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Immagini di 'Scheggia' trovate, 243

Frontal from the Adimari Cassone depicting a wedding scene in front of the Baptistry, c.1450 (tempera on panel) (see also 62295, 123484-6)
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game called civettino, detail from front of birth tray (round painting), circa 1450, by Giovanni di Ser Giovanni, known as Lo Scheggia (1406-1486), tempera on wood
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The Game of Civettino (tempera on panel)
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Putti playing, detail from back of birth tray (round painting), circa 1450, by Giovanni di Ser Giovanni, known as Lo Scheggia (1406-1486), tempera on wood
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Frontal from the Adimari Cassone, detail of four men, c.1450 (tempera on panel)(detail of 80304)
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Triumph of Love, inspired by 'Triumphs' by Petrarch (1304-74) (oil on panel)
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Scenes from the Coronation of the Emperor Frederick III in Rome (tempera on panel)
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William the Conqueror injured at Mantes-la-Joilie in 1087. (gouache on paper)
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The triumph of death - (Lo Scheggia) Giovanni di Ser Giovanni (1406-1486), 1465-1470 (tempera on panel)
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Frontal of the Adimari Cassone, detail of the left-hand section, c.1450 (tempera on panel) (detail of 80304)
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Cassone Adimari by Master of Cassone Adimari, possibly Giovanni di Ser Giovanni, called lo Scheggia, detail, 1440-1450, tempera on panel, 88, 5x303 cm
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The Adimari Cassone, c.1450 (tempera on panel)
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Wedding ceremony has the renaissance panel decorating the Cassone Adimari, Wedding scene in Piazza del Duomo, c.1450 (tempera on wood)
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Triumph of Death, inspired by 'Triumphs' by Petrarch (1304-74) (oil on panel)
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Sliver de Phillip Noyce avec William Baldwin et Sharon Stone 1993
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Drawing by Elie Metchnikoff of phagocytic cells surrounding a foreign particle, 1891 (engraving)
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Cast of Spinario (thorn-puller) from Rome, original dated 1st century BC (plaster)
French poet Guillaume Apollinaire (on right) wounded at the head by a shrapnel at the hospital in Paris in August 1916. In the c : senior consultant Palazzoli and in middle-distance : l-r : Joseph Baches and Serge Ferat
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German machine gunner in the Prinsk Marshes, 1944
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Vietnam: Two Black Flag militia and a French rifleman, Tuyen Quang, Tonkin, 1885.
High angle view of contorted rock stratification; Scheggia Pass; Umbria; Italy
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High angle view of a field; Sigillo; Scheggia; Mt Cucco Regional Park; Umbria; Italy
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game called civettino, detail from front of birth tray (round painting), circa 1450, by Giovanni di Ser Giovanni, known as Lo Scheggia (1406-1486), tempera on wood
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Master of Cassone Adimari, possibly Giovanni di Ser Giovanni, called lo Scheggia,  tempera on panel, 1440-1450
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Stories of Susanne, circa 1450, front panel of painted chest, by Giovanni di Ser Giovanni, known as Lo Scheggia (1406-1486), tempera on wood, Detail
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Stories of Susanne, circa 1450, right side of painted chest by Giovanni di Ser Giovanni, known as Lo Scheggia (1406-1486), tempera on panel, Detail
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Stories of Susanne, circa 1450, right side of painted chest by Giovanni di Ser Giovanni, known as Lo Scheggia (1406-1486), tempera on panel, Detail
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A Game called Civettino, by Giovanni di ser Giovanni also known as Lo Scheggia, 1450, 15th Century, tempera on board
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Stories of Susanne, circa 1450, front panel of painted chest, by Giovanni di Ser Giovanni, known as Lo Scheggia (1406-1486), tempera on wood Detail
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Detail depicting couple by Master of Cassone Adimari, possibly Giovanni di Ser Giovanni, called lo Scheggia, tempera on panel, 1440-1450
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Cassone Adimari, detail depicting scene of court life by Master of Cassone Adimari, possibly Giovanni di Ser Giovanni, called lo Scheggia, tempera on panel, 1440-1450, 885x303 cm
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The Adimari Cassone, c.1450 (tempera on panel)
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Cassone Adimari by Master of Cassone Adimari, possibly Giovanni di Ser Giovanni, called lo Scheggia, detail, 1440-1450, tempera on panel, 88, 5x303 cm
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game called civettino, detail of right side of birth tray (round painting), circa 1450, by Giovanni di Ser Giovanni, known as Lo Scheggia (1406-1486), tempera on panel
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Musicians, 1445-1450, detail from the Cassone Adimari by Giovanni di Ser Giovanni known as Lo Scheggia (1406-1486), tempera on canvas, 88,5x303 cm, Italy, 15th century
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Frontal from the Adimari Cassone, detail of the right-hand section, c.1450 (tempera on panel) (detail of 80304)
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Madonna with Child Jesus and Saint John the Baptist, c.1440-70 (tempera on board)
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Madonna with Child Jesus and Saint John the Baptist, detail, c.1440-70 (tempera on board)
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The Triumph of Fame, 1465-1470 (tempera on panel)
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The triumph of the chastete, 1465-1470 (tempera on panel)
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Left panel of the Adimari Cassone, c.1450 (tempera on panel) (detail of 254001)
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Frontal from the Adimari Cassone, detail of the right-hand section, c.1450 (tempera on panel) (detail of 80304) (see also 123486)
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Renaissance Wedding Ceremony, detail, c.1450 (painting)
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Triumph of Eternity, inspired by 'Triumphs' by Petrarch (1304-74) (oil on panel)
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Center panel of the Adimari Cassone, c.1450 (tempera on panel) (detail of 254001)
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Frontal from the Adimari Cassone, detail of the right hand panel, c.1450 (tempera on panel) (detail of 166335, see also 80304)
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Frontal from the Adimari Cassone depicting a wedding scene in front of the Baptistry, c.1450 (tempera on panel) (detail of 80304, 123485)
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Triumph of Fame, inspired by 'Triumphs' by Petrarch (1304-74) (oil on panel)
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Renaissance Wedding Ceremony, detail, c.1450 (painting)
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The Story of Susanna, front panel of a wedding chest, c.1450 (tempera on panel)
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Saint Peter Healing the Sick with His Shadow (San Pietro risana gli infermi con la sua ombra), by Masaccio, 1425-1427, 15th Century, fresco, 230 x 162 cm - Italy, Tuscany, Florence, Church of Santa Maria del Carmine, Brancacci Chapel. Detail. Saint Peter, wearing an orange mantle, walks solemnly along the street, followed by Saint John, who wears a pink mantle; at his passage, his shadow heals a group of sick people on the left roadside: one of them stands up and thanks the saint, a second man is standing up calmly and a third one, who lies down, looks the saint with a sentiment of trepidation; the classic iconography gives various meanings to these figures: the character wearing the red headgear was thought to be Masolino or maybe Donatello; the character of Saint Peter was thought to be a portrait of Lo Scheggia, Masaccio's brother; the character of an old, bearded man, similar to one of the Wise Men depicted in the Masaccio's Polyptic of Pisa, was thought to be Bicci da Lorenzo ©Archivio Quattrone/Antonio Quattrone/Electa/Leemage
Sliver, Sharon Stone and William Baldwin 1993 (film still)
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Shard
Sliver de PhillipNoyce avec Sharon Stone 1993
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Shard
Sliver de PhilipNoyce avec William Baldwin 1993
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'Seconals, Splinters', 1976 (gunpowder, brush & red watercolour and yellow paste on paper)
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Sliver de PhillipNoyce avec William Baldwin 1993
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1960s: Person chips away at marble.
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Silver, oval bowl
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1960s: Person chips away at marble.
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1960s: Splinter of wood floats in water. Person uses end of pencil to move splinter in water.
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Shard and Tower Bridge from Level 39
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