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John Napier (1550-1617) of Merchiston (oil on canvas)
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The Bones and Muscle of the arm, c.1510 (pen & ink with wash over black chalk on paper)
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A skull sectioned, 1489 (pen & ink over black chalk on paper)
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The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)
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The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper)
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Verso: The muscles of the shoulder and arm, and the bones of the foot c.1510-11 (pen & ink with wash, over black chalk on paper) (verso of 3899939)
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The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)
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The muscles and tendons of the lower leg and foot, c.1510 (pen & ink, over traces of black chalk on paper)
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The bones of the foot, and the muscles of the neck, c.1510 (pen & ink with wash over black chalk on paper) (verso of 5321249)
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The bones and muscles of the shoulder, c.1511 (pen & ink with wash over black chalk on paper)
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The Crucifixion (oil on panel)
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  • Bridgeman Images only provides access to this image. Consent to use and possible payment of an additional fee may be required according to Italian Cultural Heritage Code and would need to be cleared in advance with the institution where the work is kept.
The bones and muscles of the leg, c.1510-11 (pen & ink with wash over black chalk on paper)
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Pelvis with Distance, 1943 (oil on canvas)
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The skeleton, c.1510-11 (chalk, pen & ink on paper)
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Studies of a cranium, 1489 (pen & ink on paper)
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The Skeleton, c.1510 (pen & ink with wash over black chalk on paper)
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The throat, and the muscles of the leg, c.1510-11 (pen & ink with wash over black chalk on paper) (recto of 399265)
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Recto: The bones and schematised muscles of the leg, c.1510 (pen & ink over traces of black chalk on paper)
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The anatomy of a bear's foot, c.1485-90 (pen & ink with heightening over metalpoint on paper)
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Recto: The bones of the foot, and the shoulder, c.1510-11 (pen & ink with wash, over traces of black chalk on paper)
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The tendons of the lower leg and foot, c.1510 (pen & ink over black chalk on paper)
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The Raising of Lazarus, Catacombs of Via Latina, Rome (fresco)
Pictogram on an ox scapula with a ritual to ward off danger (bone)
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Pirate, illustration for 'The Pirates of Penzance' by Gilbert and Sullivan (print)
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  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Balkan Baroque I, 1997 (c-print)
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Heel bone and nail from the ossuary of ‘Yehohanan son of Hagkol”
The bones and muscles of a bird's wing  c.1512-13 (pen & ink over chalk on paper)
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Cow's Skull with Calico Roses, 1931 (oil on canvas)
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premium
Skeleton of Napoleon’s horse 'Marengo'
The bones and muscles of the arm, c.1510-11 (black chalk, pen and ink, wash on paper)
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Recto: The bones of the arm and leg, c.1510-11 (pen and ink with wash, over black chalk on paper)
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The Neck, c.1485-90 (metalpoint, pen & ink, leadpoint and white heightening on paper)
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Pictogram on turtle plastron with divination text (turtle plastron)
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Frontal view of the skeleton of a horse, study No. 10 from 'The Anatomy of the Horse', 1766 (pencil on paper)
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Napier's rods, 1671-1700 (wood)
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La Carcasse : A Witch Being Drawn On The Skeleton Of A Monster, pre c.1620 (oil on copper)
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The Crucifixion, c.1525-28 (tempera & oil on panel)
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Recto: The bones of the foot, c.1510-11 (black chalk, pen and ink, wash on paper)
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Ossuary of 'Joseph son of Caiaphas, Jerusalem (limestone)
Verso: Studies of the fetus, related internal organs, and the arm, c.1511 (pen & ink on paper)
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Recto: The muscles of the shoulder and arm, c.1510-11 (pen & ink on paper) (recto of 3899940)
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