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'Backwards' images et/ou videos résultats page 1 of 9

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723 médias trouvés pour 'Backwards'

The bones and muscles of the leg, c.1510-11 (pen & ink with wash over black chalk on paper)
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The throat, and the muscles of the leg, c.1510-11 (pen & ink with wash over black chalk on paper) (recto of 399265)
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Recto: The proportions of a standing, kneeling and sitting man, c.1490 (pen & ink on paper)
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Opened Window toward Senna River at Vernonnet, 1912 (oil on canvas)
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Verso: The foetal blood supply of the cow, c.1508 (pen & ink on paper) (verso of 3899941)
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Arundel 263, f.24v Notes and sketches illustrating Leonardo's study of breathing apparatus for a diver (1508), from 'Codex Arundel' (pen & ink on paper)
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A design for an equestrian monument, c.1485-88 (metalpoint on blue-grey prepared paper)
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Charles Chaplin - Le Kid, 1921 (lithography)
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Recto: The veins of the face, and a torso, 1489 (pen & ink on paper)
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Recto: The muscles of the leg, 1489 (pen & ink over black chalk on paper)
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Head of a snarling lion and notes, c.1500-02 (pen & ink on paper)
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Verso: The muscles of the leg, c.1508 (pen & ink over black chalk on paper)
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Barbara Pym, 1979 (photo)
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A design for an equestrian monument, c.1485-88 (metalpoint on blue-grey prepared paper)
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Gertrude, Hamlet and the ghost of Hamlet's father (Gertrude, Hamlet und der Geist von Hamlets Vater), by Johann Heinrich Fuessli, 1793, 18th Century (oil on canvas)
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Decoy, 1971 (mixed media)
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Allegory of Wrath (Allegoria dell'Ira), by Giotto, 1303-1305, 14th century (fresco)
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Arundel 263 f.270v, f.263, Drawings by Leonardo Da Vinici on on the mechanical powers and forces, percussion, gravity, motion, optics and astronomy, with various arithmetical and geometrical propositions (pen & ink on paper)
Woman on her back, 27th November 1932 (oil on canvas)
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Arundel 263, f.87r Studies of reflections from concave mirrors, from the 'Codex Arundel' (pen & ink on paper)
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Tribute Money, 1425-1427 (fresco)
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Witch Riding Backwards on a Goat, c.1596-98 (oil on copper)
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No. 52 'Le Bienvenu', a dark bay horse of the Spanish Riding School performing a dressage movement (w/c on paper)
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Recto: Notes on the muscles of the mouth, c.1508 (pen & ink with with faint traces of black chalk on paper) (recto of 3899942)
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The world upside down, 19th century (Epinal print)
The Guards Falling Backwards, illustration from 'The Life of Our Lord Jesus Christ', 1886-94 (w/c over graphite on paper)
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The Adopted Child in the Desert (L'enfant adopté dans le désert), by Emile-Jean-Horace Vernet known as Horace, 1848, 19th Century, oil on canvas, 54 x 46,5 cm
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Hand operated wooden washing machine, 1890
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Arundel 263 f.87v, f.86 Notes and diagram on optics, concerning the caustics of reflection, c.1503-5 (pen & ink on paper)
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Mario Vargas Llosa, 1985 (photo)
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Portfolio II, 1952 (gelatin silver print)
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Arundel 263, f.24v, Notes and sketches illustrating Leonardo's study of breathing apparatus for a diver, from 'Codex Arundel' 1508 (pen & ink on paper)
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Arundel 263, f.211r Notes, sketches & diagrams, from 'Codex Arundel' (pen & ink on paper)
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Dancers, Relief, Mastaba of Kagemni, Saqqara, Egypt
Ms. 8937, Codex Madrid I f.45r, tempered spring, 1493 (pen & ink on paper)
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Cranford by Mrs Gaskell
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The world upside down, 19th century (Epinal print)
Arundel 263 f.145v, f.142 Notes and diagrams on furnaces, from 'Codex Arundel' (pen & ink on paper)
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Arundel 263, f.220v, f.221, Notes; mathematical calculations, from 'Codex Arundel' (pen & ink on paper)
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Arundel 263, f.221v, f.220 Notes, diagrams and sketches from 'Codex Arundel' (pen & ink on paper)
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Arundel 263, f.264v Drawings on on the mechanical powers and forces, percussion, gravity, motion, optics and astronomy, with various arithmetical and geometrical propositions.
The History of Don Quixote by Cervantes
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The History of Don Quixote by Cervantes
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Serie “” Les bas bleu””, which turns in derision the women authors who delay family life and domestic tasks for the benefit of their intellectual work and establish themselves in an exclusively male environment: a young woman emancipee, leaving the infant to her husband, a houseman - Lithograph by Honore Daumier, 1844 (Series “” The blue stockings”” that lampoons women authors who leave family and household chores for the benefit of their intellectual work, a young and emancipated woman, leaves her husband and child to go to meet her editor) Collection privee
Tasso Recognized by His Sister in Sorrento, 1855-1856 (oil on canvas)
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The world upside down, 19th century (Epinal print)
Tribute Money, 1425-1427 (fresco)
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Constellation of the Dolphin - Constellation of Delphinus - Constellations of the Dolphin and Altair. On the top right, the constellation of the Fleche, on the left, the Dolphin; on the bottom right, the brilliant star Altair in the Eagle. Delphinus the Dolphin looks remarkably like the creature it represents. Delphinus is a small constellation of Greek origin, but despite its diminutive size it is quite easy to find. The bright star Altair in neighboring Aquila is probably the best guide. Delphinus' brightest star, Rotanev (ss Del) is of magnitude 4, and its name honors the astronomer Nicolaus Venator (Rotonov backwards). The next brightest star in Delphinus is Sualocin, which at first glance appears English, but is Nicolaus spelled backwards. He was assistant to the rather more famous Italian astronomer Giuseppe Piazzi. The main stars of Sagitta are also well seen here
Constellation of the Dolphin - Constellation of Delphinus - Constellations of the Dolphin and Altair. On the top right, the constellation of the Fleche, on the left, the Dolphin; on the bottom right, the brilliant star Altair in the Eagle. Delphinus the Dolphin looks remarkably like the creature it represents. Delphinus is a small constellation of Greek origin, but despite its diminutive size it is quite easy to find. The bright star Altair in neighboring Aquila is probably the best guide. Delphinus' brightest star, Rotanev (ss Del) is of magnitude 4, and its name honors the astronomer Nicolaus Venator (Rotonov backwards). The next brightest star in Delphinus is Sualocin, which at first glance appears English, but is Nicolaus spelled backwards. He was assistant to the rather more famous Italian astronomer Giuseppe Piazzi. The main stars of Sagitta are also well seen here
One of the Advantages of Gas Over Oil, plate 5 from 'A London Nuisance', 1822 (hand coloured etching)
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The Shed Art Center, Hudson Yards District, New York City, United States (photo)
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Falling off the Matterhorn
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Kris Kross, 1988 (photo)
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Hemp factory, 1845
Apollo 11: lunar rock - Apollo 11: lunar rock - First sample of lunar rock brought by astronauts of the Apollo 11 mission. 27 July 1969. This is the first lunar sample that was photographed in detail in the Lunar Receiving Laboratory at the Manned Spacecraft Center. The photograph shows a granular, fine - grained, mafic (iron magnesium rich) rock. At this early stage of the examination, this rock appears similar to several igneous rock types found on Earth. The scale is printed backwards due to the photographic configuration in the Vacuum Chamber. The sample number is 10003. This rock was among the samples collected by astronauts Neil A. Armstrong and Edwin E. Aldrin Jr. during their lunar surface extravehicular activity on July 20, 1969. 27 July 1969
Inseparable Friends to Elba' Medallion.
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Tribute Money, 1425-1427 (fresco)
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Arundel 263, f.224 Notes and diagrams; sketches of mountains and a cave, from 'Codex Arundel' (pen & ink on paper)
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Charles Dickens's novel, 'Our Mutual Friend'
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The Remorse of Orestes (Il rimorso di Oreste), by Giorgio De Chirico, 1969, 20th century (oil on canvas) 90 x 70 cm
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Arundel 263, f.43v, f.42, Notes and diagrams on mechanics, entitled 'Del mobile essu motore' from 'Codex Arundel' (pen & ink on paper)
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Arundel 263, f.222v, f.219, Drawings on the mechanical powers and forces, percussion, gravity, motion, optics and astronomy, with various arithmetical and geometrical propositions (pen & ink on paper)
Arundel 263, f.218v, f.215 Notes and diagrams from 'Codex Arundel' (pen & ink on paper)
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Reclining Bather. Alcmene's Rest, 1932 (oil on canvas)
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Arundel 263 f.231v, Notes and sketches on mechanics, from 'Codex Arundel' (pen & ink on paper)
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