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Greek mythology: the Erinyes or infernal goddesses, Megere (jealousy), Alecto (anger) and Tisphone (revenge) - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Megaera, AlThe Greek Enrinyes or Roman Furies - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Three old women Kate, Nan and Bess drinking gin punch and flip in a tavern. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Disabled soldier begging charity from a rich parson and receiving nothing. The Pluralist and the Soldier. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Greek mythology: Alecto, Erinye or infernal goddess of anger, fighting with snakes - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Alecto, one of the Greek Enrinyes or Roman Furies, angry one, depicted with snakes - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Wealthy fat broker and poor rustic peasant in rags. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
History of U.S. Foreign Relations Part 3 - Reluctant World Power
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Greek mythology: Tisisphone, Erinye or infernal goddess of destructive and murderous revenge, with a torch and a snake wraps on his arm - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Tisphone, one of the Greek Enrinyes or Roman Furies, goddess of vengeful destruction and murder, depicted with snakes and a torch - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Greek mythology: Megere, Erinye or infernal desses of jealousy, with its attributes, a dagger and a snake - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Megaera, one of the Greek Enrinyes or Roman Furies, the jealous one depicted with a dagger and snake - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Backbiting woman - Painting, 1939
Two drunks at a table, one vomiting while another holds his wig to stop it falling into the bowl. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Two ugly rustics enjoying a tankard of beer. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
The comical figures of Cimon and Mopsus with the lovely Phillida. From Colley Cibber's comic opera Damon and Phillida, 1729. Copperplate engraving by Thomas Sanders after a satirical illustration by John Collier (Timothy Bobbin) (1708-1786) in Human Passions Delineated, John Haywood, Manchester, 1773.
Cartoon of two politicians both holding the Magna Carta. Whigs pick our pockets, tories make us poor! Copperplate engraving by Thomas Sanders after a satirical illustration by John Collier (Timothy Bobbin) (1708-1786) in Human Passions Delineated, John Haywood, Manchester, 1773.
Two rustics Hal and Dick fighting over a rumour of infidelity about Hal's wife Doll. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Hodge and Roaf accuse each other of leaving a pot of piss in place of a jug of ale. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Cartoon of a lustful priest listening to a wench's confession while leering at her bosom. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
A judge unlacing a woman's bodice and molesting her after browbeating her at trial. Copperplate engraving by Thomas Sanders after a satirical illustration by John Collier (Timothy Bobbin) (1708-1786) in Human Passions Delineated, John Haywood, Manchester, 1773.
Caricature of macaroni fashions of the late 18th century, men in long wigs powdered with pomatum. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
The Disappointment: an old woman interrupts an amorous couple in a hotel room. A peeping Tom watches from behind a folding screen. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Toby stealing a jug of ale from Hodge and Roaf and leaving a pot of piss in its place. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Captain Plume seducing country wench Rose, while her brother Bullock tries to warn her against him. Satire from George Farquhar's play The Recruiting Officer. Copperplate engraving by Thomas Sanders after a satirical illustration by John Collier (Timothy Bobbin) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Bankrupt Toby and wife Doxy begging for cheese and ale in a tavern. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Three friends enjoying true contentment from a single bottle of wine. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Yeddart and Hodge in a jealous fight over a pot of ale. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Cartoon of a miser Screwby being duped by a bankrupt aristocrat with a parcel of fake parchments. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Lawyer pouring wine into the nose of a drunken vicar. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Caricature of macaroni fashions of the late 18th century, man in high wig looking at a reflection in a mirror, while a fawning barber trims a wig. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Desportion of anger: a married couple fight over money, the husband assaulting her with a ladle, the wife pulling his hair. Copperplate engraving by Thomas Sanders after a satirical illustration by John Collier (Timothy Bobbin) (1708-1786) Human Passions Delineated, John Haywood, Manchester, 1773.
Old Darby with empty tankard and Joan with her tobacco pipe. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Three ugly country bumpkins in competition over their looks. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
depiction of hypocrisy. A horned demon in holy robes preaches at a table while stealing gold from a fellow's purse. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.
The Morning Visit: Caricature on the relations between aristocracy and the clergy. Lord at his table writing with a quill pen surrounded by documents and charters. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
A plump rich vicar with tobacco pipe and liquor ignores the entreaties of a poor old woman. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Man in wig seated a table with two men whispering in his ear. Woman with spinning wheel and knitting needles sitting dejected at a table. Title page with calligraphy and vignette drawn by Tim Bobbin (John Collier) (1708-1786) and engraved by Thomas Sanders from Human Passions Delineated, John Haywood, Manchester, 1773.
Two ugly rustic drunks enjoying a jar of moonshine or cheap gin. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Rustics laughing as they share a bootle of liquor. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.
Caricature of fashions of the late 18th century: women in tall wigs with garden of flowers in her bosom, and macaroni in a tall wig with extravagant mass of hair tied at the back. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Dentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Physician laughing as he pulls a patient's tooth with string. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
A sailor cheated out of his share of the prize money by his navy. Unable to pay six guineas, Jack Tar dies of grievance in the lobspound (prison). Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Religious satire showing a priest in a barrel preaching to a crowd of misfits and oddities, cows and chickens. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
A physician in a bad wig laughing as he rests his foot on his patient's chin and tries to pull a tooth with string. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.