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Immagini di 'Trompe L'oeil' trovate, 1,959

The trompe l'oeil oculus of the Camera degli Sposi, 1465-74 (fresco)
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Garden Paintings from the so-called 'Villa of Livia', Primaporta, Rome, c.20 BC (fresco)
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The Holy Trinity, with the Virgin and Saint John and donors, 1427-28 (fresco)
The Gods of Olympus, trompe l'oeil ceiling from the Sala dei Giganti, 1528 (fresco)
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Seascape, 1984 (acrylic on canvas)
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Marchese Ludovico Gonzaga III of Mantua (reg. 1444-78), his wife Barbara of Brandenburg, children, courtiers and their dog Rubino, from the Camera degli Sposi or Camera Picta, 1465-74 (fresco) (detail of 78449)
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Detail from 'The Trinity', 1427-28 (fresco)
Exterior of Left and Right panels of The Ghent Altarpiece, 1432 (oil on panel)
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Entry of St Ignatius into Paradise, 1685-94 (fresco)
Lorenzo de' Medici (1449-92) surrounded by artists, admiring Michelangelo's 'Faun' (fresco)
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Sistine Chapel Ceiling, 1508-12 (fresco) (detail of 177197)
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Trompe l'oeil garden from the Villa of Livia, 40-20 BC (fresco)
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Room of the Castellana di Vergi showing the frescoed walls and frieze depicting a medieval French romance (photo)
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The Triumph of Christianity, in the Room of Constantine, Raphael Rooms, c.1585 (fresco)
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Trompe l'Oeil of a Bookcase, 1710-20 (oil on canvas)
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Mae West's Face which May be Used as a Surrealist Apartment, 1934-35 (gouache with graphite, on commercially printed magazine page)
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The Camera degli Sposi or Camera Picta with scenes from the court of Mantua, showing the Marchese Ludovico Gonzaga III and his wife Barbara of Brandenburg, their children, courtiers and animals, 1465-74 (photo) (for details see 78450-64 & 78597)
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Central vault of the Church of Saint Ignatius of Loyola (Chiesa di Sant'Ignazio di Loyola) in Rome, a mural representing the apotheosis of Saint Ignatius of Loyola, founder of the company of Jesus, canonized in 1622 and the allegory of Jesuit missionary work, The dome en trompe l'oeil, carried out in 1685 Andrea Pozzo (1642-1709), Art of the Contre reforme, Italian religious architecture in Baroque style dating from the 17th century. Photography, KIM Youngtae, Rome, Lazio, Italy.
Pentecost (oil on canvas)
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View down a corridor, 1662 (oil on panel)
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Dome of the Church of St Ignatius, 1685 (fresco)
Self Portrait, 1646 (Painting)
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Cabinet of curiosities (with glass doors) with various objects, by Andrea Dominico Remps (1621-1699).
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Through the Window, 1981 (oil on board)
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Arrival of Cardinal Francesco Gonzaga, greeted by his father Marchese Ludovico Gonzaga III (reigned 1444-78) and his brothers, from the Camera degli Sposi or Camera Picta, 1465-74 (fresco) (detail of 78449)
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Lorenzo amongst the artists (fresco)
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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (for detail see 78488)
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Trompe l'oeil garden from the Villa of Livia, 40-20 BC (fresco)
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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (detail of 78482)
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Putti with butterfly wings supporting the dedicatory plaque with hunting dogs and their handlers below, from the Camera degli Sposi or Camera Picta, 1465-74 (fresco) (detail of 78449)
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Marchese Ludovico Gonzaga III, his wife Barbara of Brandenburg, their children, courtiers and their dog Rubino, from the Camera degli Sposi or Camera Picta, 1465-74 (fresco)
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Girl in a Picture Frame, 1641 (oil on panel)
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Wrigley Gum Girl I (acrylic on canvas)
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Doughnuts (mixed media)
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Triumph of Divine Providence (fresco)
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Untitled, c.1970s (colour screenprint)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a display of sections of armour in a curtained cupboard, designed by Baccio Pontelli (d.1492), 15th century (wood)
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Charlotte Philippine de Chatre de Cange, Marquise de Lamure (pastel on blue paper)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting open cupboards and niches designed by Baccio Pontelli (d.1492) displaying above the portraits of illustrious men painted by Pedro Berruguete (d.1503) and Juste Gand (1435-80) (photo)
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Reclining Nude, 1983 (oil on canvas)
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Vega-WA-3, 1968 (tempera on board)
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View of the apse of Church of Santa Maria by San Satiro, Milan, Lombardy, Italy (photo)
Still Life, 1675 (oil on canvas)
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Assumption of the Virgin (oil on canvas)
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Equestrian Monument of Sir John Hawkwood (1320-94), 1436 (fresco transferred to canvas)
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Still Life, A Letter Rack, 1692 (oil on canvas)
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Interior of Sala di Giove (Jupiter Room) with paintings by Pietro da Cortona, Palazzo Pitti, Florence, Italy (photo)
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