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'Teatro Dell Scala' immagini e video risultati page 1 of 20

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Immagini di 'Teatro Dell Scala' trovate, 1,772

Romeo and Juliet, 1867 (w/c & bodycolour on paper)
 
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Romeo and Juliet, 1867 (w/c & bodycolour on paper)

Brown, Ford Madox (1821-93)

WHT161681

Romeo and Juliet, 1867 (w/c & bodycolour on paper)

Brown, Ford Madox (1821-93)

WHT161681

Romeo and Juliet, 1870 (oil on canvas)
 
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Romeo and Juliet, 1870 (oil on canvas)

Brown, Ford Madox (1821-93)

DAM120719

Romeo and Juliet, 1870 (oil on canvas)

Brown, Ford Madox (1821-93)

DAM120719

Pierrot, 1913 (oil on canvas)
 
Pierrot, 1913 (oil on canvas)

Macke, August (1887-1914)

Photo Josse

JLJ4691068

Pierrot, 1913 (oil on canvas)

Macke, August (1887-1914)

Photo Josse

JLJ4691068

The masks of the Commedia dell'Arte: Captain Bombardone and Captain Grillo. Anonymous painting of the 17th century. Milan, Museo Scala.
 
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The masks of the Commedia dell'Arte: Captain Bombardone and Captain Grillo. Anonymous painting of the 17th century. Milan, Museo Scala.

Italian School, (17th century)

Giancarlo Costa

GIA4744099

The masks of the Commedia dell'Arte: Captain Bombardone and Captain Grillo. Anonymous painting of the 17th century. Milan, Museo Scala.

Italian School, (17th century)

Giancarlo Costa

GIA4744099

The destruction of Pompei. (Vesuve eruption) Oil painting for the opera by Giovanni Pacini. “The Last Day of Pompei.” 1817. Teatro alla Scala de Milan.
 
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The destruction of Pompei. (Vesuve eruption) Oil painting for the opera by Giovanni Pacini. “The Last Day of Pompei.” 1817. Teatro alla Scala de Milan.

Unknown Artist, (19th century)

Giancarlo Costa

GIA4702422

The destruction of Pompei. (Vesuve eruption) Oil painting for the opera by Giovanni Pacini. “The Last Day of Pompei.” 1817. Teatro alla Scala de Milan.

Unknown Artist, (19th century)

Giancarlo Costa

GIA4702422

Italian masks of the Commedia dell'Arte. Anonymous 17th century Milan Museo Scala
 
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Italian masks of the Commedia dell'Arte. Anonymous 17th century Milan Museo Scala

Italian School, (17th century)

Giancarlo Costa

GIA4744083

Italian masks of the Commedia dell'Arte. Anonymous 17th century Milan Museo Scala

Italian School, (17th century)

Giancarlo Costa

GIA4744083

View of Scala opera house in Milan - oil on canvas, 1852
 
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View of Scala opera house in Milan - oil on canvas, 1852

Inganni, Angelo (1807-80)

Luisa Ricciarini

LRI4572808

View of Scala opera house in Milan - oil on canvas, 1852

Inganni, Angelo (1807-80)

Luisa Ricciarini

LRI4572808

Giuseppe Verdi acclaimed in Teatro della Scala of Milan, following a performance of the opera 'Falstaff', from "L'Illustrazione Italiana", XX, N. 8 of 19 February 1893 (litho)
 
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Giuseppe Verdi acclaimed in Teatro della Scala of Milan, following a performance of the opera 'Falstaff', from "L'Illustrazione Italiana", XX, N. 8 of 19 February 1893 (litho)

Gennaro, Amato (1857-1947)

FAF328243

Giuseppe Verdi acclaimed in Teatro della Scala of Milan, following a performance of the opera 'Falstaff', from "L'Illustrazione Italiana", XX, N. 8 of 19 February 1893 (litho)

Gennaro, Amato (1857-1947)

FAF328243

Poster for 'The Requiem' by Giuseppe Verdi, Teatro alla Scala, 25th May 1874 (print)
 
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Poster for 'The Requiem' by Giuseppe Verdi, Teatro alla Scala, 25th May 1874 (print)

Italian School

XLE3778116

Poster for 'The Requiem' by Giuseppe Verdi, Teatro alla Scala, 25th May 1874 (print)

Italian School

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Set design by Alessandro Sanquirico (1777-1849) depicting temple of Irminsul for opera Norma, by Vincenzo Bellini (1801-1835), performed at La Scala Theatre in Milan, December 26, 1831
 
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Set design by Alessandro Sanquirico (1777-1849) depicting temple of Irminsul for opera Norma, by Vincenzo Bellini (1801-1835), performed at La Scala Theatre in Milan, December 26, 1831

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Set design by Alessandro Sanquirico (1777-1849) depicting temple of Irminsul for opera Norma, by Vincenzo Bellini (1801-1835), performed at La Scala Theatre in Milan, December 26, 1831

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Italian masks from the Commedia dell'Arte: Captain Babbeo and Cucuba. Anonymous 17th century. Mila, Scala Museum.
 
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Italian masks from the Commedia dell'Arte: Captain Babbeo and Cucuba. Anonymous 17th century. Mila, Scala Museum.

Italian School, (17th century)

Giancarlo Costa

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Italian masks from the Commedia dell'Arte: Captain Babbeo and Cucuba. Anonymous 17th century. Mila, Scala Museum.

Italian School, (17th century)

Giancarlo Costa

GIA4744072

Set design for the ballet 'Bolero' by Maurice Ravel (w/c on paper)
 
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Set design for the ballet 'Bolero' by Maurice Ravel (w/c on paper)

Rigon, G (19th century)

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Set design for the ballet 'Bolero' by Maurice Ravel (w/c on paper)

Rigon, G (19th century)

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Italy, Milan, Teatro alla Scala (La Scala Theater)
 
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Italy, Milan, Teatro alla Scala (La Scala Theater)

A Dagli Orti

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Italy, Milan, Teatro alla Scala (La Scala Theater)

A Dagli Orti

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Giuseppe Verdi 's opera Othello, 1887 (poster)
 
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Giuseppe Verdi 's opera Othello, 1887 (poster)

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Giuseppe Verdi 's opera Othello, 1887 (poster)

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Mario del Monaco and Maria Callas (b/w photo)
 
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Mario del Monaco and Maria Callas (b/w photo)

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Mario del Monaco and Maria Callas (b/w photo)

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Teatro alla Scala
 
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Teatro alla Scala

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Teatro alla Scala

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Scale model of Bauhaus theatre by Walter Gropius 1927
 
Scale model of Bauhaus theatre by Walter Gropius 1927

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Scale model of Bauhaus theatre by Walter Gropius 1927

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Magic scene, theatrical scene design by Sebastiano Serlio (1475-1554), illustration from Treatise on Architecture, Book II, 1545
 
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Magic scene, theatrical scene design by Sebastiano Serlio (1475-1554), illustration from Treatise on Architecture, Book II, 1545

Serlio, Sebastiano (1475-1554)

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Magic scene, theatrical scene design by Sebastiano Serlio (1475-1554), illustration from Treatise on Architecture, Book II, 1545

Serlio, Sebastiano (1475-1554)

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Set design for 'The Barber of Seville' by Gioachino Rossini (w/c on paper)
 
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Set design for 'The Barber of Seville' by Gioachino Rossini (w/c on paper)

Rigon, G (19th century)

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Set design for 'The Barber of Seville' by Gioachino Rossini (w/c on paper)

Rigon, G (19th century)

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The Merchant of Venice
 
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The Merchant of Venice

Boyne, John (1750-1810) (after)

XLA3756758

The Merchant of Venice

Boyne, John (1750-1810) (after)

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Rosina Storchio (Venice, 1872 - Rome, 1945), Italian soprano, as Cio-Cio-San in Madame Butterfly by Giacomo Puccini (1858-1924), at premiere at La Scala Theatre in Milan, February 17, 1904
 
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Rosina Storchio (Venice, 1872 - Rome, 1945), Italian soprano, as Cio-Cio-San in Madame Butterfly by Giacomo Puccini (1858-1924), at premiere at La Scala Theatre in Milan, February 17, 1904

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Rosina Storchio (Venice, 1872 - Rome, 1945), Italian soprano, as Cio-Cio-San in Madame Butterfly by Giacomo Puccini (1858-1924), at premiere at La Scala Theatre in Milan, February 17, 1904

DGA771305

Council room of Palazzo degli Abati, scenography by Girolamo Magnani (1815-1889) for Act I of Simon Boccanegra by Giuseppe Verdi at Teatro alla Scala in Milan, March 24, 1881, 19th century
 
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Council room of Palazzo degli Abati, scenography by Girolamo Magnani (1815-1889) for Act I of Simon Boccanegra by Giuseppe Verdi at Teatro alla Scala in Milan, March 24, 1881, 19th century

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Council room of Palazzo degli Abati, scenography by Girolamo Magnani (1815-1889) for Act I of Simon Boccanegra by Giuseppe Verdi at Teatro alla Scala in Milan, March 24, 1881, 19th century

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The Turnip, 1960s (tempera on paper)
 
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The Turnip, 1960s (tempera on paper)

Gippius, Natalia (1905-94)

AGC875655

premium

premium
The Turnip, 1960s (tempera on paper)

Gippius, Natalia (1905-94)

AGC875655

Costume design for Basilio, from 'The Marriage of Figaro', 1905 (colour litho)
 
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Costume design for Basilio, from 'The Marriage of Figaro', 1905 (colour litho)

Caramba, Luigi Sapelli (1865-1936)

Giancarlo Costa

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Costume design for Basilio, from 'The Marriage of Figaro', 1905 (colour litho)

Caramba, Luigi Sapelli (1865-1936)

Giancarlo Costa

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Costume Design for the Count Almaviva, from the 'Marriage of Figaro', 1905 (gouache on paper)
 
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Costume Design for the Count Almaviva, from the 'Marriage of Figaro', 1905 (gouache on paper)

Caramba, Luigi Sapelli (1865-1936)

Giancarlo Costa

GIA938508

Costume Design for the Count Almaviva, from the 'Marriage of Figaro', 1905 (gouache on paper)

Caramba, Luigi Sapelli (1865-1936)

Giancarlo Costa

GIA938508

Cover for the first edition of the opera Falstaff by Giuseppe Verdi
 
Cover for the first edition of the opera Falstaff by Giuseppe Verdi

FGL5474255

Cover for the first edition of the opera Falstaff by Giuseppe Verdi

FGL5474255

Views of the Teatro alla Scala, Milan, after its restoration in 2004, 2004
 
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Views of the Teatro alla Scala, Milan, after its restoration in 2004, 2004

Piermarini, Giuseppe (1734-1808)

ELC853498

Views of the Teatro alla Scala, Milan, after its restoration in 2004, 2004

Piermarini, Giuseppe (1734-1808)

ELC853498

Teatro alla Scala in Milan.
 
Teatro alla Scala in Milan.

Giancarlo Costa

GIA4765508

Teatro alla Scala in Milan.

Giancarlo Costa

GIA4765508

La Scala Milan
 
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La Scala Milan

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La Scala Milan

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Teatro alla Scala, Milan, Italy (photo)
 
Teatro alla Scala, Milan, Italy (photo)

Piermarini, Giuseppe (1734-1808)

Giuliano Valsecchi

VLS93245

Teatro alla Scala, Milan, Italy (photo)

Piermarini, Giuseppe (1734-1808)

Giuliano Valsecchi

VLS93245

Sketch of set design by Alessandro Sanquirico (1777-1849) for Ginevra of Scotland, by Johann Simon Mayr (1763-1845), 19th century
 
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Sketch of set design by Alessandro Sanquirico (1777-1849) for Ginevra of Scotland, by Johann Simon Mayr (1763-1845), 19th century

A Dagli Orti

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Sketch of set design by Alessandro Sanquirico (1777-1849) for Ginevra of Scotland, by Johann Simon Mayr (1763-1845), 19th century

A Dagli Orti

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Set design for Excelsior ball, by Luigi Manzotti (1835-1905)
 
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Set design for Excelsior ball, by Luigi Manzotti (1835-1905)

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Set design for Excelsior ball, by Luigi Manzotti (1835-1905)

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Set design for Elisa and Claudio, opera by Saverio Mercadante (1795-1870)
 
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Set design for Elisa and Claudio, opera by Saverio Mercadante (1795-1870)

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Set design for Elisa and Claudio, opera by Saverio Mercadante (1795-1870)

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Set design for La Vestale (The Vestal Virgin), opera by Saverio Mercadante (1795-1870)
 
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Set design for La Vestale (The Vestal Virgin), opera by Saverio Mercadante (1795-1870)

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Set design for La Vestale (The Vestal Virgin), opera by Saverio Mercadante (1795-1870)

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Italy, Milan, Teatro alla Scala, set design sketch for William Tell
 
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Italy, Milan, Teatro alla Scala, set design sketch for William Tell

A Dagli Orti

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Italy, Milan, Teatro alla Scala, set design sketch for William Tell

A Dagli Orti

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Set design for Elisa and Claudio, opera by Saverio Mercadante (1795-1870)
 
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Set design for Elisa and Claudio, opera by Saverio Mercadante (1795-1870)

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Set design for Elisa and Claudio, opera by Saverio Mercadante (1795-1870)

DGA768892

Anna Pavlova (1881-1931), prima ballerina of the Imperial Theatre in St Petersburg, Photo from 1909
 
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Anna Pavlova (1881-1931), prima ballerina of the Imperial Theatre in St Petersburg, Photo from 1909

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Anna Pavlova (1881-1931), prima ballerina of the Imperial Theatre in St Petersburg, Photo from 1909

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Maria Callas at Piccola Scala theater, 1955 (b/w photo)
 
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Maria Callas at Piccola Scala theater, 1955 (b/w photo)

OLA5371382

Maria Callas at Piccola Scala theater, 1955 (b/w photo)

OLA5371382

Maria de la Felicidad Malibran (1808 - 1836) Painting by Luigi Pedrazzi.Museo della Scala in Milan
 
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Maria de la Felicidad Malibran (1808 - 1836) Painting by Luigi Pedrazzi.Museo della Scala in Milan

Pedrazzi, Luigi ((1802-1845)

Giancarlo Costa

GIA4732046

Maria de la Felicidad Malibran (1808 - 1836) Painting by Luigi Pedrazzi.Museo della Scala in Milan

Pedrazzi, Luigi ((1802-1845)

Giancarlo Costa

GIA4732046

Set design sketch for premiere of opera Cavalleria rusticana (Rustic Chivalry), by Pietro Mascagni (1863-1945), performed at Costanzi Theatre in Rome, May 17, 1890
 
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Set design sketch for premiere of opera Cavalleria rusticana (Rustic Chivalry), by Pietro Mascagni (1863-1945), performed at Costanzi Theatre in Rome, May 17, 1890

DGA770174

Set design sketch for premiere of opera Cavalleria rusticana (Rustic Chivalry), by Pietro Mascagni (1863-1945), performed at Costanzi Theatre in Rome, May 17, 1890

DGA770174

Magic scene, theatrical scene design by Sebastiano Serlio (1475-1554), illustration from Treatise on Architecture, Book II, 1545
 
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Magic scene, theatrical scene design by Sebastiano Serlio (1475-1554), illustration from Treatise on Architecture, Book II, 1545

Serlio, Sebastiano (1475-1554)

DGA1257540

Magic scene, theatrical scene design by Sebastiano Serlio (1475-1554), illustration from Treatise on Architecture, Book II, 1545

Serlio, Sebastiano (1475-1554)

DGA1257540

Scenography by Rigon for opera Coppelia, by Leo Delibes (1836-1891), for La Scala Theatre, Milan Watercolor
 
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Scenography by Rigon for opera Coppelia, by Leo Delibes (1836-1891), for La Scala Theatre, Milan Watercolor

Italian School, (19th century)

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Scenography by Rigon for opera Coppelia, by Leo Delibes (1836-1891), for La Scala Theatre, Milan Watercolor

Italian School, (19th century)

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Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Comunale in Bologna, 1854
 
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Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Comunale in Bologna, 1854

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Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Comunale in Bologna, 1854

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Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Comunale in Bologna, 1854
 
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Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Comunale in Bologna, 1854

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Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Comunale in Bologna, 1854

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Set design for Excelsior Ballet, scene III, Ballet by Luigi Manzotti (1835-1905) with music by Romualdo Marenco (1841-1907), performance at La Scala Theatre from 1973-1974
 
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Set design for Excelsior Ballet, scene III, Ballet by Luigi Manzotti (1835-1905) with music by Romualdo Marenco (1841-1907), performance at La Scala Theatre from 1973-1974

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Set design for Excelsior Ballet, scene III, Ballet by Luigi Manzotti (1835-1905) with music by Romualdo Marenco (1841-1907), performance at La Scala Theatre from 1973-1974

DGA767095

Magnificent location, sketch for stage design of opera Dido and Aeneas, by composer Henry Purcell (1659-1695), lithograph by Ricordi
 
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Magnificent location, sketch for stage design of opera Dido and Aeneas, by composer Henry Purcell (1659-1695), lithograph by Ricordi

DGA767184

Magnificent location, sketch for stage design of opera Dido and Aeneas, by composer Henry Purcell (1659-1695), lithograph by Ricordi

DGA767184

Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Regio in Turin, 1845
 
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Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Regio in Turin, 1845

DGA770148

Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Regio in Turin, 1845

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Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Regio in Turin, 1845
 
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Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Regio in Turin, 1845

DGA770149

Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Regio in Turin, 1845

DGA770149

Set design sketch by Luigi Brilli for opera Mese Mariano (Mary's Month), by Umberto Giordano (1867-1948) at La Scala Theatre in Milan, March 1940
 
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Set design sketch by Luigi Brilli for opera Mese Mariano (Mary's Month), by Umberto Giordano (1867-1948) at La Scala Theatre in Milan, March 1940

DGA770900

Set design sketch by Luigi Brilli for opera Mese Mariano (Mary's Month), by Umberto Giordano (1867-1948) at La Scala Theatre in Milan, March 1940

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Set design to Turandot by Giacomo Puccini (1858-1924), by Galileo Chini (1873-1956), charcoal sketch by Mario Vellani Marchi (1895-1979)
 
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Set design to Turandot by Giacomo Puccini (1858-1924), by Galileo Chini (1873-1956), charcoal sketch by Mario Vellani Marchi (1895-1979)

DGA766730

Set design to Turandot by Giacomo Puccini (1858-1924), by Galileo Chini (1873-1956), charcoal sketch by Mario Vellani Marchi (1895-1979)

DGA766730

Maria Callas getting prepared at la Scala, Milan, 1950 (b/w photo)
 
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Maria Callas getting prepared at la Scala, Milan, 1950 (b/w photo)

OLA5371325

Maria Callas getting prepared at la Scala, Milan, 1950 (b/w photo)

OLA5371325

Set design by Alessandro Sanquirico (1777-1849) for Bianca and Fernando, opera by Vincenzo Bellini, performed at La Scala Theatre in Milan, September 5, 1829
 
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Set design by Alessandro Sanquirico (1777-1849) for Bianca and Fernando, opera by Vincenzo Bellini, performed at La Scala Theatre in Milan, September 5, 1829

A Dagli Orti

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Set design by Alessandro Sanquirico (1777-1849) for Bianca and Fernando, opera by Vincenzo Bellini, performed at La Scala Theatre in Milan, September 5, 1829

A Dagli Orti

DGA769911

The superintendent Antonio Ghiringhelli welcoming Queen Elizabeth II and Prince Philip of Edinburgh to the theater La Scala Milan, 8th May 1961 (b/w photo)
 
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The superintendent Antonio Ghiringhelli welcoming Queen Elizabeth II and Prince Philip of Edinburgh to the theater La Scala Milan, 8th May 1961 (b/w photo)

Sergio del Grande

MEP4770400

The superintendent Antonio Ghiringhelli welcoming Queen Elizabeth II and Prince Philip of Edinburgh to the theater La Scala Milan, 8th May 1961 (b/w photo)

Sergio del Grande

MEP4770400

The singer Maria Callas plays the role of 'Medea' in the opera of the same name of Luigi Cherubini, at the Teatro alla Scala. Milan, winter 1953. (b/w photo)
 
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The singer Maria Callas plays the role of 'Medea' in the opera of the same name of Luigi Cherubini, at the Teatro alla Scala. Milan, winter 1953. (b/w photo)

MEP4783384

The singer Maria Callas plays the role of 'Medea' in the opera of the same name of Luigi Cherubini, at the Teatro alla Scala. Milan, winter 1953. (b/w photo)

MEP4783384

Set design by Alessandro Sanquirico (1777-1849) depicting Filippo's apartments for opera Bianca and Fernando, by Vincenzo Bellini, performed at La Scala Theatre in Milan, September 5, 1829
 
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Set design by Alessandro Sanquirico (1777-1849) depicting Filippo's apartments for opera Bianca and Fernando, by Vincenzo Bellini, performed at La Scala Theatre in Milan, September 5, 1829

A Dagli Orti

DGA769912

Set design by Alessandro Sanquirico (1777-1849) depicting Filippo's apartments for opera Bianca and Fernando, by Vincenzo Bellini, performed at La Scala Theatre in Milan, September 5, 1829

A Dagli Orti

DGA769912

Children of Paradise directed by Marcel Carne, 1944
 
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Children of Paradise directed by Marcel Carne, 1944

DIL1640683

Children of Paradise directed by Marcel Carne, 1944

DIL1640683

Italy, Catania, solitary place, set design for opera Norma by Vincenzo Bellini (1801 - 1835), premiere at the Teatro alla Scala, Milan, December 26, 1831
 
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Italy, Catania, solitary place, set design for opera Norma by Vincenzo Bellini (1801 - 1835), premiere at the Teatro alla Scala, Milan, December 26, 1831

DGA593091

Italy, Catania, solitary place, set design for opera Norma by Vincenzo Bellini (1801 - 1835), premiere at the Teatro alla Scala, Milan, December 26, 1831

DGA593091

Set design sketch by Girolamo Magnani (1815-1889) depicting a dark cave for the third act of the opera Macbeth, by Giuseppe Verdi (1813-1901),performed at La Scala Theatre in Milan, January 21, 1874
 
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Set design sketch by Girolamo Magnani (1815-1889) depicting a dark cave for the third act of the opera Macbeth, by Giuseppe Verdi (1813-1901),performed at La Scala Theatre in Milan, January 21, 1874

DGA768547

Set design sketch by Girolamo Magnani (1815-1889) depicting a dark cave for the third act of the opera Macbeth, by Giuseppe Verdi (1813-1901),performed at La Scala Theatre in Milan, January 21, 1874

DGA768547

Set design by Carlo Ferrario (1833-1907) depicting the forest of Fontainebleau in winter, for the first act, scene I of the opera Don Carlos, by Giuseppe Verdi (1813-1901), performed at La Scala Theatre in Milan, 1878
 
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Set design by Carlo Ferrario (1833-1907) depicting the forest of Fontainebleau in winter, for the first act, scene I of the opera Don Carlos, by Giuseppe Verdi (1813-1901), performed at La Scala Theatre in Milan, 1878

DGA768557

Set design by Carlo Ferrario (1833-1907) depicting the forest of Fontainebleau in winter, for the first act, scene I of the opera Don Carlos, by Giuseppe Verdi (1813-1901), performed at La Scala Theatre in Milan, 1878

DGA768557

Italy, Catania, Temple of Irminsul, set design for opera Norma by Vincenzo Bellini (1801 - 1835), premiere at the Teatro alla Scala, Milan, December 26, 1831
 
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Italy, Catania, Temple of Irminsul, set design for opera Norma by Vincenzo Bellini (1801 - 1835), premiere at the Teatro alla Scala, Milan, December 26, 1831

DGA593092

Italy, Catania, Temple of Irminsul, set design for opera Norma by Vincenzo Bellini (1801 - 1835), premiere at the Teatro alla Scala, Milan, December 26, 1831

DGA593092

The soprano Joan Sutherland dressed as Semiramide, queen of Babylon (Semiramis) (Gioachino Rossini), just before the start of the first national performance. La Scala, Milan, 15 December 1962. (b/w photo)
 
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The soprano Joan Sutherland dressed as Semiramide, queen of Babylon (Semiramis) (Gioachino Rossini), just before the start of the first national performance. La Scala, Milan, 15 December 1962. (b/w photo)

Walter Mori

MEP4792347

The soprano Joan Sutherland dressed as Semiramide, queen of Babylon (Semiramis) (Gioachino Rossini), just before the start of the first national performance. La Scala, Milan, 15 December 1962. (b/w photo)

Walter Mori

MEP4792347

Italy, Catania, Entrance hall of Castle of Montolino, set design for opera La straniera (Stranger) by Vincenzo Bellini (1801 - 1835),performance at the Teatro alla Scala, Milan, Carnival 1829
 
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Italy, Catania, Entrance hall of Castle of Montolino, set design for opera La straniera (Stranger) by Vincenzo Bellini (1801 - 1835),performance at the Teatro alla Scala, Milan, Carnival 1829

DGA593090

Italy, Catania, Entrance hall of Castle of Montolino, set design for opera La straniera (Stranger) by Vincenzo Bellini (1801 - 1835),performance at the Teatro alla Scala, Milan, Carnival 1829

DGA593090

Scene from Act One of the opera 'Lucio Silla' by Wolfgang Amadeus Mozart, 1772 (pen & ink on with wash on paper)
 
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Scene from Act One of the opera 'Lucio Silla' by Wolfgang Amadeus Mozart, 1772 (pen & ink on with wash on paper)

Galliari, Fabrizio (1709-90)

Giancarlo Costa

GIA938504

Scene from Act One of the opera 'Lucio Silla' by Wolfgang Amadeus Mozart, 1772 (pen & ink on with wash on paper)

Galliari, Fabrizio (1709-90)

Giancarlo Costa

GIA938504

Illustration for the play 'La Machine Infernale', 1934 (pen & ink on paper)
 
Copyright/Diritti d'Autore
  • In Copyright
Illustration for the play 'La Machine Infernale', 1934 (pen & ink on paper)

Cocteau, Jean (1889-1963)

CHT200455

Illustration for the play 'La Machine Infernale', 1934 (pen & ink on paper)

Cocteau, Jean (1889-1963)

CHT200455

Bedroom in the House of Elmiro, set design for act 3 of 'Othello' by Gioachino Rossini, engraved by Ricordi (hand-coloured litho)
 
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Bedroom in the House of Elmiro, set design for act 3 of 'Othello' by Gioachino Rossini, engraved by Ricordi (hand-coloured litho)

Sanquirico, Alessandro (1777-1849) (after)

DGA419278

Bedroom in the House of Elmiro, set design for act 3 of 'Othello' by Gioachino Rossini, engraved by Ricordi (hand-coloured litho)

Sanquirico, Alessandro (1777-1849) (after)

DGA419278

VERDI G conducts Stabat Mater by Rossini (engraving)
 
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VERDI G conducts Stabat Mater by Rossini (engraving)

XLE3765556

VERDI G conducts Stabat Mater by Rossini (engraving)

XLE3765556

Costume design for Susanna, from 'The Marriage of Figaro' by Wolfgang Amadeus Mozart, c.1880 (colour litho)
 
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Costume design for Susanna, from 'The Marriage of Figaro' by Wolfgang Amadeus Mozart, c.1880 (colour litho)

Italian School, (19th century)

Giancarlo Costa

GIA938510

Costume design for Susanna, from 'The Marriage of Figaro' by Wolfgang Amadeus Mozart, c.1880 (colour litho)

Italian School, (19th century)

Giancarlo Costa

GIA938510

Costume design for Cherubino, from 'The Marriage of Figaro' by Wolfgang Amadeus Mozart, 1905 (colour litho)
 
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Costume design for Cherubino, from 'The Marriage of Figaro' by Wolfgang Amadeus Mozart, 1905 (colour litho)

Caramba, Luigi Sapelli (1865-1936)

Giancarlo Costa

GIA938512

Costume design for Cherubino, from 'The Marriage of Figaro' by Wolfgang Amadeus Mozart, 1905 (colour litho)

Caramba, Luigi Sapelli (1865-1936)

Giancarlo Costa

GIA938512

Costume design for Barbarina, from 'The Marriage of Figaro' by Wolfgang Amadeus Mozart, 1905 (colour litho)
 
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Costume design for Barbarina, from 'The Marriage of Figaro' by Wolfgang Amadeus Mozart, 1905 (colour litho)

Caramba, Luigi Sapelli (1865-1936)

Giancarlo Costa

GIA938514

Costume design for Barbarina, from 'The Marriage of Figaro' by Wolfgang Amadeus Mozart, 1905 (colour litho)

Caramba, Luigi Sapelli (1865-1936)

Giancarlo Costa

GIA938514

Maria Callas as Lady Macbeth, Milan, 1952 (b/w photo)
 
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Maria Callas as Lady Macbeth, Milan, 1952 (b/w photo)

OLA5371351

Maria Callas as Lady Macbeth, Milan, 1952 (b/w photo)

OLA5371351

Schedule poster for Teatro alla Scala
 
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Schedule poster for Teatro alla Scala

XLE3753609

Schedule poster for Teatro alla Scala

XLE3753609

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