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Immagini di 'Volute' trovate, 800

Red-figure volute krater with an actor holding his mask, from Ruvo, c.410 BC (ceramic)
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Side B of the Francois Vase, made by Ergotimos (fl.575-560 BC) c.570 BC (pottery)
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Attic red-figure volute-crater, detail of scene of actors and musicians preparing for a performance before Bacchus and Ariadne, Greek, from Ruvo, 5th century BC (ceramic) (see also 119444-5, 119447)
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Attic red-figure volute krater depicting the death of the bronze giant, Talos (pottery) (for detail see 85071)
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The Francois Vase, made by Ergotimos (fl.575-560 BC) (detail of side A) c.570 BC (pottery)
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Attic red-figure volute krater depicting the death of the bronze giant, Talos (pottery) (detail of 85070)
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Apulian red-figure volute crater, detail of the neck depicting Oedipus and the Sphinx (pottery) (see also 153772)
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Tomb of the Scipios (Sepolcro degli Scipioni), 3rd Century a.D.
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Proto-Lucanian volute krater with red figures, attributed to the Painter of Carnee ,
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Proto-Apulian volute krater with red figures, attributed to the Painter of the birth of Dionysus ,
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Attic red-figure volute-crater, detail of scene of actors and musicians preparing for a performance, Greek, from Ruvo, 5th century BC (ceramic) (see 119445-7)
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View of exterior designed by Baldassare Longhena (1598-1682) 1631-81, consecrated in 1687 (photo)
Volute krater, Apulia, 320-310 BC (clay) (see also 321231)
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Karneia, or Harvest Festival, red-figure volute krater, late 5th century BC - early 4th century BC (ceramic)
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The Francois Vase, made by Ergotimos (fl.575-560 BC) c.570 BC (ceramic)
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Gesù Church, Rome, 1568 - 1571
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Homage to Rousseau, 1908 (oil on canvas)
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Proto-Lucanian volute krater with red figures attributed to the Painter of Carnee (clay & glaze)
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Volute krater Attic Francois vase, signed by potter Ergotimos and painter Kleitias, 570-560 B.C., black-figure pottery
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A deluge, c.1517-18 (chalk on paper)
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Proto-Apulian volute krater with red figures, attributed to the Painter of the Birth of Dionysus ,
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View of the columns in the crypt, Norman, c.1090 (stone)
Design for a Church Facade, c.1495-97 (sepia ink on linen paper)
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Two column capitals (colour litho)
A column: capital, shaft, base and plinth (colour litho)
Statue of a lion, Arles city gates, Provence, France (b/w photo)
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Ionic capital. Temple of Artemis Leucophryene. 3rd-2nd centuries BC. Asia Minor.
Column capital bearing symmetrically arranged dog-like beasts, from the hemicycle choir, early 12th century (stone)
Ajax and Telemanon carrying Achille's dead body, 6th century bc (pottery)
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Greek Art. Sanctuary of Olympia. Ionic column at the Palaestra. Capital.
Grecian couch, c.1820 (yellow poplar, cherry & white pine with rosewood graining, gilded painting and textile)
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Red-figure volute krater (ceramic) (detail of 85030)
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Decoration of the rear wall of the Oratory of the Santissimo Rosario, St Cita church in Palermo, 1686 - 1688 (plasters)
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Red-figure mixing Bowl, Apulia, Late Classical Period, c.340BC (pottery)
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Jar, 1522-66 (Porcelain painted in underglaze blue)
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'Spine' chair, designed 1988 (steel)
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Red-figure pottery, Volute krater depicting Alcestis embracing A.D.metus and inscription of names, by Alcestis Painter
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Apulian red-figure volute crater, detail of the sacrifice of Trojan prisoners by Achilles at the funeral of Patroclus (pottery) (see also 174669)
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Attic red-figure volute-crater, decorated with a scene of actors and musicians preparing for a performance, Greek, from Ruvo, 5th century BC (ceramic) (see also 119444, 119446-7)
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Cult amphora with volutes handles. 1450 BC. (marble)
Santa Maria della Salute, Venice, c.1920 (oil on canvas)
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Fragment of the Crucifixion of St. Peter, 1424 (fresco)
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Facade of Santa Maria Novella, built in c.1450-70 (photo)
The Remorse of Orestes (Il rimorso di Oreste), by Giorgio De Chirico, 1969, 20th century (oil on canvas) 90 x 70 cm
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Psalter with weekday holiday day Hymns according to the Roman Curia tradition, (illuminated manuscript)
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A lady, called Elizabeth Claypole (1629-1653), 1652 (miniature on vellum)
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Pier table, 1704-05 (Gilt wood, marble)
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Open armchair, 1737 (Giltwood, velvet)
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Dessert stand (part of the Grand Service), 1813-18 (Silver gilt)
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Cabinet, c.1765-75 (Oak, ebony, gilt bronze, Japanese lacquer, European lacquer (japanning))
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Saddle, Germany,  c. 1440-80 (mixed media)
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Saddle, Germany,  c. 1440-80 (mixed media)
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Saddle, Germany,  c. 1440-80 (mixed media)
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Saddle, Germany, c. 1440-60 (mixed media)
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Saddle, Germany, c. 1440-60 (mixed media)
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Saddle, Germany, c. 1440-60 (mixed media)
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Saddle, Germany, c. 1440-60 (mixed media)
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Saddle, Germany, c. 1440-60 (mixed media)
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Saddle, Germany, c. 1440-60 (mixed media)
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Saddle, Germany, c. 1440-60 (mixed media)
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Saddle, Germany, c. 1440-60 (mixed media)
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Polyptych of the Cathedral of Saint Emygdius, Pietà, Madonna and Child, eight saints (Polittico del duomo di Sant'Emidio. Pietà, Madonna col Bambino, otto santi), by Crivelli Carlo, 1473, 15th Century, tempera on board
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Orpheus Exemplary 3/9 (Orfeo esemplare 3/9), by Giorgio De Chirico, 1970, 20th century (brass)
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Apulian red-figure volute-crater decorated with scenes of a Persian king and his advisers listening to a messenger, a personification of Greece and Asia before Zeus and the emperor's subjects before a treasurer, detail, Greek, from Canosa, 4th century Bc (ceramic) (detail of 119459)
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