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'Set Square' immagini e video risultati page 1 of 13

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Immagini di 'Set Square' trovate, 1,133

Untitled, 1960-1961 (oil on paper laid down on canvas)
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A round map of the world, set in a square ornamental frame, Jerusalem being in the centre, with a zone of winds, figures of inhabitants, etc .
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Geometry instructing students
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Set design for 'The Barber of Seville' by Gioachino Rossini (w/c on paper)
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Top, L-R: Oriental Coffee Pot, Benham & Froud, c.1888 (brass, copper and wood); Japanese Rivetted Square Teapot, Benham & Froud, c.1888 (copper and brass); Claret Jug, Richard Perry, Son & Co., c.1880 (copper and rosewood); Middle, L-R: Claret Jug, Hukin & Heath, c.1879 (electroplated silver, glass and wood); Claret Jug, James Dixon & Sons, c.1879 (electroplated silver and glass); Water Jug, Elkington & Co., 1885 (electroplated copper with walnut wood); Bottom, L-R: Three part Cruet and Stand, Elkington & Co., c.1878 (electroplate and glass); Oil and Vinegar Bottles and Stand, Elkington & Co., c.1878 (electroplated silver and glass); Scalloped Toast Rack, James Dixon & Sons, c.1880 (electroplated silver)
The Holy Family
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Set design of square, by Michele Mariesche (1710-1743), engraving
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Set design by Francesco Bagnara for first scene of Fausta, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice
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Set design by Alessandro Sanquirico (1777-1849) depicting village square for opera L'elisir d'amore (The Elixir of Love) by Gaetano Donizetti (1797-1848)
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Set design for Phryne opera by Charles Camille Saint-Saens
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Scenography for The Egyptian Helen (Die Aegyptische Helena, 1927) by Richard Strauss, Vienna, 1928, 20th century
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Set design by Pietro Bertoja (1828-1911) for fourth act of Il Corsaro (The Corsair), opera by Giuseppe Verdi (1813-1901)
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Square in front of Cathedral of Valladolid, scene from Don Carlos by Giuseppe Verdi (1813-1901), set design by Charles Cambon
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Set design by Pietro Bertoja (1828-1911) for Otello, opera by Giuseppe Verdi (1813-1901), for performance at La Fenice Theatre in Venice
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King Offa directs the building of St Albans Church, c.1250
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Set design by Filippo Peroni depicting the large square of Palermo in the fourth act, scene V of the opera I vespri siciliani (Sicilian Vespers), by Giuseppe Verdi (1813-1901)
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Set design by Amable Petit and Eugene-Benoit Gardy depicting hall of palace, for act II of Otello, opera by Giuseppe Verdi (1813-1901), performance at Paris Opera, October 12, 1894
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Set design by Charles-Antoine Cambon (1819-1885) depicting square facing Valladolid Cathedral, for third act, scene IV of opera Don Carlos, by Giuseppe Verdi (1813-1901), at Paris Opera, March 11, 1867
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Roman merchant ship, c 200
Square in front of Cathedral of Valladolid, Act III, Scene IV, set design by Charles Campon for Don Carlos by Giuseppe Verdi (1813-1901), performance in Paris, Salle Le Peletier opera house, March 11, 1867, France, 19th century
Mecklenburgh Square, Winter (oil on card)
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Composition, 1959 (oil on paper laid down on panel)
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Couple Dancing, design for panel outside 33 Fitzroy Square (gouache on paper)
Ring (photo)
Traffic lights at the Potsdam Square, 1924 (b/w photo)
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Wallestein 's Horoscope
Still life with the set square (Natura morta con la squadra), by Carlo Carrà, 1917, 20th Century, oil on canvas, 46 ? 61 cm
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Los Angeles, 1949
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Night purse in gold fabric with gold and silver clasp set with rubies, by Mario Buccellati, 1930s.
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People Playing With A Giant Chess Set on A Square, Amsterdam, Netherlands (photo)
Bedroom, Gordon Square, 1912 (oil on canvas)
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On the roof at 34 Brunswick Square, 1912
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Dead Spring, 1929 (oil on canvas)
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Sanhedrin convened by Napoleon 1807 - prayer
Emerald girdle of Maharaja Sher Singh, c.1835-45 (Emeralds, diamonds, pearls, gold, fabric and silver-gilt thread)
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Calculating Machines, 17th Century Napier's bones (batons de Napier ou reglettes de Neper), c 1690
Art Deco lapel watch, c.1925 (diamonds, onyx, sapphires, rubies, emeralds & platinum)
Charlton Heston and Stephen Boyd on the set of the film 'Ben Hur', Rome, Italy, 1958 (b/w photo)
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Horses Running Endlessly, 1995 (wood chess broad and pieces)
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Acropolis in Athens and Parthenon, 5th century BC (photo)
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Sophia Loren at work in a pizzeria, 1954 (b/w photo)
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Part of a 'set' of 12 aquatints by Malton which do not form part of the Picturesque Tour. A columned portico facade to the right, on a wide cobbled street, with figures standing in the right foreground, including a carriage, a woman sitting at the edge of the pavement with a child on the left, two ladies with a dog and two gentlemen to the right
Village of Pashwar, Kafirestan.
27 Sep 1885
View looking towards the fortified village enclosure, with a group of villagers standing beside the stream in the foreground. 
On arrival the guests were taken into the village, a square three-storied enclosure; exterior measurement of each face 160 feet, interior about 90 feet. The material was stone set in clay, and deodar timber. The doors, verandah, railings and other woodwork were ornamented by a good deal of carving, and in the centre of the square was a raised platform for dancing, with benches round the sides..'. [Albumen print, 255x207mm].
Constellation of Lupus and Norma - Constellation of Lupus and Norma - Also visible are the constellations of the Compas, the Southern Cross, and much of the Centaur. At the top of the picture, the bright spot is the planet Jupiter. Lupus, (the Wolf), was regarded by the Greeks and Romans as an unspecified wild animal, which the Centaur is carrying as a sacrifice the gods. The identification of Lupus as a wolf seems to have been made in relatively recent times. Both Lupus and Norma are in the rich starfields of the southern Milky Way, easily seen between Antares and alpha and beta Centaurii. The brightest object in this image is Jupiter, on the ecliptic at the top of the frame. Norma, (originally Norma and Regula, the builder's level and set square) is an insignificant scattering of stars compared to Lupus and Centaurus. Like the adjacent Circinus (the Drawing Compasses), it was invented by Nicolas de Lacaille, who charted the southern sky from South Africa in 1751 - 2 and felt obliged to fill vacant spaces in the sky with Enlightenment - inspired instruments of science
Christ healing the Lame Man at the Pool of Bethesda
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Shoulder headdress (Zigiren-wunde), possibly Baga, late 19th-early 20th century (wood & metal)
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Mosaic of a Vine Scroll Border with Peacocks, Antioch, 526-540 (marble and limestone tesserae embedded in lime mortar)
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Sir John Brownlow ('Young Sir John’) 3rd Bt (1659-1697) ?
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Sandwich set, c.1935 (earthenware)
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