie Cassan Fils', 1896 (b/w photo)
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A study of drapery for a Salvator Mundi, c.1504-8 (red chalk with touches of white chalk and pen and ink on pale red prepared paper)
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Studies of drapery for a Salvator Mundi, c.1504-8 (red chalk with pen and ink and white heightening on pale red prepared paper)
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Studies of horses and soldiers for the 'Battle of Anghiari', c.1503-04 (chalk on paper)
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The skull sectioned, 1489 (pen & ink over black chalk on paper)
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Model of the cupola atop the Duomo (wood)
The head of St Simon in the Last Supper, c.1515 (red chalk on red paper)
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The head of a horse, c.1503-04 (pen & ink and wash on paper)
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First study for 'The Dispute', detail of the doctors and the faithful of the militant church, 1509 (pen & ink wash on paper)
The Three Graces, c.1517-18 (red chalk on paper)
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Drawing of the rose window at Chartres: Simon de Montfort (colour litho)
Young Monk Reading (charcoal on paper)
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Atlas Supporting the Heavens, 1635-40 (oil on panel)
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In the Kitchen (pencil and pen & ink on paper)
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Head of Christ with a hand grasping his hair (black chalk on linen paper)
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Presentation drawing of the automotive panel for the north wall of the Detroit Industry Mural, 1932 (charcoal on paper)
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Copyright/Diritti d'Autore
  • In Copyright
Cemetery of Uniforms and Liveries (No. 1) 1913 (pencil on tracing paper)
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Copyright/Diritti d'Autore
  • In Copyright
Children posing as the Czech youths vowing Slavic ideals for 'The Oath of Omladina under the Slavic Linden Tree' (The Slav Epic cycle No.18, 1926), 1925-26 (b/w photo)
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Portrait of Mother Angelique Arnauld (crayon & sanguine on paper)
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A branch of blackberry, and a stem of bird's-foot trefoil, c.1506-12 (red chalk on orange-red prepared paper)
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Study for Lord North, 1779-80 (chalk on paper
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A Caryatid with an anchor (red chalk on paper)
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Page from a notebook showing figures fighting on horseback and on foot (sepia ink on linen paper)
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The Adoration of the Child by the Virgin Mary, with other figures and angels (sepia ink on linen paper)
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Study for a putto (red chalk on tinted paper)
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Sketch for 'Destruction', from the 'Course of Empire' series, c.1836 (pen & ink on paper)
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Daybreak, 1922 (oil on panel)
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Copyright/Diritti d'Autore
  • In Copyright
Maquette for Leeds Brick Man, 1986 (brick) (see also 259679-82)
Copyright/Diritti d'Autore
  • In Copyright
Study for 'Zodiac', 1896 (pencil, ink and w/c on paper) (see 176387)
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Study of Men Fighting, 1503-4 (sepia ink on linen paper)
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Study for the Death of General Wolfe at Quebec, 1762-63 (oil on canvas)
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Study for The Virgin and Child with St. Joseph and John the Baptist, 1521-27 (black chalk on paper) (see also 226976)
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Adoration of the Shepherds (pen & ink on paper) (recto of 423428)
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The Rape of the Sabines (pen, brown ink & wash on paper)
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The Virgin and Child with St Elizabeth, c.1512 (metalpoint with white heightening on paper)
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Andromeda (pen & ink on paper)
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Daybreak - Study, 1922 (w/c & collage)
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  • In Copyright
Portrait of the Family of Lucien Bonaparte, 1815 (graphite on paper)
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Study for a landscape with Psyche and the Palace of Love, 1663 (pen and bistre on paper)
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Models posing as struggling figures for 'The Introduction of the Slavonic Liturgy' (The Slav Epic cycle No.3, 1912), 1911-12 (b/w photo)
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Christopher Columbus at the Convent of La Rabida, 1827 (w/c on paper)
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Design for a bedstead in English oak, 1902 (pen & ink on paper)
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Design for Ebony Lectern inlaid with Bone & Silver for St. Andrews Church, Roker 1906 (pen and ink on paper)
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Maquette for Leeds Brick Man, 1986 (brick) (see also 259679-81)
Copyright/Diritti d'Autore
  • In Copyright
Page from a sketchbook, 2009 (pencil on paper)
Copyright/Diritti d'Autore
  • In Copyright
Study of a horse and two figures (sepia ink on linen paper)
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