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118 médias trouvés pour 'Empty Tomb'

Noli Me Tangere, 1442 (fresco)
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The Holy Women at the Sepulchre (acrylic on canvas)
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Fol.126v The three Marys carry an ointment to the tomb to annoint the body of Christ (vellum)
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Sunday morning, very early, 1998 (acrylic on canvas)
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Fol.127va Mary Magdalene finds the tomb without the body of Christ (vellum)
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Christ Blessing, c.1500 (tempera, oil & gold on panel)
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The Holy Women (three Maries) and the Angel in front of the Empty Sepulchre, 14th century (fresco)
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Mary Magdalene and the Holy Women at the Tomb, illustration from 'The Life of Our Lord Jesus Christ', 1886-94 (w/c over graphite on paper)
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Egerton 1139, ff.9v-10 Harrowing of Hell; Three Maries, illustrations from the 'Psalter of Queen Melisende', Jerusalem, c.1131-40 (ink, colour & gold on vellum)
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The Angels in the Tomb (gouache on paper)
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Assumption of the Virgin Mary, 1532 (canvas)
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The three Maries (Holy Women) who discover the tomb of Christ empty while the angel Gabriel announces his resurrection to them. Painting by Bartolomeo Schedoni (or Schedone, 1578-1615), 17th century. Galleria nazionale of Parma Italy
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The Resurrected Christ appearing to St. Magdalene, c.1514 (tempera & oil on wood panel)
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The apostles Peter and John discover the tomb of the empty Christ, from the Leggendario Sforza-Savoia, 1476 (illuminated miniature)
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Assumption of the Virgin, 1635 (oil on canvas)
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The Holy Women, illustration for 'The Life of Christ', c.1886-94 (w/c & gouache on paperboard)
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The angel shows the Three Maries the empty tomb, with sleeping soldiers below. London Psalter. between 1250 and 1260.
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Psalter - Book of hours, 1218-1228 (parchment)
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The Resurrection
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The Holy Women at the Sepulchre, 1613-16 (etching & engraving)
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Italy, Latium Region, Vulci Archeological Park, Tomb of Inscriptions
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The Resurrection, Canterbury Cathedral, 1902 (stained glass)
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Italy, Latium Region, Viterbo Province, Tarquinia Etruscan Necropolises
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The Ermite small monastery at the top of Mount Alvernia on Cat island, over 63 meters, Bahamas. Mt. Alvernia Hermitage and Father Jerome's tomb atop Como Hill, 2019 (photo)
The Ermite small monastery at the top of Mount Alvernia on Cat island, over 63 meters, Bahamas. Mt. Alvernia Hermitage and Father Jerome's tomb atop Como Hill, 2019 (photo)
The Ermite small monastery at the top of Mount Alvernia on Cat island, over 63 meters, Bahamas (photo)
The Ermite small monastery at the top of Mount Alvernia on Cat island, over 63 meters, Bahamas. Mt. Alvernia Hermitage and Father Jerome's tomb atop Como Hill, 2019 (photo)
The Ermite small monastery at the top of Mount Alvernia on Cat island, over 63 meters, Bahamas. Mt. Alvernia Hermitage and Father Jerome's tomb atop Como Hill, 2019 (photo)
The Ermite small monastery at the top of Mount Alvernia on Cat island, over 63 meters, Bahamas. Mt. Alvernia Hermitage and Father Jerome's tomb atop Como Hill, 2019 (photo)
The Ermite small monastery at the top of Mount Alvernia on Cat island, over 63 meters, Bahamas. Mt. Alvernia Hermitage and Father Jerome's tomb atop Como Hill, 2019 (photo)
Three Maries at the Sepulchre
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Women discovering Jesus' empty tomb, relief in church choir, 13th century, Le Prieure, Le Bourget du Lac, Auvergne-Rhone-Alpes, France, 11th-19th century
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The Ermite small monastery at the top of Mount Alvernia on Cat island, over 63 meters, Bahamas (photo)
The Resurrection: Christ rises from the tomb, terrifying the guards; the women and the angel at the empty tomb
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Assumption of the Virgin
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The holy women at the sepulcher, Life of Christ (15th century), frescoes, Chapel of St Sebastian, Villard-de-Lans, Rhone-Alpes, France.
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Ganges, Agra, India (photo)
The Angel Seated on the Stone of the Tomb, illustration from 'The Life of Our Lord Jesus Christ', 1886-94 (w/c over graphite on paper)
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Design for a sarcophagus with cherubs flanking an empty cartouche, 1650-99 (graphite, pen & brown ink and brown wash on laid paper)
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Jesus' empty tomb and the angel.
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Office for the Dead at Vespers. Placebo, with initial 'P'. The three Maries at the sepulchre; the angel in the empty sepulchre; the women tell the disciples. Marginal scenes of a death-bed, a burial service, and a tomb with figures of mourners [perhaps of the Earl of Arundel]; and small scenes of men with a chest of money, a beggar, and a camel passing through a narrow gate.
Mary Magdalene Questions the Angels in the Tomb, illustration for 'The Life of Christ', c.1886-94 (w/c & gouache on paperboard)
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Panel from 5C door: the Holy Women at the empty tomb
Assunta with a Glory of Angels, by Giambattista Tiepolo, 1759, 18th Century, fresco
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